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Gene Hall was born on June 12, 1913 in Whitewright, Texas. He started playing the C-melody saxophone in his youth before switching to alto saxophone. He studied music at what is now the University of North Texas between economic hardships and stints with traveling bands, ultimately playing with Floyd "'Fessor" Graham's stage band and completing a master's thesis that provided the foundation for the jazz studies program at UNT. In the mid-1940s, Hall worked as staff arranger for Fort Worth radio station WBAP, and his manuscript arrangements are found in the UNT Music Library's WFAA-WBAP collection. He returned to North Texas as director of the Laboratory Dance Band (where the Lab Bands got their name) in 1947, and led the program to significant growth, with television and contest appearances. Hall departed North Texas for Michigan State University in 1959, later serving on the music faculty of the College of the Desert in Palm Desert, California, and of Stephen F. Austin State University in Nacogdoches, Texas. He served as the first president of the National Association of Jazz Educators, and received their Hall of Fame award in 1981. Hall died in Denton, Texas on March 4, 1993.
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January 10, 2018.
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The collection consists of sixteen boxes of papers, correspondence, memorabilia, newspaper clippings, and music for jazz ensembles of various sizes, as well as one piece of realia.
Three copies.
Includes adjudication forms from Michigan State University T.V. Orchestra's appearances at Notre Dame Collegiate Jazz Festival under Hall, correspondence, and papers related to other jazz education events and organizations.
Two stapled sets of papers, corresponding to sides of a tape.
Verifies identities and spellings of names mentioned in oral history interview. Correspondence between UNT Music Library and History Department.
Includes two copies of "Gene Hall Gift" document.
Annotated in pencil and ink by LaRocca.
Contained contents of Folders 7 and 8. Postmarked October 1, 1957.
Original and photocopy.
Two sets of paper of different sizes -- unclear if they are for the same event.
Pages 38-40: "Gene Hall: In His Own Words," by Michael Cogswell. Magazine and typed copy of article in file.
Includes biography of Hall and seating list for event in his honor, letters of tribute or condolence (arranged in alphabetical order), obituaries, and funeral and concert programs.
In the Stage Band Directors' Newsletter, "a service of Down Beat magazine for music educators."
Two sets of copies.
Conductor / teacher's manual. San Antonio: Southern Music Company. 2 copies.
Part books for C, B-flat, E-flat, bass clef instruments, piano, guitar, drums.
Ph.D., Michigan State University.
Found with other items in this box. Standard jazz and popular tunes, some marked for revision. See also: Series 2, Boxes 2 and 3.
Includes 1951 Jazz Frolic, 1957 and 1959 Laboratory Dance Band concerts, 1987 Homecoming Dance/Concert.
Doctor of Education, New York University.
Published by the A.J. Showalter Co., Dalton, GA, and the Showalter-Patton Co., Dallas, TX.
Interview conducted by Michael Cogswell and Ronald E. Marcello.
Wayne Blankenship, Th. D., presiding.
Oversized materials found with items in Box 1.
See also: Box 1, Folders 7, 8, 9.
Fourth movement of Gillis' Cowtown Suite. Ozalid copy of manuscript score.
8 x 10 inches, black and white.
8 x 10 inches, black and white.
Includes trophy described in Series 3.
Appears to be same event as Item 13.
Master of Arts.
Includes "A Tribute to Gene Hall." One laminated cover and two full copies.
Primarily newspaper clippings, with some photos.
Only document found inside was an invitation to the 1987 NTSU Alumni AwardsDinner.
Six volumes of parts for jazz standards, arranged by instrument for a band consisting of two horns and a rhythm section.
8 volumes of jazz standards, arranged by instrument, for an ensemble consisting of three horns and a rhythm section. This box contains books for different combinations of horns: "alto (tenor)," "tenor (alto)," "tenor (trombone)," "trombone (tenor), and trumpet.
Rhythm section books for three-horn ensemble, and separate set of lead sheets for B-flat (two books) and bass clef instruments.
