06/113 Guide to the Barry S. Brook and Malena Kuss Collection: The Universe of Music: A History Brook Finding Aid Authors: UNT Music Library and Malena Kuss.

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2018-03-05 This finding aid was encoding in EAD by Archon 3.21 from an SQL database source on March 21st, 2019. The collection description/finding aid is written in English Guide to the Barry S. Brook and Malena Kuss Collection: The Universe of Music: A History 1979/2007 Music Library Overview of the Collection Barry S. Brook and Malena Kuss Collection: The Universe of Music: A History 1979-2007 06/113 Barry S. Brook and Malena Kuss 10.00 English French German Spanish;Castilian Portuguese Russian Music Library

Other Information:

"MLM" refers to Music in the Life of Man, the project’s original name, which was changed in 1988 to The Universe of Music: A History (UMH). At a planning meeting of the project which took place at The Smithsonian Institution in Washington, D.C., in conjunction with preparations for the Smithsonian conference on “Musical Repercussions of 1492: Encounters in Text and Performance,” chaired by Carol E. Robertson in 1988, Robertson objected to the use of the word “man” in the title and it was decided to change the project’s name to The Universe of Music: A History. Proceedings of the conference, edited by Robertson, were published by The Smithsonian Institution Press in 1992.

 Biographical Information:

Barry Shelley Brook (November 1, 1918 – December 7, 1997) received a B.S.S. from the City College of New York (1939) and an M.A. from Columbia University (1942), where he studied with Paul Henry Lang, Erich Hertzmann, Hugh Ross, and Roger Sessions. He continued his studies at the Université de Paris, and, in 1959, he was promoted there to the Docteur de l’Université after defending his dissertation on “La Symphonie française dans la seconde moitié du XVIIIe siècle.” In 1974, he received a honorary doctorate ad eundum gradum from the University of Adelaide. He was decorated for his service as a U.S. Air Force captain in the European theater of operations during World War II. His lifelong affiliation with the City University of New York began as a fellow at City College (1940-42) and continued at Queens College (1945-89). In 1967 he founded CUNY’s graduate program in music and was its Executive Officer until his retirement in 1989. In 1986 he became a Distinguished Professor at CUNY.

Brook was also on the faculty of the Juilliard School and the head of its DMA program (1977-87). In 1984, on the initiative of the Centre National de la Recherche Scientifique, he designed and established a doctoral program in musicology at the École Normale Supérieure in Paris. As a visiting professor Brook taught at nine other universities in the U.S., Australia, and France. He received many awards, including the Dent Medal of the Royal Musical Association (1965), the French government named him a Chevalier of the Order of Arts and Letters (1972), the Royal Swedish Academy of Music elected him to be among its fellows (1988), and the American Musicological Society recognized his contribution to musicology with an Honorary Membership (1997). He served as the vice-president (1974-77) and president (1977-80) of the International Association of Music Libraries (IAML), and the vice-president (1980-82) and president (1982-84) of the International Music Council (IMC).

Brook’s interests were immense and in many areas pioneering, ranging from music iconography, the history of thematic catalogues, the sociology and aesthetics of music, and the application of computers in musicology, to the 18th-century French symphony and the music of Haydn and Pergolesi. His dissertation is a groundbreaking study on the 18th-century French symphony, which provides extensive documentation, a thematic catalogue of over 1200 works, and an edition of eight works. He initiated fundamental research on the history of the thematic catalogue, publishing a facsimile of the Breitkopf thematic catalogue and two editions of the annotated inventory of thematic catalogues (with Richard J. Viano). In source studies Brook developed a technique of analyzing composers’ handwriting, demonstrating this by identifying Pergolesi’s authentic opus and the body of Haydn’s string trios. While initiating the publication of Pergolesi’s collected works, of which he was the general editor, he also founded the Pergolesi Research Center at the CUNY Graduate School, which owns an extensive microfilm collection of Pergolesi sources. Under his editorship a sixty-volume series of symphonies 1720-1840 and a dozen volumes in the series of French opera in the 17th and 18th centuries were published. In 1979 Brook initiated, under the auspices of the International Music Council of UNESCO, a global project called The Universe of Music: A History intended to provide a comprehensive history of music cultures throughout the world. After his death in 1997, Malena Kuss assumed the Executive Directorship of the Universe of Music project and published two volumes on Latin America (Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico [2004] and Performing the Caribbean Experience [2007]).

It is to Brook’s credit that he understood the enormous possibilities of computer applications in musicology, and in the early 1960s he had already advocated their use in the control of music sources. In 1964 he made a proposal for the Plaine and Easie Code, a system of notating music using ordinary typewriter or keypunch characters. The following year he founded Répertoire International de Littérature Musicale (RILM), the international annotated bibliography of music scholarship, and in 1967 the first volume of RILM Abstracts was issued under his editorship. At the 1971 St. Gall meeting of IAML, he initiated the Répertoire International d’Iconographie Musicale (RIdIM), an international project aiming to develop the methods, means, classification, cataloguing, and research of iconographic sources relevant to music, and, in 1972, he organized the Research Center for Music Iconography at the CUNY Graduate School, where he developed a vast archive and designed a computer-operated information retrieval system. He was also a member of the RISM Commission Internationale Mixte (1986-97).

Brook’s interests and projects are embodied in the extensive documentation and archival sources housed at the Center for Research and Music Documentation which he founded in 1989 at CUNY. The Center has since been renamed in his honor. The Barry S. Brook and Malena Kuss Special Collection at the University of North Texas Music Library holds correspondence and works in progress documenting the creation and development of The Universe of Music: A History project (1979–2007).

Malena Kuss (b. 1940) is Professor Emeritus of Musicology, University of North Texas, Denton (1976–1999), and former Vice President of the International Musicological Society (2009–2017). She holds a Ph.D. in Historical Musicology from UCLA (1976) and a M.M. in Piano Performance from SMU (1964). Internationally recognized for her research on the music of Alberto Ginastera (1916–1983), with whom she studied composition for six years in Buenos Aires, Kuss has published extensively on opera in Latin America, oral and written musical traditions in comparative cultural contexts, and music historiography from a global perspective.

Her deep commitment to disseminating the perspectives of Latin Americans in the Anglophone sphere of influence resulted in the publication of an unprecedented history of musical traditions which gathers contributions by over a hundred scholars from 36 countries and places particular emphasis on music in social contexts and instruments as living cultural artifacts (Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico [2004] and Performing the Caribbean Experience [2007], with 4 CDs). An expert in 20th-century music, her work on Ginastera has centered on intratextual relationships, pitch organization, and postmodernism in an American cultural setting (“Symbol und Phantasie in Ginasteras Bomarzo [1967],” 1984; “The structural role of folk elements in 20th-century art music,” IMS/Bologna 1987/1990; Alberto Ginastera Musikmanuskripte, Paul Sacher Stiftung, 1990; “The many meanings of Bearbeitung,” 2012; “The progress of a method,” 2013; “Ginastera y sus laberintos,” 2016). Research into the musical dramaturgy of a vast repertoire of operas from Argentina, Brazil, Cuba, Mexico, and Peru served to explore cultural tropes, feeding historiographical reflections and coverage of the repertoire in reference works (“The ‘Invention’ of America: Encounter settings on the Latin American lyric stage,” IMS/Madrid 1992/1993; “Nacionalismo, identificación y Latinoamérica,” 1998); “Prologue” to Music in Latin America and the Caribbean: An encyclopedic history,” volume 1, 2004; “Western thought from a transcultural perspective: Decolonizing Latin America,” 2005; “On shifts and rifts, or musicology without borders,” 2014; entries in Pipers Enzyklopädie des Musiktheaters and New Grove Opera). Between 2008 and 2010, Kuss was invited to serve as Consulting Curator at the Musical Instrument Museum (MIM) in Phoenix, Arizona, where she designed 43 exhibits and built a collection of over 1,500 instruments.

In 2009, Malena Kuss received the prestigious Platinum Konex Award, which honors the most influential personalities of the last decade in the arts, theater, and literature in Argentina. Other recognitions and research awards include Fulbright-Hays, NEH, ACLS, Mellon, and Paul Sacher Stiftung grants. In 1997, she held the “Jesús C. Romero” Chair in Musicology sponsored by Mexico’s Instituto Nacional de Bellas Artes; and, in 1999, she was honored by the International Music Council with an Individual Membership for her work on The Universe of Music project, a world history of music under her executive directorship since 1997. She was also the recipient of an Honors’ Professorship from the University of North Texas Student Association for excellence in teaching. In 2017, Kuss was elected to Honorary Membership in the American Musicological Society, which, according to its By-laws, honors “long-standing members of the Society who have made outstanding contributions to furthering its stated object.”

An affinity with musicology as broadly defined (Charles Seeger) coalesced in collaborations with the International Music Council associated with UNESCO (The Universe of Music: A History, 1983–1997) and service to the International Musicological Society, the International Association of Music Libraries, Archives, and Documentation Centres (Secretary, Bibliography Commission, 1984–1990), and the American Musicological Society (member and chair, Stevenson Award Committee, 2008–2009; 2018–2021; member and juror, AMS 50, 1996–1999). Elected to the Directorium of the International Musicological Society for two terms and Vice President between 2009 and 2017, Kuss represented IMS on the Grove Music Online Advisory Panel and founded the IMS Regional Association for Latin America and the Caribbean in 2012 (IMS/Rome), serving as Coordinator until 2016 and organizing its first conference on “Latin America and the Canon” (Havana, 2014). In 2015 Kuss was chair of the IMS Program Committee for the inter-congressional symposium on “Music Research in the Digital Age,” which was held jointly with IAML at New York’s Juilliard School.

Barry S. Brook headed the MLM/UMH project from its inception in 1979 until his death in 1997. Following his expressed wishes, Malena Kuss was elected President of the UMH Board of Directors at a meeting in Paris in 1996, established the project as a not-for-profit corporation no longer associated with the IMC of UNESCO in 1997, and assumed the Executive Directorship in 1997, publishing two volumes in a series of four on Latin America and the Caribbean in 2004 and 2007.

 Administrative History:

THE UNIVERSE OF MUSIC: A HISTORY (UMH)

Malena Kuss Executive Director (1997–) Barry S. Brook, Executive Director (1979–1997)

The Universe of Music: A History (or UMH) owes its existence to the imagination of Barry S. Brook (1918–1997), which knew no limits. A distinguished 18th-century scholar, he was a futurist who rekindled the spirit of French encyclopedism in vast international projects whose boundaries were set only by the size of the planet. Driven by an insatiable curiosity that defied confinement to “areas of specialization” (in one membership directory he appeared under “interests unlimited”), he wrote as much about his beloved classic period as he did about computer applications to musicology. If he saw the need for bibliographic control of literature about music, he envisioned a tool that could serve the needs of scholars worldwide in RILM, which he created in 1965; and if recovering 18th-century French symphonies in a 3-volume dissertation (1962) was only a start, he set out to capture The Symphony 1720–1840 in a 60-volume set published between 1979 and 1986. After these and other projects were well under way, the challenge had to be upgraded.

The idea of creating a world history of musics, which the Polish musicologist Zofia Lissa had advanced in the 1970s, found fertile soil in Barry Brook’s imagination, and he proposed it to the International Music Council (IMC) of UNESCO during his term as president (1982–1983). We had worked on preliminary steps since a conference in São Paulo, at which I presented a paper on Africa’s legacy in Latin America, organized by the Brazilian National Committee of the IMC in 1980, with J.H. Kwabena Nketia in attendance. The project, then known as MUSIC IN THE LIFE OF MAN, however, was formally established in 1983.

This was a humancentric cultural adventure, as Chilean Samuel Claro used to call it. When in 1988, at a meeting at the Smithsonian Institution, Carol Robertson objected vociferously to the use of “man” in the title, the project lost its luster and became THE UNIVERSE OF MUSIC: A HISTORY. Since then, I have had to explain that, unlike other monumental projects undertaken in the past decades to record knowledge about music worldwide (including The New Grove and MGG/2), UMH is not an encyclopedia but a HISTORY, the most ambitious collaborative history of musics ever conceived. Only the volumes on Latin America and the Caribbean involved 136 scholars from over 40 countries. Multiply by 8, the number of major regions that were covered, and you get more authors than the total of 800 IMS members.

The roster of contributors was a slice of state-of-the-art historical musicology and ethnomusicology in the 1980s and 1990s. The team of coordinators included J.H. Kwabena Nketia (Africa), Tsuge Gen’ichi (Asia), Trân Van Khê (Southeast Asia), Habib Touma (the Arab world), Ingmar Bengtsson (Europe), Charles Hamm (North America, to include the U.S. and Canada), Malena Kuss (Latin America and the Caribbean, to include Mexico), and Mervyn McLean (Oceania). Russia and China were assigned their own sub-coordinators and the archive at the Music Library, University of North Texas, includes all the contributions by Russian scholars.

As in Reinhard Strohm’s Balzan Project, Towards a Global History of Music, The Universe of Music centered on relationships. LINKS, ALWAYS LINKS, was Barry’s motto. In UMH coalesced fluid concepts, dynamic processes, resignifications, and “relationships within networks of relationships,” as in Eric Wolf’s definition of history in Europe and the People Without History (1982).

To understand what UMH was about we must step back, as did the German musicologist Walter Wiora more than a half century ago, in a visionary little book called The Four Ages of Music (1961/1964), He sees the great millennium of Western predominance and influence NOT as eurocentric or ethnocentric (an attitude that always betrays a residue of colonial mentality), BUT as one of four ages: prehistory, high cultures of antiquity, the age of Western predominance, and the 20th century: an age of technology and global interactive culture. Ours is the age of “micromusics” (Mark Slobin), transnational musics (the tango in Tokyo and Helsinki), and constant resignifications (like huayno and cumbia in chicha), all dynamic, not static concepts. This is the time when “nobody” is driving the car (James Clifford, The Predicament of Culture, 1988), when the center and periphery model is a thing of the past, while the canonized, great tradition of Western art music endures as remains of the day, in parallel fashion to globalized composition and performance and institutionalized in academia, concert life, and festivals.

Wiora, in his small visionary book, could only suggest these relationships and complex cultural transactions. The huge canvas of UMH would have materialized what Wiora could barely intimate in 1961, had circumstances not derailed completion. (We ran out of money.)

Much, however, was accomplished. In 2004 and 2007 I published 2 of 5 completed volumes on Latin America and the Caribbean. If in volume 1, Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico (2004), “Most fascinating of all was being invited into worlds where myth is real, time is cyclical and music and sound are altering, metamorphic powers” (Mary Helen Klare for La Frontera, Autumn 2005), the commitment to perspectives of cultural insiders had a considerable impact on the Caribbean, according to Simon Lee’s review of Performing the Caribbean Experience, edited by Malena Kuss, in The Caribbean Review of Books (18 November 2008):

"Before getting inside those covers, however, it might be helpful to locate Performing the Caribbean Experience in the creole canon, to which it is a classic addition. In terms of documenting, conceptualising, and analysing Caribbean music, this is probably the most important text published since Alejo Carpentier’s Music in Cuba …. Performing the Caribbean Experience belongs on the same shelf as José Martí’s Nuestra América; Jean Price-Mars’s Ainsi parla l’oncle; C.L.R. James’s Black Jacobins and Beyond a Boundary; Fernando Ortiz’s Cuban Counterpoint: Tobacco and Sugar; Alejo Carpentier’s Los pasos perdidos / The Lost Steps; Césaire’s Cahier; all of Fanon; Glissant’s Caribbean Discourse; Chamoiseau, Bernabé, and Confiant’s Éloge de la créolité; Kamau Brathwaite’s Development of Creole Society in Jamaica; Benítez-Rojo’s Repeating Island …. there are other texts on this shelf, but these are some of the most significant in establishing the conceptual framework for engaging with the creole aesthetic. Performing the Caribbean Experience takes its rightful place in the Mundo Nuevo canon and even carves out its own niche, as the most comprehensive creole investigation of cultural forms to date."

Performing the Caribbean Experience (2007) essentially tells the story of how Caribbeans transcended slavery through music, as told by actors who are or were a part of that historical experience. After many prolific years of producing “work in progress” that saw the publication of hefty bibliographies of each major region, published in-house by the IMC/UNESCO in 1984; tables of contents for each of the regional volumes; an entire collaborative volume on Africa produced by Nketia in 1992 from a Bellagio seminar; the entire coverage of Australia and New Zealand, with a few essays on Pacific islands; a classic chapter by José Maceda on gongs in Asia; and much more, what was most significant for me was a notice in the Bajan Reporter of December 20, 2008 reporting an interview with Archivist Victoria Borg O’Flaherty, who had been so helpful to me in covering St. Kitts/Nevis, who proudly announces that “Music Anthology acknowledges St. Kitts’ Cultural Heritage.” “Music in Latin America and the Caribbean is important because the authentic rhythm, sound and lyrics of the Federation are now documented and recognized as part of the Caribbean culture.” The slogan used by curators at the new Smithsonian National Museum of African American History and Culture, “A people’s journey, a nation’s story,” is easily applicable to the volumes on Latin America and the Caribbean created for The Universe of Music: A History.

In the words of J.H. Kwabena Nketia, who recently celebrated his 95th birthday, writing in 1980 about the need for a world history of music at our first conference in São Paulo, as cited in Jacqueline Cogdell DjeDje in “The Present State of African Music Historiography and Sources of Historical Data” (1992),

"What is needed at this time then is a panoramic view of music history which does not obscure historical processes in different musical cultures in order to create the impression that music history everywhere follows one unchanging course. We need a world history of music that brings out not only the development of forms and structures but also the role that music has played in different musical cultures in different epochs [the role of music in human life, or, MUSIC IN THE LIFE OF MAN], a world history of music that demonstrates how musical cultures expend and reintegrate themselves in response to both internal and external factors, a history that identifies and evaluates the specializations that lead to the development of distinctive traditions shared by members of families of musical languages or clusters of musical cultures cultivated over a large geographical area of social and cultural interaction. We need a world history of music that stimulates general awareness and deeper understanding and appreciation of historical processes in music as an artistic and socio-cultural phenomenon." (In International Conference on African Music and Dance, The Universe of Music: A History, convened by J.K. Kwabena Nketia, Bellagio Study and Conference Center, October 12-16, 1992, p. 73.)

Malena Kuss Cold Spring, New York, February 2017

 Access Terms

This Collection is indexed under the following controlled access subject terms.

Topical Term: Music--Historiography--Africa, Sub-Saharan. Music--Historiography--Asia. Music--Historiography--Caribbean. Music--Historiography--Europe. Music--Historiography--Latin America. Music--Historiography--Middle East. Music--Historiography--North America. Music--Historiography--Oceania. Music--Historiography—Africa, North. Administrative Information Acquisition Information:

Gift.

 Conditions Governing Use:

Reproduction and publication of materials in this collection are subject to the policies of the UNT Music Library. Copyright restrictions may apply.

 Conditions Governing Access:

Access to this collection is provided only by special arrangement. Please contact the Music Library for more information.

 Physical Characteristics or Technical Requirements:

Collection is housed in the UNT Music Library. Advance notice for use is required. Please contact the Music Library for further information.

 Scope and Contents

The collection consists of 10 boxes of correspondence and works in progress documenting the creation and development of The Universe of Music: A History project (1979–2007).

 Detailed List of Contents id198811 1 692553 id198812 1 Parcel from Dr. Richard Moyle, University of Auckland. "Papers" 1999 March 20 Scope and Contents

Cover sheet: "New Zealand, completed." The Universe of Music: A History: articles covering New Zealand for the volume on Oceania. Printed copies of articles with some correspondence and copies of contracts. The completed volume on Oceania includes over 100 articles covering Australia, New Zealand, and some of the Pacific Islands (see Table of Contents). Mervyn McLean (b. 1930), University of Auckland, served as original Coordinator for Oceania; when his health declined, Richard Moyle assumed the coordinatorship of this volume.

 id198813 1 Parcel from Dr. Richard Moyle, University of Auckland. "Papers" 1999 March 20 Scope and Contents

Cover sheet: "Island Oceania." See note on previous item.

 id198814 1 1 Music in the Life of Man African Authors, 1 of 2 correspondence, Nketia Scope and Contents

"1988-present." J. H. Kwabena Nketia was Coordinator of the UMH volume on Africa from the beginning of the project (1980) and one of its staunchest supporters. He was a member of the UMH Board of Directors (1983-2007), and, in addition of producing tables of contents and a number of feasibility studies, organized the "International Conference on African Music and Dance: Problems and Prospects" at the Bellagio Study and Conference Center, October 12-16, 1992. The conference yielded 19 “Working Documents” by top Africanists such as Steven Knopoff, Eddie Meadows, Jacqueline C. DjeDje, Kazadi wa Mukuna, Veit Erlmann, Lester P. Monts, Ruth M. Stone, and Kofi Agawu, among others. Copy of Working Documents, in the possession of Malena Kuss, will become a part of the UNT Barry S. Brook/Malena Kuss Collection in the near future. J. H. Kwabena Nketia passed away at age 97 on March 13.

 id198815 1 2 Africa - Nketia - proposal to Rockefeller Center Music/Dance 1991 Scope and Contents

See note on previous item.

 id198816 1 3 Nketia Volume V Africa - report for Madrid 1992 April Scope and Contents

International Musicological Society, XVth Congress, Madrid/1992, session on The Universe of Music: A History (UMH) chaired by Barry S. Brook, with participation of coordinators and reports by a number of contributing scholars.

 id198817 1 4 Music in the Life of Man African Authors, 1 of 2 correspondence, Nketia Scope and Contents

"1987-previous."

 id198818 1 5 Nketia: The Performing Musician in a Changing Society id198819 1 6 Africa in the World of Music and suggested contributors to the volume on African music (Nketia) id198820 1 7 Nketia: Sources of historical data - Africa id198821 1 8 Africa: Geocultural study (Nketia) Scope and Contents