North Texas Lab Band 1949: Flamingo, Danny Boy, Begin the Beguine, Talk of the Town - We'll Be Together Again, Embraceable You, Blue Skies - Theme, Where or When. Lab Band 1950: Laura, Swanee River, P.S. I Love You, Ain't Misbehavin', Streets of Laredo, Four of a Kind, And the Angels Sing, Yesterdays, Tea for Two, Tiger Rag. Lab Band 1953: Stompin at the Savoy (trumpet solo, Gene Murray, tenor saxophone solo, Phil Manning), Moonglow.
Lab Band 1953: Oh, Lady Be Good (Gene Murray, arranger), Elevation (Frank Todd), Oh, Lady Be Good, Stompin' at the Savoy (Phil Manning), Serene Moods (Rocky Hampton, arranger), I Cover the Waterfront, She's Funny That Way (Dan Alexander), Yesterdays (Phil Manning), Blue Moon Mambo, Harping on a Harp (Pat McCracken), Slaughter on 10th Avenue. 1951: She's Funny That Way ("Harold Grogan?"), Poinciana ("Leslie Repace?"). 1954: Skullduggery, Extemporaneously Speaking.
No other information on container.
7.5 IPS dual track copy from masters. Spine label says 1957.
Toddlin', Poinciana, Woodchopper's Ball - Frank Todd, Euel Box, Marshall Head, Aldon Graham, Paul Guerrero. I Found a New Baby - Harvey Anderson, Tommy Loy (french horn), Paul Guerrero, Bob Rober. (Program also lists Jerry Harmon, Ralph Pittman, George Mosse).
3-inch reel
Name of Conrad Baska on reverse side.
Recorded in Denton, 1959 Jazz Festival. Lab Band A: Pedestrian, A Foggy Day, Nobody's Heart. Lab Band B: Three Dee, Opus III, Pequod.
Combos: Euel Box: Mood Indigo, Carioca. Lanny Steele: The Nearness of You, Says My Heart. Jody Lyons: Jeepers Creepers, For All We Know.
I'm Beginning to See the Light (Jody Lyons), Polka Dots and Moonbeams, Vino for Doris, Too Marvelous for Words, Relaxin' (part).
Lab Band: Easy to Love, A Foggy Day, Too Marvelous For Words, Nobody's Heart, Gower Street, Hey There. Lab Band with Buddy DeFranco: Heat Wave, Can't Help Lovin' That Man, Almost Like Being in Love, The Gulf Coast, The Great Lakes, Stardust ("other side of tape), Stompin' At the Savoy, Now's The Time.
Side 1: Lab A: The Pedestrian, A Foggy Day, Gil Not Bill, Nobody's Heart. Lab B: Three Dee, Opus III. Lanny Steele: The Nearness of You. Side 2, Lab B: Pequod. Lanny Steele: Says My Heart. Lab A: There Will Never Be Another You, Polka Dots and Moonbeams, Vino for Doris, Too Marvelous for Words, Hey There, Jeepers Creepers (Jody Lyons).
Sam Donahue, John La Porta (listed twice), North Texas State College Band.
Tape dub.
Tape dub.
Tape dub.
Tape dub.
Tape dub.
Tape dub of Metro Jazz E 1007.
Tape Dub
No other information on container.
Also labeled for 3-horn band.
Also labeled for 3-horn band.
Photocopy. Denton, TX: Jockobotz Publishers.
For guitar. Unbound pages in envelope.
Manuscript score in pencil for three unidentified instruments, trombone, and rhythm. Name of Red Boyd at top of page.
Gene Hall speeches; notes for lecture on the Swing Era.
Photocopies of published piano-vocal scores; blank guitar chord grids.
Inscribed to Alvin by Russ Garcia.
Binder has logo of College of the Desert Roadrunners. Contents are alphabetical set of information on country musicians taken from magazines and other sources.
Spine label.
Organized in reference to tapes numbered 1-13.
Some manuscript pages.
Christmas music.