All coordinators were commissioned geocultural studies of the specific regions under their charge. This UMH Collection includes all the geocultural studies and bibliographies of sources that preceded coverage of each region. The bibliographies were published in-house by the International Music Council (IMC) of UNESCO in 1984. Garland subsequently published Japanese Music: An Annotated Bibliography (Garland Bibliographies in Ethnomusicology, vol. 2, 1986) by Tsuge Gen'ichi, Coordinator of the UMH volumes on Asia in collaboration with Trân Van Khê.

 id198822 1 9 Music in the Life of Man - Africa - clarified, includes "Musical survey of northern Kenya" id198823 1 10 Africa - Author (Madagascar) - Domenichini-Ramiaramanana, Bakoly id198824 1 11 Ashenafi Kebede, Music in Afro-Asiatic Cultures: The Role of Music in Jewish and Christian Communities of the Near East and the Nile River Civilizations Scope and Contents

Ashenafi Kebede (1938-1998) was an Ethiopian composer, ethnomusicologist, conductor, and poet. See also: next two items.

 id198825 1 12 African author: Kebede - correspondence id198826 1 13 Kebede: Music in Afro-Asiatic Cultures id198827 1 14 The Universe of Music: A History: Africa author Emmanuel Gyimah Labi (University of Ghana) id198828 1 15 Music in the Life of Man: Africa authors: I. Mwesa Mapoma id198829 1 16 Africa: Authors / Lupwishi Mbuyamba correspondence Scope and Contents

Lupwishi Mbuyamba, from Zaire/Democratic Republic of Congo, was President of the International Music Council (1988-1991). See also: next three items.

 id198830 1 17 The Universe of Music: A History: Africa: author L. Mbuyamba Scope and Contents

See also: folders 16, 18, and 19 for Mbuyamba.

 id198831 1 18 Mbuyamba: Les principaux instruments de musique ... Peuples de l'Afrique Centrale Scope and Contents

See also: previous two items.

 id198832 1 19 Photocopy: Lupwishi Mbuyamba, "Les très riches heures de la musique en Afrique" 1991 Scope and Contents

Stockholm: Publications de L'Académie Royale Suedoise de Musique No. 70. Under Hans Åstrand, Secrétaire Perpétuel of The Royal Swedish Academy of Music in Stockholm, this institution provided unswerving support for the UMH project. After the death of the Swedish scholar Ingmar Bengtsson (1920-1989), Coordinator of the volumes on Europe, Hans Åstrand and the Royal Swedish Academy of Music assumed the coordinatorship of the volumes on Europe. Åstrand also organized planning meetings of the project at the Academy in Stockholm in 1984 and 1991.

 id198833 1 20 Music in the Life of Man Africa: E. T. Mensah correspondence Scope and Contents

E. T. Mensah, Ghanaian musician (1919-1996).

 id198834 1 21 The Universe of Music: A History: Africa / authors Mensah chapter id198835 1 22 The Universe of Music: A History: Africa author Kazadi wa Mukuna id198836 1 23 Music in the Life of Man: Africa authors: Washington Ambrose Omondi / correspondence Scope and Contents

Omondi was a professor at Kenyatta University.

 id198837 1 24 Africa: authors - Adepo Yapo (Ivory Coast) id198838 1 25 Preliminary reports from meetings in 1979, 1980, 1981 (Bayreuth, including unofficial report), 1982 (Strasbourg) 1979-1982 id198839 1 26 World History of Music - Meetings, Paris 1979 October 29-30 Scope and Contents

World History of Music, still untitled, perhaps first meeting on the UMH project.

 id198840 1 27 World History of Music - Meetings, UNESCO Paris 1980 September 1-4 Scope and Contents

World History of Music, meetings. The International Music Council (IMC) was a part of the United Nations Educational, Scientific and Cultural Organization (UNESCO) at the time.

 id198841 1 28 World History of Music - Meetings, Berlin 1980 September 2-3 Scope and Contents

World History of Music, meetings in Berlin, at the International Institute for Traditional Music whose journal, The World of Music, published the earliest article on the UMH project (Vol. 22, "Towards a World History of Music," 1980/3). The history of the journal began in 1959, when it was founded as The World of Music. Bulletin of the International Music Council. In 1967, it turned into The World of Music, Quarterly Journal of the International Music Council (UNESCO) in association with the International Institute for Comparative Music Studies and Documentation (Berlin), founded in 1963 and later renamed International Institute for Traditional Music (IITM). From 1975 until 1987, the journal was edited by Ivan Vandor; and, from 1988 until 2007, by Max Peter Baumann (contributor on Bolivia in the published volume 1, Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico, edited by Malena Kuss in the series Music in Latin America and the Caribbean: An encyclopedic history, which represents coverage of the region in the Universe of Music project [University of Texas Press, 2004]). Also active at the Berlin Institute was Habib Hassan Touma (1934–1998), Palestinian composer and ethnomusicologist who specialized in the study of Arabic music and was Coordinator of the UMH “Arab” volume until his untimely death in 1998.

 id198842 1 29 World History of Music - Meetings, São Paulo 1980 November 27-28 Scope and Contents

World History of Music, meeting in São Paulo, Brazil. Organized by Brazilian composer Marlos Nobre as President of Brazil’s National Music Council. At this meeting and symposium on African Influences on Latin American and Caribbean Music chaired by J. H. Kwabena Nketia and sponsored by the Brazilian National Committee of the International Music Council (IMC/UNESCO), in cooperation with Brazil’s Ministry of Education and Culture, São Paulo, Brazil, November 21-26, 1980, Malena Kuss presented a paper on “Neo-African retentions in 20th-century operas by Brazilian composers.” At the meeting on the incipient world history of music, Nketia proposed Malena Kuss as Coordinator for Latin America and the Caribbean. Kuss, instead, proposed the Chilean Samuel Claro Valdés, who, at the time, was president of Chile’s National Music Council of the International Music Council (IMC/UNESCO). In turn, Claro Valdés, in 1983, asked Malena Kuss to Co-Coordinate the regional volume with him; in 1993 Samuel Claro Valdés resigned due to illness and Malena Kuss became the sole coordinator of the volume on Latin America and the Caribbean. Barry Brook endured metastatic cancer for several months and had surgery for a brain tumor in April of 1994. From 1994 until 2007, Malena Kuss actively coordinated the entire UMH project, which in 1997 became an independent legal entity (no longer associated with the International Music Council/UNESCO) under her executive directorship. In May of 1997, Barry S. Brook transferred to Malena Kuss all legal rights and responsibilities related to the UMH project. After Barry Brook’s death on December 7, 1997, Kuss published two volumes on Latin America and the Caribbean (Performing Beliefs: Indigenous Peoples of South America, Central America, and Mexico; and Performing the Caribbean Experience, published by University of Texas Press in 2004 and 2007, respectively). Volumes 3 and 4 were completed and typeset, but lack of funds did not permit publication. Kuss funded the preparation and typesetting of volumes 1 through 4 from her personal resources; she is still planning to publish some iconic contributions to volumes 3 and 4 written by a group of prestigious scholars.

 id198843 1 30 World History of Music - Meetings, Paris 1981 June 24 Scope and Contents

"Berlin" written in pencil on label. World History of Music, preliminary meetings.

 id198844 1 31 Music in the Life of Man - early correspondence, up to Bayreuth meeting 1979-1982 id198845 1 32 World History of Music - Meetings, Bayreuth 1981 September 20-24 Scope and Contents

Initial meeting of the board of directors.

 id198846 1 33 World History of Music: Réunion du Bureau les 4 et 5 Janvier 1983: Réunion de la Commission Internationale pour une Histoire Scientifique et Culturelle de l'humanité du 6 au 8 Janvier 1983. 1983 January 4-5, 6-8 Scope and Contents

World history of music, meeting of the International Commission for a Scientific and Cultural History of Humanity, a UNESCO project in six volumes (1952-1968) whose revision was undertaken by UNESCO by a resolution approved in 1979-1980, at the time Barry S. Brook proposed Music in the Life of Man / The Universe of Music: A History, to the International Music Council, of which he was President between 1981 and 1983.

 id198847 2 692554 id198848 2 Parcel from Dr. Richard Moyle, University of Auckland. "Papers" 1999 March 20 Scope and Contents

Additional, completed articles on New Zealand; correspondence with Barbara Smith. Part of unedited complete coverage of Australia and New Zealand, plus other chapters for the UMH volume on Oceania. Mervyn McLean (b. 1930) served as original coordinator for Oceania; when his health declined, Richard Moyle assumed the coordinatorship. These papers represent documents in the possession of the Coordinator for Oceania in 1999, which he returned to Malena Kuss, UMH Executive Director. See also: next three items.

 id198849 2 Parcel from Dr. R. Moyle. "Papers" Scope and Contents

Coverage of Australia, in process, first of two parcels. See also: previous item and next two items.

 id198850 2 Parcel from Dr. R. Moyle. "Papers" Scope and Contents

Australia, in process, second of two parcels. See also: previous two items and next item.

 id198851 2 Parcel from Dr. R. Moyle. "Papers" 1999 March 20 Scope and Contents

Coverage of Australia, completed. See also: previous three items

 id198852 2 1 The Universe of Music: A History Asia table of contents id198853 2 1 Table of Contents, Asia, Volumes II and III id198854 2 1 Stockholm, II, III suggestions 1991 December Scope and Contents

Japanese ethnomusicologist Tsuge Gen'ichi was Coordinator of the volumes on Asia, in collaboration with Vietnamese ethnomusicologist Trân Van Khê (1921–2015). Tsuge’s Japanese Music: An Annotated Bibliography was published by Garland in 1986 and based on bibliographic work done for the UMH project.

 id198855 2 2 The Universe of Music: A History: Asia / Table of Contents / Suggestions for volumes II and III 1991 id198856 2 3 II A2 emended table of contents, Asia id198857 2 4 Asia/Table of contents: special headings id198858 2 5 II A2 early table of contents (Asia) id198859 2 6 Music in the Life of Man, Asia, table of contents, suggested names id198860 2 7 Music in the Life of Man, Asia (old) table of contents id198861 2 8 Table of contents, Hong Kong id198862 2 9 Table of contents, India id198863 2 10 Table of contents, Japan id198864 2 11 Table of contents, southeast Asia id198865 2 12 Country profile / Vietnam, model Scope and Contents

The overall plan included individual country profiles at the end of each regional volume or set of volumes. Trân Van Khê wrote one of the models, on Vietnam, and Hans Åstrand, a scholar of Swedish music whose expertise extended to composers from Spain and Latin America, provided a model for the country profile of Argentina.

 id198866 2 13 Music in the Life of Man country profiles - Vietnam. Model. French. Scope and Contents

Trân Van Khê’s model for country profiles, in French. See also: previous item.

 id198867 2 14 Correspondence: General id198868 2 15 Reference article China - Zhao Feng - An Introduction to a Short Bibliography of Chinese Music History Scope and Contents

Chinese musicologist Zhao Feng served as sub-regional coordinator for China during the 1990s. In April 1992, Zhao Feng contributed to the panel on UMH chaired by Barry S. Brook at the XVth Congress of the International Musicological Society held in Madrid.

 id198869 2 16 Reference article, Lieberman: Music of the Silk Road Scope and Contents

Ethnomusicologist Fredric Lieberman (1940-2013) collaborated as consultant on Asia.

 id198870 2 17 Reference article, Ernest McClain: Tonal structuralism in ancient China and Bronze chime bells of the Marquis of Zeng id198871 2 18 Reference article, Yungfang Bingchang, Chinese Bells id198872 2 19 The Universe of Music: A History: Asia, Chinese Instrument Volume id198873 2 20 The Universe of Music: A History: Asia India info id198874 2 21 The Universe of Music: A History: Asia; India, Arvind Parikh Scope and Contents

Hindustani musician Arvind Parikh contributed to the volumes on Asia as sub-coordinator for India.

 id198875 2 22 India: Names - addresses Scope and Contents

Toda Kunio, Japan. "National Committee" refers to the Japanese National Committee of the International Music Council.

 id198876 2 23 India: Correspondence Scope and Contents

Ranganayaki Ayyangar (1927-2017), scholar and performer of Carnatic music.

 id198877 2 24 Asia: India, bibliography and identification of gaps id198878 2 25 India - reference id198879 2 26 Reference article: Kishibe Shigeo, "The Traditional Music of Japan" id198880 2 27 Music in the Life of Man Asia Japan - Toda Kunio, National Committee Scope and Contents

Toda Kunio, Japan. "National Committee" refers to the Japanese National Committee of the International Music Council.

 id198881 2 28 General references - Japan id198882 2 29 The Universe of Music: A History: Asia/Korea id198883 2 30 The Universe of Music: A History: Asia, Hsu (coordinator Taiwan) id198884 2 31 Asia coordinators id198885 2 32 The Universe of Music: A History: Asia, Ayyangar Scope and Contents

Ranganayaki Ayyangar (1927-2017): scholar and performer of Carnatic music.

 id198886 2 33 Ranganayaki Ayyangar: correspondence id198887 2 34 Ranganayaki Ayyangar: bibliography / India id198888 2 35 Music in the Life of Man: Asia, Song Bang-Song (Korea) Scope and Contents

Song Bang-Song, Korean musicologist.

 id198889 2 36 The Universe of Music: A History Asia - Jarernchai Chonpairot (Thailand) Scope and Contents

Jarernchai Chonpairot, Mahasarakham University, Thailand.

 id198890 2 37 Asia - authors, José Maceda Scope and Contents

José Maceda (1917-2004): Filipino composer and ethnomusicologist who completed a chapter on “Gongs and gong ensembles in Asia” (typescript, 181 pages) for the UMH volumes on that region. Maceda’s chapter is part of the Brook/Kuss Special Collection at the UNT Music Library. See Box 2, Folder 37, Item 6. José Maceda also authored “The present state of music research in the Philippines: Music in the Life of Man, Asia and Oceania,” for the Proceedings of the Asian Music Symposium held in Tokyo July 5-8, 1985, pages 164-169.

 id198891 2 37 The Universe of Music: A History: Asia author: Mary Frances Dunham, Bangladesh id198892 2 37 The Universe of Music: A History; Asia correspondence: Fukushima Kazuo Scope and Contents

Japanese composer and musicologist Fukushima Kazuo (born 1930).

 id198893 2 37 Article offprint from R. Günther: "Musik (Japans)" in Japan-Handbuch. Wiesbaden: H. Hammitzsch 1981 id198894 2 37 The Universe of Music: A History Authors Asia, Kamisango Yuko Scope and Contents

Kamisango Yuko: Japanese musician, expert in shakuhachi.

 id198895 2 37 Music in the Life of Man Kartomi Working File Scope and Contents

Margaret Kartomi, Australian ethnomusicologist, served as consultant.

 id198896 2 37 José Maceda, "Gongs and Gong Ensembles in Asia" Scope and Contents

Filipino composer and musicologist José Maceda contributed a chapter on gongs and gong ensembles throughout Asia for the UMH volumes on that region (typescript, 181 pages, available in typescript and scanned formats).

 id198897 2 38 Music in the Life of Man Asia authors, Maceda correspondence id198898 3 692555 id198899 3 1 Music in the Life of Man Bombay meeting minutes 1988 October 15 id198900 3 2 Music in the Life of Man Bombay meeting notes 1988 October id198901 3 3 Music in the Life of Man Bombay meeting minutes 1988 October 13 id198902 3 4 Music in the Life of Man Asia Bombay agenda and results id198903 3 5 5-9 July Tokyo Music in the Life of Man misc. handwritten notes, etc. 1985 July 5-9 id198904 3 6 Tokyo meeting July 85, correspondence about 1985 id198905 3 7 Music in the Life of Man Asia meeting Tokyo 1985 - general, reports, etc. 1985 id198906 3 8 Asia 1985 meeting, current state of research in individual Asian countries, preliminary reports including Oceania, later published 1985 id198907 3 9 Papers: Berlin meeting 1985 June 5-9 id198908 3 10 Asia: Pre-regional meeting 1983 October id198909 3 11 Asia: Consultants, Lieberman Scope and Contents

Fredric Lieberman (1940-2013): consultant on China.

 id198910 3 12 Music in the Life of Man: Asia, special advisors (Korea), Kwon Oh-sung id198911 3 13 Asia - special advisors, Robert Brown Scope and Contents

Robert E. Brown (1927–2005) was an ethnomusicologist who specialized in Indonesia, associated with UCLA, Wesleyan, and San Diego State University. He served as a consultant to the project.

 id198912 3 14 Kartomi, Margaret: New Asia coordinator Scope and Contents

After 1988, Tsuge Gen’ichi resigned as Coordinator of the volumes on Asia, a responsibility he shared with Trân Van Khê. Margaret Kartomi was subsequently invited to replace him.

 id198913 3 15 Music in the Life of Man: Asia, funding, Sangeet Research Academy id198914 3 16 The Universe of Music: A History Asia: funding (Hong Kong) id198915 3 17 The Universe of Music: A History: Asia: PP Scope and Contents

PP refers to UNESCO's Participation Programme, the system Barry Brook used to channel requests for funding and involves partnerships among supporting member states and UNESCO.

 id198916 3 18 Photocopy: Musical Voices of Asia: Report on Asian Traditional Performing Arts 1978 id198917 3 19 Asia Pacific Festival and Composers Conference: Selected Papers 1984 December id198918 3 20 Music in the Life of Man: Asia, reference article, "An Introduction to Asian Music" by William L. Purcell id198919 3 21 Music in the Life of Man Asia general reference id198920 3 22 Music in the Life of Man Asia Woodson Seoul proposal id198921 3 23 The Universe of Music: A History: Asia, Silk Roads id198922 3 24 The Universe of Music: A History Asia II, III, China supplement Scope and Contents

Asia was assigned 3 volumes in a series of 12 for the entire project.

 id198923 3 25 The Universe of Music: A History Asia / China II, III, VIII id198924 3 26 The Universe of Music: A History: Europe - Notation Scope and Contents

The Swedish musicologist Ingmar Bengtsson (1920-1989) was the first Coordinator of the volumes on Europe; after his death, Hans Åstrand, a member of the MLM/UMH Board of Directors since the project’s inception and Secrétaire Perpétuel of the Royal Swedish Academy of Music, assumed the coordinatorship of these volumes.

 id198925 3 27 Europe I: Population id198926 3 28 Europe I: Tradition id198927 3 29 The Universe of Music: A History: Europe - Finland id198928 3 30 Europe - Ireland id198929 3 31 Europe I: Portugal id198930 3 32 Latin American annotated bibliography, Malena Kuss Scope and Contents

Malena Kuss, Coordinator, Latin America and the Caribbean, to which the project initially assigned one volume (IX). Annotated bibliographies of existing research were a part of the "feasibility studies" required by UNESCO for each region. Kuss’ Latin American Music: An Annotated Bibliography of Reference Sources and Research Materials, was published in-house by the International Music Council of UNESCO in 1984 (133 pages). An abbreviated version of this bibliography was published as “Current state of bibliographic research in Latin American music” in Fontes artis musicae, 34/4 (Oktober-Dezember 1984) 20–39. Annotated in Duckles and Keller, Music Reference and Research Materials, 4th edition (1988), 197; and 4th edition revised (1994), 207.

 id198931 3 33 The Universe of Music: A History: Stockholm 1988 December id198932 3 34 Zhao Feng: Bibliography / China Scope and Contents

Chinese musicologist Zhao Feng contributed to the project as sub-regional coordinator for China in the 1990s.

 id198933 3 35 Music in the Life of Man Asia: Zhao Feng, correspondence id198934 3 36 Music in the Life of Man: Tsuge Gen'ichi Scope and Contents

Tsuge Gen’ichi: Japanese scholar who served as Coordinator of the volumes on Asia in collaboration with Trân Van Khê from the inception of the project until 1988.

 id198935 3 37 Asia correspondence: Tsao, Hong Kong Scope and Contents

Tsao Penyeh: ethnomusicologist, formerly at the Chinese University of Hong Kong.

 id198936 3 38 The Universe of Music: A History Asia sub-regional coordinator, Alison McQueen Tokita Scope and Contents

Tokita: Kyoto City University of the Arts.

 id198937 3 39 Trân Van Khê’s model for country profiles, in French Scope and Contents

In addition to comprehensive bibliographies of existing research, UNESCO required geocultural studies of each region prior to commissioning actual chapters. The Vietnamese scholar Trân Van Khê (1921–2015), who lived in Paris for most of his life and was active in projects of the International Music Council/UNESCO, served as Co-Coordinator of the volumes on Asia from the inception of the project. He was also a member of the MLM/UMH Board of Directors.

 id198938 3 40 Trân Van Khê, geocultural study id198939 3 41 Music in the Life of Man Asia correspondence, Trân Van Khê, co-coordinator Scope and Contents

See also: previous item, geocultural study.

 id198940 3 42 Asian authors: Premlata Puri (India) id198941 3 43 The Universe of Music: A History Asian author Franciscus Xaverius Suhardjo Parto (Indonesia) id198942 3 44 Mitani Yoko, correspondence id198943 4 692556 id198944 4 1 The Universe of Music: A History: Europe / Helsinki meeting 1989 January 27-29 id198945 4 2 SIMAF (Second Symposium on African Music), Nairobi 1987 February id198946 4 3 Africa regional meetings, Nairobi 1987 February id198947 4 4 The Universe of Music: A History Europe - miscellaneous pamphlets id198948 4 5 USSR: Reference articles, USSR Union of Composers Information Bulletin id198949 4 6 Eur I reference article - Eero Tarasti, "Processes of change in Finnish music culture during the industrialization period" Scope and Contents

Eero Tarasti: University of Helsinki.

 id198950 4 7 Eur I reference article - Theodor Schieder (1908-1984), "Begriff und Probleme einer europäischen Geschichte" id198951 4 8 Music in the Life of Man Europe, Jan Ling article, "Europe as a Conceptual Unit in Music History" Scope and Contents

Swedish musicologist Jan Ling: author of A History of European Folk Music, 1997.

 id198952 4 9 Europe I - reference paper, Kuss Scope and Contents

Culture-specific themes for the core volume on Europe (VI) requested by Barry S. Brook from Malena Kuss and sent to him in advance of a meeting on the structure of that volume. Original and scanned copy available.

 id198953 4 10 Eur I reference article - Jens Brincker, Gyldendals Musikhistorie Scope and Contents

Danish musicologist Jens Brincker.

 id198954 4 11 Reference article, Gojowy, Detlef, "Die Musikwissenschaft in der Ost-Europa Forschung" Scope and Contents

German musicologist Detlef Gojowy (1934-2008).

 id198955 4 12 Europe I reference article, Basso, "Musicologia" Scope and Contents

Italian musicologist Alberto Basso (born 1931).

 id198956 4 13 USSR contracts Scope and Contents

The Union of Soviet Socialist Republics was dissolved in 1991. Coverage of the USSR in the 1980s was entrusted to sub-regional coordinator Vsevolov Zaderatsky. The Barry S. Brook and Malena Kuss Collection includes all the articles gathered by Zaderatsky and written in Russian for UMH volume VIII on the then-USSR.

 id198957 4 14 Europe II - Romania id198958 4 15 Africa: Kinshasa meeting: programs 1983 id198959 4 16 Africa: Kinshasa meeting: papers and reports 1983 id198960 4 17 Africa: Kinshasa meeting: correspondence 1983 id198961 4 18 Africa: Kinshasa meeting: addresses, participants 1983 id198962 4 19 IMC reports, table of contents, II, III Scope and Contents

The International Music Council required progress reports. Volumes II and III were to cover Asia.

 id198963 4 20 Dec 11-19 Stockholm The Universe of Music: A History minutes 1991 December 11-19 Scope and Contents

Minutes: meeting of the Universe of Music: A History (UMH) project at the Royal Swedish Academy of Music in Stockholm, hosted by Hans Åstrand.

 id198964 4 21 The Universe of Music: A History: Stockholm meeting 1991 December Scope and Contents

Sub-folder: The Universe of Music: A History: Europe Åstrand agendas VI, VII PP. After the death of the Swedish scholar Ingmar Bengtsson (1920-1989), Coordinator of the regional volumes on Europe (VI, VII), Hans Åstrand, Secrétaire Perpétuel of the Royal Swedish Academy of Music and member of the UMH Board of Directors, took over the region’s coordinatorship. PP stands for Participation Program, the channel through which the project requested funds from UNESCO.

 id198965 4 22 Madrid meeting, Åstrand summary, board of directors 1992 April Scope and Contents

Meeting in conjunction with the 15th Congress of the International Musicological Society, Madrid, 3-10 April 1992.

 id198966 4 23 The Universe of Music: A History / Europe Volume 1 (VI in the series), Bengtsson, plan for European volumes and Music in the Life of Man Stockholm 1988 September Scope and Contents

UMH Europe volume 1 (VI in the series), coordinated by Ingmar Bengtsson, for 1988 meeting in Stockholm held one year before Bengtsson’s death in 1989. The folder consists of: 1. A table of contents for Music in the Life of Man (MLM) Europe. 2. Five copies of a letter from Ingmar Bengtsson to all members of the MLM Europe planning team, each with a copy of the table of contents in the previous item. 3. Table of contents for The Universe of Music – A History (UMH), Volume VI, Europe I.

 id198967 4 24 Bombay meeting details id198968 4 25 Conference materials, Symposium International de Musique Africaine (SIMAF), Kinshasa 1983 February 1-5 id198969 4 26 Africa - reference - Goree festival id198970 4 27 The Universe of Music: A History Africa reference, UNESCO history of Africa 1983 id198971 4 28 Africa table of contents (Volume V) 1992 Scope and Contents

Prepared by J. H. Kwabena Nketia, Coordinator of volume V on Africa and member of the UMH Board of Directors.

 id198972 4 29 The Universe of Music: A History: Africa, table of contents id198973 4 30 Music in the Life of Man: Africa table of contents (possible collaborators) id198974 4 31 The Universe of Music: A History: Africa / preliminary table of contents id198975 4 32 Kinshasa meeting: speech by BSB [Barry S. Brook] 1983 id198976 4 33 Kinshasa meeting: Bantou information 1983 Scope and Contents

Label in folder.

 id198977 4 34 Africa: reference article: Catálogo de instrumentos musicais de Moçambique id198978 4 35 Africa: reference articles: The Chronicler: An annual mouthpiece of the Center for Black Culture (Kebede) id198979 4 36 Reference article, Lupwishi Mbuyamba and Ngoma Nlolo, "Berceuses du Zaïre," Volume I id198980 4 37 Africa: reference article: Mbyuamba, Lupwishi, "Promesses de la tradition musicale dans l'effort d'adaptation de l'Église du Zaïre" id198981 4 38 Africa: reference article: Percussion notation, Doris Green id198982 4 39 Africa: reference article, Música tradicional em Moçambique id198983 4 40 Reference articles: Africa: John Miller Chernoff Scope and Contents

Several subfolders with articles by Kwabena Nketia and K.A. Gourlay

 id198984 4 41 Pierre Sallée, curriculum vite et titres et travaux "Gabon" Scope and Contents

Pierre Sallée, Gabon specialist (died 1987).

 id198985 4 42 The Universe of Music: A History: Africa: working file id198986 4 43 Africa: general correspondence id198987 4 44 The Universe of Music: A History: Oceania / authors: Guy Tunstill id198988 4 45 Music in the Life of Man Oceania author Steve Wild Scope and Contents

Stephen A. Wild: Australian ethnomusicologist, Secretary General of the International Council for Traditional Music (2006-2011).

 id198989 4 46 The Universe of Music: A History: Oceania author: Yamaguti Osamu Scope and Contents

Yamaguti Osamu: Japanese musicologist born in South Korea in 1939.

 id198990 4 47 The Universe of Music: A History: Oceania: Karl Neuenfeldt: tourism id198991 4 48 The Universe of Music: A History: Oceania / authors: Diane Napthah id198992 4 49 Oceania author: Karen Nero id198993 4 50 The Universe of Music: A History: Oceania authors, Don Niles id198994 4 51 The Universe of Music: A History: New Zealand / author: Philip Norman id198995 4 52 The Universe of Music: A History: Oceania / author: Jane O'Brien id198996 4 53 The Universe of Music: A History: Oceania / author: Judith Parkinson id198997 4 54 The Universe of Music: A History: Oceania / author: Helen Payne id198998 4 55 The Universe of Music: A History: Oceania / author: Graham Pont id198999 4 56 The Universe of Music: A History: New Zealand / author: Brian Pritchard id199000 4 57 The Universe of Music: A History: Oceania / author: Thérèse Radic id199001 4 58 The Universe of Music: A History: Oceania / author: Suzanne Robinson id199002 4 59 The Universe of Music: A History: Oceania / author: Philip Sametz id199003 4 60 The Universe of Music: A History: Oceania author / Bruce Clunies-Ross id199004 4 61 The Universe of Music: A History: Oceania author and coordinator, Dr. Gerald R. Seaman id199005 4 62 The Universe of Music: A History: Oceania author / Margaret Seares id199006 4 63 The Universe of Music: A History: Oceania author correspondence: Barbara B. Smith id199007 4 64 The Universe of Music: A History: Oceania authors: Graeme Smith id199008 4 65 The Universe of Music: A History Oceania / author: Laura Souder id199009 5 692557 id199010 5 1 The Universe of Music: A History: advisor, Oceania, correspondence: Gordon Spearritt id199011 5 2 The Universe of Music: A History: New Zealand / author: Len Stanners id199012 5 3 The Universe of Music: A History: Oceania / author: Christopher Symons id199013 5 4 The Universe of Music: A History Oceania author John M. Thomson id199014 5 5 The Universe of Music: A History: Oceania author / George Tibbits id199015 5 6 The Universe of Music: A History: Oceania author / Richard Toop (1945-2017) id199016 5 7 The Universe of Music: A History Oceania / authors: Deborah Crisp id199017 5 8 The Universe of Music: A History: Oceania author / Joel Crotty id199018 5 9 The Universe of Music: A History: Oceania author: Chantal-Marie Crowe id199019 5 10 The Universe of Music: A History: New Zealand / author: William Dart id199020 5 11 The Universe of Music: A History: New Zealand / author: John Dix id199021 5 12 The Universe of Music: A History: New Zealand / author: William Drake id199022 5 13 The Universe of Music: A History: Oceania author: Catherine J. Ellis id199023 5 14 The Universe of Music: A History: Oceania / author: Denise Erdonmez id199024 5 15 The Universe of Music: A History: Oceania / author: Josephine Fantasia id199025 5 16 The Universe of Music: A History: Oceania / authors: Monique Geitenbeck id199026 5 17 The Universe of Music: A History: New Zealand / Australia / author: John Gray id199027 5 18 The Universe of Music: A History: Oceania / author: Jack Greaves id199028 5 19 The Universe of Music: A History: Oceania author / Ray Grieve id199029 5 20 The Universe of Music: A History: Oceania / author: Margaret Gummow id199030 5 21 The Universe of Music: A History: New Zealand / author: John Harrison id199031 5 22 The Universe of Music: A History: Oceania / author: John Hastie id199032 5 23 The Universe of Music: A History: New Zealand / author: Ashley Heenan id199033 5 24 The Universe of Music: A History: Oceania / author: Jennifer Hill id199034 5 25 The Universe of Music: A History: Oceania / New Zealand author: John M. Jennings, correspondence id199035 5 26 The Universe of Music: A History: Oceania / author: Bruce Johnson id199036 5 27 The Universe of Music: A History: Oceania / author: John Kellaway id199037 5 28 The Universe of Music: A History: Oceania / New Zealand / author: Elizabeth Kerr id199038 5 29 The Universe of Music: A History: Oceania / author: Grace Koch id199039 5 30 The Universe of Music: A History: Oceania: author: Richard Letts, correspondence Scope and Contents

Richard Letts: former President of the International Music Council (2005-2009).

 id199040 5 31 The Universe of Music: A History: New Zealand / author: Martin Lodge id199041 5 32 The Universe of Music: A History: Australia / author: Christopher Long id199042 5 33 The Universe of Music: A History: Oceania author / Harold Love id199043 5 34 The Universe of Music: A History: Oceania / author: James McCarthy id199044 5 35 The Universe of Music: A History: Oceania / author: Andrew McCredie (1930-2006) id199045 5 36 Alice Marshall Moyle (1908-2005) id199046 5 37 The Universe of Music: A History  Oceania, author and coordinator, Richard M. Moyle Scope and Contents

Richard M. Moyle (born 1944), Honorary Professor of Pacific Studies at The University of Auckland, New Zealand, served as Coordinator of the UMH volume on Oceania after Mervyn McLean, Professor Emeritus and Founder of the Archive of Māori and Pacific Music at The University of Auckland, resigned due to health issues.

 id199047 5 38 The Universe of Music: A History: Oceania / New Zealand / author: Angela Annabell (1929-2000) id199048 5 39 The Universe of Music: A History: Oceania / author: Michael Atherton id199049 5 40 The Universe of Music: A History: Oceania / author: Linda Barwick id199050 5 41 The Universe of Music: A History: Oceania author / Georgina Binns id199051 5 42 The Universe of Music: A History: Oceania author / Marcus Breen id199052 5 43 The Universe of Music: A History: Oceania author: Lisa Lawson Burke id199053 5 44 The Universe of Music: A History: Oceania / author: Peter Campbell id199054 5 45 The Universe of Music: A History: Oceania author / John Carmody id199055 5 46 Oceania: potential author, Vida Chenoweth id199056 5 47 The Universe of Music: A History: Oceania / New Zealand / author: Margery Charleton id199057 5 48 The Universe of Music: A History: Oceania author, Ross Clark, sub-regional coordinator, Melanesia id199058 5 49 The Universe of Music: A History: Oceania / author: Martin Comte id199059 5 50 The Universe of Music: A History: Oceania / author: Denis Condon (1933-2012) id199060 5 51 The Universe of Music: A History: Oceania / author: Roger Covell Scope and Contents

Roger Covell: Professor Emeritus, School of English Media and Performing Arts, University of New South Wales, Sydney; author of Australia's Music: Themes of a New Society (1967).

 id199061 5 52 Music in the Life of Man Oceania: ex-coordinator Mervyn McLean, "1987-present" (1 of 2) Scope and Contents

Mervyn McLean, first Coordinator, volume on Oceania. See also: next item.

 id199062 5 53 Oceania / ex-coordinator, Mervyn McLean, "1986-previous" (2 of 2), correspondence Scope and Contents

See also: previous item.

 id199063 5 54 The Universe of Music: A History: Oceania / author: Shirley Andrews (1915-2001) id199064 5 55 Oceania - contracts 1988 id199065 5 56 The Universe of Music: A History: Oceania contracts returned id199066 5 57 The Universe of Music: A History: Oceania: PP req, docs [illegible] pending 1992-1993 Scope and Contents

PP stands for Participation Programme, the channel through which Barry S. Brook, as head of the UMH project, which was sponsored by the International Music Council associated with UNESCO until 1997, requested funds from UNESCO for regional volumes.

 id199067 5 58 Oceania coordinators and contracted authors id199068 5 59 Oceania: maquettes received Scope and Contents

Richard M. Moyle was Coordinator of the volume on Oceania, after the resignation of Mervyn McLean due to health issues.

 id199069 5 60 Music in the Life of Man: Oceania Australia table of contents id199070 5 61 Oceania: tables of contents, Micronesia id199071 5 62 Oceania: tables of contents, New Guinea id199072 5 63 Computer discs containing articles (sent by Moyle) Scope and Contents

Two 3.5-inch floppy disks. Richard M. Moyle was Coordinator of the volume on Oceania, after the resignation of Mervyn McLean due to health issues.

 id199073 5 64 Oceania reference article: Indian Ocean festival id199074 5 65 Music in the Life of Man Oceania, reference article, "Musical Instruments of the Eastern Caroline Islands," in Micronesian Reporter (1975), by Donald M. Evans. "New crossfile." id199075 5 66 Oceania reference article: Earthwatch 1983, Fall: Gongsmiths of Bali id199076 5 67 Music in the Life of Man Oceania: meetings, Australian Musicological Society, University of Queensland 1986 May id199077 5 68 Musicological Society of Australia papers, Brook, Tsuge 1986 May Scope and Contents

Barry S. Brook, Tsuge Gen’ichi, Coordinator of volumes on Asia with Trân Van Khê.

 id199078 5 69 Oceania meetings: Auckland University School of Music, New Zealand Committee meeting 1989 April 17 id199079 5 70 Musicological Society of Australia; IAML and IASA in Australia 1986 id199080 5 71 Parcel from Dr. Richard Moyle, University of Auckland. "Papers" 1999 March 19 Scope and Contents

Australia completed, second of three parcels. See also Box 10, Folder 1.

 id199081 5 72 Parcel from Dr. Richard Moyle, University of Auckland. "Papers" 1999 March 19 Scope and Contents

Australia completed, third of three parcels. See also Box 10, Folder 1.

 id199082 6 692558 id199083 6 1 N/A [North America] author, Max Kaplan Scope and Contents

The UMH volume X (North America) was to cover the United States and Canada. Mexico, a part of continental North America, is covered under Latin America. Charles Hamm (1925-2011) was the volume’s first coordinator. He resigned in the early 1990s after requesting payment equivalent to a year’s salary at Dartmouth College in order to take a sabbatical and edit the volume. With deep regret, however, the UMH project could not consider his request, as it suffered from a chronic lack of appropriate funding. All the coordinators, including Barry Brook and Malena Kuss, worked ad honorem.

 id199084 6 2 The Universe of Music: A History: North America / authors: Keitha V. Lucas id199085 6 3 Music in the Life of Man: North America / authors: Ramón Pelinski (1932-2015) correspondence id199086 6 4 North America author / Ramón Pelinski (1932-2015) and Nicole Beaudry: "Eskimo Music Culture" id199087 6 5 North America author / Lewis Porter id199088 6 6 The Universe of Music: A History / North American author: Michael Saffle id199089 6 7 Michael Sahl and Beth Anderson correspondence id199090 6 8 Michael Sahl and Beth Anderson: North America Part I: 12 Categories and Genres id199091 6 9 Music in the Life of Man: North America authors: John Shepherd, contracts and correspondence Scope and Contents

John Shepherd, Chancellor’s Professor of Music and Sociology, Carleton University, Ottawa.

 id199092 6 10 John Shepherd: "Music in an Industrial Capitalist Society" id199093 6 11 The Universe of Music: A History: North America author Will Straw id199094 6 12 North America author William John Summers id199095 6 13 The Universe of Music: A History North America author Paul Théberge id199096 6 14 Hot: Hamm NEH Application id199097 6 15 Hamm, Charles: The Periodization of North American Music id199098 6 16 The Universe of Music: A History: Marcia Herndon / North America co-coordinator id199099 6 17 North America author Irene Heskes / correspondence id199100 6 18 Irene Heskes: Jewish Music in North America id199101 6 19 Correspondence with Helmut Kallmann 1986 id199102 6 20 The Universe of Music: A History North America, Stanley Crouch id199103 6 21 The Universe of Music: A History: North America: author James Deaville id199104 6 22 North America author Stephen Erdely (1921-2017) id199105 6 23 The Universe of Music: A History North America, Robert Garofalo id199106 6 24 The Universe of Music: A History X North America, Alan Gillmor id199107 6 25 Hamm, Charles / correspondence, contracts (1 of 2), "1988-present" id199108 6 26 Hamm, Charles / correspondence, contracts (2 of 2), "1987 and previous" id199109 6 27 Hamm, Charles: more organizational materials id199110 6 28 The Universe of Music: A History North America meeting - Hamm meeting CUNY 1990 March 9-10 id199111 6 29 Music in the Life of Man North America table of contents 1988 February id199112 6 30 Table of contents, North America 1986 June id199113 6 31 The Universe of Music: A History North America / preliminary table of contents 1985 id199114 6 32 Table of contents and notes 1984 id199115 6 33 Music in the Life of Man: North America authors, Alan Gillmor correspondence id199116 6 34 North America author / Alan Gillmor: Emergence of Distinctive North American Practices - Classical Music id199117 6 35 Correspondence with William W. Austin (1920-2000) id199118 6 36 The Universe of Music: A History North America / contracts id199119 6 37 Joint coordinators, The Universe of Music: A History  North America, Alan Gillmor and John Shepherd Scope and Contents

Alan Gillmor and John Shepherd, Carleton University, Ottawa, took over the coordinatorship of the volume on North America after Charles Hamm's resignation.

 id199120 6 38 The Universe of Music: A History North America potential author Caroline C. Benser id199121 6 39 North America author Stephen Blum id199122 6 40 North America author Philip V. Bohlman id199123 6 41 North America author Dale Cockrell id199124 6 42 Dale Cockrell: American Popular Music 1820-1880 id199125 6 43 The Universe of Music: A History: The Americas / miscellaneous correspondence id199126 6 44 The Universe of Music: A History: North America / Vancouver meeting minutes 1985 Scope and Contents

Session on the Music in the Life of Man/Universe of Music project chaired by Barry S. Brook at the joint meeting of the American Musicological Society, College Music Society, Society for Music Theory, and Society for Ethnomusicology, hosted by the University of British Columbia in Vancouver, Canada, November 9, 1985, with the participation of volume coordinators and invited scholars. At the invitation of Bruno Nettl, who chaired a panel on Ethnomusicological Approaches to Western Art Music for the annual meeting of the Society for Ethnomusicology, Malena Kuss presented a paper on "Traditional elements in 19th- and 20th-century operas from Latin America and the Caribbean," November 9, 1985.

 id199127 6 45 Vancouver meeting - correspondence and planning id199128 6 46 Reports from Vancouver meetings, No. 1 1985 November id199129 6 47 Reports from Vancouver meetings, No. 2 id199130 6 48 The Universe of Music: A History: North America / Vancouver meeting / reports (more copies) id199131 6 49 The Universe of Music: A History: North America meetings / Dartmouth; Sonneck Society 1988 February; 1987 April id199132 7 692559 id199133 7 1 Reference articles about Musical Instruments: See also: Archaeology id199134 7 2 Reference: Dale Craig, "Parallels and Interactions among musical cultures, 1570-1970" id199135 7 3 Reference: José Berghmans, "Une portée musicale nouvelle pour noter des musiques differentes" id199136 7 4 Reference: Kwabena Nketia, "Geocultural Regions and Music History" id199137 7 5 Reference: V.K. Narayana Menon (1911-1997), "The Language of Music" id199138 7 6 Music in the Life of Man: Volume I: methodology, miscellaneous Scope and Contents

Volume I was to be dedicated to core issues in historiography of world's musics.

 id199139 7 7 János Kárpáti, "Study of Myth and Musicology," with cover letter 1985 July 9 id199140 7 8 Wolfgang Laade (1925-2013) Scope and Contents

Wolfgang Laade (1925-2013), “Musikwissenschaft zwischen gestern und morgen” in International Review of the Aesthetics and Sociology of Music (Zagreb), 6/2 (1975).

 id199141 7 9 Wolfgang Laade (1925-2013) correspondence id199142 7 10 Proposal: Academy for interdisciplinary study of art and music - Wolfgang Laade id199143 7 11 Nils L. Wallin - correspondence Scope and Contents

Nils L. Wallin, Swedish musicologist who coined the term biomusicology, was appointed Secretary General of the International Music Council in the 1980s, preceding Guy Huot (1990-2002).

 id199144 7 12 Music in the Life of Man Volume I authors, Bo Lawergren id199145 7 13 Bo Lawergren - draft id199146 7 14 Bo Lawergren id199147 7 15 The Universe of Music: A History, potential author John R. Hale id199148 7 16 Archaeology correspondence id199149 7 17 Reference articles: Archaeomusicology Bulletin id199150 7 18 Reference article: Ellen Hickmann, "Archaeomusicology: A presentation of some cross-cultural problems" id199151 7 19 Reference article: Joan Rimmer, "An Archaeo-organological survey of the Netherlands" id199152 7 20 Archaeology reference article - Casja S. Lund, "The 'phenomenal' bronze lurs..." id199153 7 21 Reference article: Joan Rimmer, "Tabor Pipes from Aardenburg and Goedereede: Some Musical Implications" id199154 7 22 Europe / Joachim Braun: Selected Writings on Latvian Music: A bibliography id199155 7 23 Jens Brincker id199156 7 24 Music in the Life of Man Europe, Britain/Ireland, Ann Buckley id199157 7 25 The Universe of Music: A History Europe/USSR author: Vladimir Chinaev id199158 7 26 The Universe of Music: A History: Europe II authors: Dragotin Cvetko (1911-1993) correspondence id199159 7 27 The Universe of Music: A History: Europe II authors: Dragotin Cvetko (1911-1993) about his "The Music of the Southern Slavs in the Light of the History of Western Music" id199160 7 28 The Universe of Music: A History: Madrid meeting, Maricarmen Gómez Muntané id199161 7 29 The Universe of Music: A History: Europe: Maricarmen Gómez Muntané, Spain sub-coordinator id199162 7 30 The Universe of Music: A History Europe correspondence: Ritva Maria Jacobsson id199163 7 31 UNESCO/IMC: The Universe of Music: A History, written by János Kárpáti, translated by Deborah Kiszely Scope and Contents

Hungarian scholar János Kárpáti, a Bartók specialist and former Head Librarian and Professor of Musicology, Budapest Academy of Music, served as sub-regional coordinator of Eastern Europe for the MLM/UMH project.

 id199164 7 32 The Universe of Music: A History: Europe II / Kárpáti / correspondence id199165 7 33 The Universe of Music: A History: Europe II / Kárpáti / various documents id199166 7 34 The Universe of Music: A History: Europe / Kárpáti - The Universe of Music: A History, article in Muzsika. id199167 7 35 European authors, Niels Krabbe id199168 7 36 The Universe of Music: A History: Europe, USSR, Alexander Krol id199169 7 37 The Universe of Music: A History: European authors, Hans Åstrand / correspondence Scope and Contents

Hans Åstrand: Coordinator of the volumes on Europe.

 id199170 7 38 The Universe of Music: A History suggestions for Volumes II, III, and VIII, Asia and Central Asia, Stockholm 1991 id199171 7 39 The Universe of Music: A History Europe Participation Programme request 1992-1993 id199172 7 40 Hans Åstrand / Volume VIII (USSR) prospectus / synopsis id199173 7 41 The Universe of Music: A History Europe / USSR author: Aduard Alexeev id199174 7 42 Europe/Soviet Asia, Latvia - Boris A. Avramets, potential author id199175 7 43 The Universe of Music: A History Europe authors, Baroffio, Bonifacio G. id199176 7 44 The Universe of Music: A History Europe / Soviet author (correspondence), Braun, Joachim id199177 7 45 The Universe of Music: A History: Europe Volume VII / preliminary table of contents 1986 id199178 7 46 Volume VIII Zaderatsky: Nowadays Music (A Table of Contents) 1986 May Scope and Contents

Coverage of the USSR in the 1980s was entrusted to sub-regional coordinator Vsevolov Zaderatsky. The Barry S. Brook and Malena Kuss Collection includes all the articles gathered by Zaderatsky and written in Russian for UMH volume VIII on the then USSR.

 id199179 7 47 The Universe of Music: A History: Europe table of contents, Volume VII, preliminary, version 3 1985 November id199180 7 48 The Universe of Music: A History: Europe/Soviet table of contents, version I, volumes VI-VIII 1985 id199181 7 49 Music in the Life of Man: Europe II: Table of contents, synopsis, preliminary draft 1984 id199182 7 50 V. Zaderatsky - USSR bibliography (abridged) id199183 7 51 Europe: Coordinator / author lists id199184 7 52 The Universe of Music: A History: Europe / Stockholm meeting, "new material and one set of old stuff" 1990 April id199185 7 53 23 Apr 90 Stockholm / Lund The Universe of Music: A History 1990 April 23 id199186 7 54 Europe / Stockholm meeting and "some earlier stuff" 1990 April id199187 7 55 Europe, meeting, Nov. 20, 1990, New York (Hans Åstrand, Gunnar Larsson and Barry S. Brook, including Volume VIII, Central and Northern Asia) 1990 November 20 id199188 7 56 Copy of Music in the Life of Man: A World History, work in progress, Volume III, Europe and North America, Part I id199189 7 57 The Universe of Music: A History: Russians id199190 7 58 The Universe of Music: A History: Soviet table of contents, suggestions for volumes II and III, volume VIII 1991 id199191 7 59 The Universe of Music: A History: Table of Contents, Volume VI / VII (Bengtsson on volume VI, Danish group on volume VII) 1987 Scope and Contents

Ingmar Bengtsson (1920–1989) was Coordinator of the volumes on Europe; after his death, Hans Åstrand assumed this responsibility, with the Royal Swedish Academy of Music.

 id199192 7 60 The Universe of Music: A History: Europe table of contents / various suggestions and guidelines, etc. id199193 7 61 Table of contents comparisons, Latin America, North America, Europe 1987 id199194 7 62 The Universe of Music: A History: Europe Volume VI table of contents 1986 January id199195 7 63 The Universe of Music: A History Turkey; Participation Programme and colloquium id199196 7 64 The Universe of Music: A History: Arab meetings and general correspondence 1983-1985 id199197 7 65 II. D1 North America / West Asia: a. Habib Hassan Touma report, b. projected meeting Jordan 6-10 Oct. 1989 (did not take place) 1989 Scope and Contents

Habib Hassan Touma (1934-1998): Palestinian-born Coordinator of the UMH volume on Arabic music.

 id199198 7 66 The Universe of Music: A History Jordan meeting 14-20 September 1990 (did not take place) 1990 id199199 7 67 Egypt/Portugal author Salwa El-Shawan Castelo Branco correspondence id199200 7 68 Salwa El-Shawan Castelo Branco: "Music in Contemporary Egypt" including comments by Stephen Blum id199201 7 69 The Universe of Music: A History Arab region author: Issam El-Mallah id199202 7 70 Arab author / al-Faruqi, correspondence Scope and Contents

Lois Lamya al-Faruqi (Lois Ibsen, 1926-1986).

 id199203 7 71 Mahmoud Guettat - Arab regional sub-coordinator id199204 7 72 Arab region: authors, Hage, P. Louis id199205 7 73 Author: Arab region, Scheherazade Hassan id199206 8 692560 id199207 8 1 The Universe of Music: A History: The Americas / Pan-American issues Scope and Contents

Volume. IX, Latin America, Malena Kuss, Coordinator; Volume X, North America, Charles Hamm (1925–2011), first Coordinator, replaced by Marcia Herndon (1941–1997) after his resignation in the early 1990s.

 id199208 8 2 The Universe of Music: A History: Arab Region author: George Dimitri Sawa id199209 8 3 Music in the Life of Man Arab Region authors, Habib Hassan Touma, correspondence Scope and Contents

Habib Hassan Touma (1934-1998): Palestinian-born ethnomusicologist and composer, Coordinator of the UMH volume on Arabic music.

 id199210 8 4 The Universe of Music: A History: Arab author Susana Weich-Shahak id199211 8 5 Israel table of contents id199212 8 6 The Universe of Music: A History: Israel Adler Scope and Contents

Israel Adler (1925-2009) was a member of the UMH Board of Directors.

 id199213 8 7 The Universe of Music: A History: Israel, Bathja Bayer (1928-1995) id199214 8 8 The Universe of Music: A History: Israel, Joachim Braun (1929-2013) id199215 8 9 The Universe of Music: A History: Israel, Jehoash Hirshberg id199216 8 10 The Universe of Music: A History: Israel, Uri Sharvit id199217 8 11 Amnon Shiloah (1928-2014), correspondence id199218 8 12 Amnon Shiloah (1928-2014), "Music in Arab Life" id199219 8 13 The Universe of Music: A History: Israel / Amnon Shiloah (1928-2014): "The Musical Tradition of Jewish Communities" id199220 8 14 The Universe of Music: A History: Israel potential author / Meir Wiesel id199221 8 15 The Universe of Music: A History: Arab region - Oman id199222 8 16 Turkey: correspondence; North Africa / West Asia id199223 8 17 Morocco meeting 1984 November 21-26 id199224 8 18 Arab region - reference articles id199225 8 18 World History of Music, reference articles: Habib Hassan Touma. ("La musique Arabe," circa 1977) Scope and Contents

Habib Hassan Touma (1934-1998), Coordinator of the UMH volume on the Arab region, was associated with the International Institute for Traditional Music, Berlin, established in 1963 as International Institute for Comparative Music Studies and Documentation.

 id199226 8 18 Reference article, Au Pays de Baal et d'Astarté (Exhibition in Musée du Petit Palais) 1983-1984 id199227 8 18 Reference article, Amnon Shiloah (1928-2014), "The Arabic Concept of Mode" id199228 8 19 Report by Stephen Blum to the Music in the Life of Man Board of Directors on Salwa El-Shawan Castelo Branco, "Music in Contemporary Egypt" id199229 8 20 Music in the Life of Man / The Universe of Music: A History: Arab region, table of contents, 1989 and earlier versions id199230 8 21 Volume X, North America (US and Canada), correspondence, Charles Hamm, Coordinator. Correspondence with authors, among them Alan Gillmor, Charles Hamm, John Shepherd, Richard Ekman (NEH), Eileen Southern, John Beckwith, Horace Clarence Boyer, Lewis Porter, Helmut Kallmann, Steve Blum. Contents discuss funding and publication opportunities 1986-1992 Scope and Contents

Yellow folder.

 id199231 8 22 The Universe of Music: A History, Volume X, North America. Multiple copies of table of contents; summary, "Statement of significance and impact of the project," "Rationale for changes in preliminary table of contents;" meeting on agenda for executive group, style guide for country profiles Scope and Contents

Orange folder.

 id199232 8 23 Charles Hamm, Coordinator, Volume X, North America, "Geo-Cultural Considerations in the Study of the Music of North America"; photocopy of articles on immigration and immigration policy from the second edition of the Canadian Encyclopedia (Edmonton: Hurtig Publishers); Charles Hamm, "The Periodization of North American Music" Scope and Contents

White folder.

 id199233 8 24 Volume X, North America (US and Canada). Correspondence, Bill Summers, Steve Blum, John Beckwith, Alan Gillmor, Beckwith's comments on outline for North America, grant applications, tables of content, notes for contributors, proposed editorial process 1986-1991 Scope and Contents

White folder.

 id199234 8 25 Volume X, North America (US and Canada). Correspondence between Charles Hamm and Elizabeth Arndt (NEH), Statement of Significance and Impact of the Project (2 copies, one revised); article by Barry S. Brook and David Bain, "Music in the Life of Man: Theoretical and Practical Foundations for a World History"; correspondence with Daniel H. Goodwin (Editor, Smithsonian Institution Press); curriculum vitae from Charles Hamm, Stephen Blum, Beverley A. Cavanagh, William R. Ferris, Jr., Alan Gillmor, and John Shepherd 1990 Scope and Contents

Yellow folder.

 id199235 8 26 The Universe of Music: A History, Volume X, North America (US and Canada). Correspondence between Alan Gillmor and Marcia Herndon 1993-1994 Scope and Contents

After Charles Hamm’s resignation as Coordinator of the volume on North America, Alan Gillmor accepted the coordinatorship of Canada and Marcia Herndon (1941-1997) the coordinatorship of the United States. White folder.

 id199236 8 27 The Universe of Music: A History, Volume X, North America (US and Canada). Correspondence between Marcia Herndon, Alan Gillmor, and Malena Kuss 1996 Scope and Contents

Marcia Herndon (1941-1997) assumed the coordinatorship of the US, Alan Gillmor accepted the coordinatorship of Canada, and Malena Kuss assumed the de facto executive directorship of the UMH project due to Barry S. Brook’s illness. Manila folder.

 id199237 8 28 The Universe of Music: A History, Volume X, North America (US and Canada). Correspondence between Michael Saffle, Alan Gillmor, and Barry S. Brook. CV for Michael Saffle 1992 Scope and Contents

White folder.

 id199238 8 29 The Universe of Music: A History, Volume X, North America (US and Canada). Correspondence between Alan Gillmor, Dale Cockrell, and Charles Hamm; Dale Cockrell, "American Popular Music: 1820-1880" 1987-1994 Scope and Contents

Pink folder.

 id199239 8 30 The Universe of Music: A History, Volume X, North America (US and Canada). John Shepherd, “Music in an Industrial Capitalist Society”; correspondence between John Shepherd, Charles Hamm, and Janice Yalden; 1988 draft of “Music in an Industrial Capitalist Society,” editor’s comments circa 1987-1991 Scope and Contents

Janice Yalden was dean of the Faculty of Arts at Carleton University in Ottawa, Ontario. Orange folder.

 id199240 8 31 The Universe of Music: A History, Volume X, North America (US and Canada). 5-inch floppy disk: "Hamster.doc. Heskes, Microsoft Word format." Correspondence between Irene Heskes (1923-1999) and Charles Hamm (1925-2011); Irene Heskes, "Jewish Music in North America" 1990-1991 Scope and Contents

Beige folder.

 id199241 8 32 Volume X, North America (US and Canada). Alan Gillmor, "Development of Distinctive Musical Practices in Classical Music"; reviewer's comments; correspondence between Alan Gillmor, Charles Hamm, and Barry Brook; pay stub for honorarium check for this article 1988-1990 Scope and Contents

Orange folder.

 id199242 8 33 Volume X, North America (US and Canada). Correspondence between Ramón Pelinski (1932-2015) and Barry S. Brook; 2 working copies of "Inuit Music Culture" by Ramón Pelinski and Nicole Beaudry Scope and Contents

White folder.

 id199243 8 34 Volume X, North America (US and Canada). Correspondence between Charles Hamm and Lewis Porter; Lewis Porter, "The Instruments and Techniques of Jazz" Scope and Contents

Manila folder.

 id199244 8 35 Volume X, North America (US and Canada). 3.5-inch disk; correspondence between Alan Gillmor, Barry Brook, Charles Hamm, and Max Kaplan (died 1998); Max Kaplan, "Seniors and Music in North America" (revised October 1992); "Seniors and Music in North America" (August 1990) 1990-1995 Scope and Contents

White folder.

 id199245 8 36 Volume X, North America (US and Canada). Letter from Alan Gillmor to Charlotte Heth; "UN / Technology – Draft 7/6/90"; correspondence between Barry Brook, Charles Hamm, and Robert Garofalo 1989-1992 Scope and Contents

White folder.

 id199246 8 37 Volume X, North America (US and Canada). Correspondence between Paul Théberge, Alan Gillmor, and John Shepherd. Includes copy of contract sent to Théberge 1991-1992 Scope and Contents

Beige folder.

 id199247 8 38 Volume X, North America (US and Canada). Correspondence from John Shepherd to Robert A. Wright and Janice Yalden 1991 Scope and Contents

Janice Yalden was dean of the Faculty of Arts at Carleton University in Ottawa, Ontario. Robert A. Wright was on the faculty of the Cultural Studies Program at Trent University in Peterborough, Ontario. White folder.

 id199248 8 39 Volume X, North America (US and Canada). Correspondence between Alan Gillmor, Barry Brook, Charles Hamm, and William Summers (includes contract with Summers); William Summers, "New and Little-Known Sources of Hispanic Music from California" 1988-1993 Scope and Contents

Beige folder.

 id199249 8 40 Volume X, North America (US and Canada). Correspondence between Charles Hamm and Mark Slobin 1989 Scope and Contents

Blue folder.

 id199250 8 41 Volume X, North America (US and Canada). Brochure for Clearfield Company Folklore Classics; correspondence between Alan Gillmor and Keitha Lucas; CV for Keitha Lucas; Keitha Lucas, "Children in Music" 1993-1994 Scope and Contents

Manila folder.

 id199251 8 42 Music in the Life of Man / The Universe of Music: A History: Volume X, North America (US and Canada), Part I. Musical life and musical systems: 1.2 Categories and genres, by Michael Sahl and Beth Anderson Scope and Contents

White folder.

 id199252 8 43 Volume X, North America (US and Canada). Correspondence between Alan Gillmor, Charles Hamm, and Jeff Titon; includes contract for Titon 1989-1992 Scope and Contents

Orange folder.

 id199253 8 44 Volume X, North America (US and Canada). Correspondence between Alan Gillmor and Marie-Thérèse Lefebvre 1992-1993 Scope and Contents

Beige folder.

 id199254 8 45 Volume X, North America (US and Canada). Correspondence between Charles Hamm, Barry Brook, and Steve Blum (includes contract for Blum); North America, I, 2: The historiography of North American music (Stephen Blum) 1988-1991 Scope and Contents

Pink folder.

 id199255 8 46 Volume X, North America (US and Canada). Correspondence between Alan Gillmor, Charles Hamm, and Philip V. Bohlman 1990-1993 Scope and Contents

Pink folder.

 id199256 8 47 Volume X, North America (US and Canada). Correspondence between Alan Gillmor, Steve Blum, John Beckwith, and Beverley Diamond (Cavanagh). Beverley Diamond Cavanagh, "Narratives in Canadian music history"; comments on "Inuit Music Culture" by Ramón Pelinski and Nicole Beaudry, author not identified 1987-1992 Scope and Contents

Comments most likely by Stephen Blum, whose responsibilities at The Graduate Center, CUNY, initially included the review of articles/chapters commissioned by the UMH project addressed to the UMH Board of Directors. Pink folder.

 id199257 8 48 Volume X, North America (US and Canada). Correspondence between Alan Gillmor, Barry Brook, and Jim Deaville. Includes copy of contract for Deaville 1990-1992 Scope and Contents

Yellow folder.

 id199258 8 49 Volume X, North America (US and Canada). Correspondence between John Shepherd, Alan Gillmor, and Jody Berland 1991, 1993 Scope and Contents

Pink folder.

 id199259 8 50 Volume X, North America (US and Canada). Correspondence between John Shepherd and Jocelyne Guilbault 1991 Scope and Contents

Red folder

 id199260 8 51 Volume X, North America (US and Canada). Correspondence between Barry Brook, John Shepherd, and Will Straw. Includes copy of contract for [William] Straw. Scope and Contents

Blue folder.

 id199261 8 52 Volume X, North America (US and Canada). Single letter from Alan Gillmor to David Evans 1992 October 28 Scope and Contents

Pink folder.

 id199262 8 53 Volume X, North America (US and Canada). Single letter from David Evans to Alan Gillmor 1992 November 10 Scope and Contents

Pink folder.

 id199263 8 54 Volume X, North America (US and Canada). Single letter from Alan Gillmor to Charles Wilson 1992 December 8 Scope and Contents

Pink folder.

 id199264 8 55 Volume X, North America (US and Canada). Correspondence between Alan Gillmor and Malena Kuss 1992 Scope and Contents

Pink folder.

 id199265 8 56 Volume X, North America (US and Canada). Correspondence between Alan Gillmor, Charles Hamm, and William Ferris; introduction to The Blues: A Bibliographic Guide; William Ferris, "Heeding the Call Home," Southern Living (1990) 1989-1992 Scope and Contents

Red folder.

 id199266 8 57 Correspondence (1990-1993) between Alan Gillmor, Barry Brook, Charles Hamm, and Stephen Erdely (1921-1997) 1990-1993 Scope and Contents

Yellow folder.

 id199267 8 58 Volume X, North America (US and Canada). Single letter from Charles Hamm to Henry O. Kingsbury 1990 April 2 Scope and Contents

Pink folder.

 id199268 8 59 Volume X, North America (US and Canada). CV for Beth Anderson; correspondence between Charles Hamm and "Michael and Beth" (no surnames provided) 1987-1988 Scope and Contents

Correspondence most likely addressed to Michael Sahl and Beth Anderson. Manila folder.

 id199269 8 60 Volume X, North America (US and Canada). Correspondence between Charles [Hamm], Steve [Blum], and Lewis Porter; photocopies of multiple writings on jazz by Porter id199270 9 692561 id199271 9 1 The Universe of Music: A History: North America / funding, NEH grant Scope and Contents

Charles Hamm (1925-2011) was Coordinator of the UMH volume on North America until the early 1990s; the volume covered the United States and Canada. Mexico, geographically a part of North America, was to be covered in volume IX, on Latin America.

 id199272 9 2 The Universe of Music: A History: North America / funding, Dickey Foundation id199273 9 3 The Universe of Music: A History: North America, table of contents id199274 9 4 Multiple copies of "The Periodization of North American Music" by Charles Hamm id199275 9 International Music Council, 1949-1991, edited by Herbert Sass, German Music Council id199276 9 American Anthropologist, Volume 62, No. 3 1960 June id199277 9 American Anthropologist, Volume 60, No. 3 1958 June id199278 9 American Anthropologist Volume 58, No. 5 1956 October id199279 9 American Anthropologist Volume 61, No. 4 1959 August id199280 9 Fontes Artis Musicae Volume 31, No. 3 1984 July-September id199281 9 Parcel from Dr. Richard Moyle, University of Auckland. "Papers" 1999; 1991-1995; 1991-1997 Scope and Contents

Two folders of correspondence. Folder 1: 1991-1995, correspondence primarily between Barry Brook and Richard Moyle regarding the Oceania volume of UMH. Subject matter includes recruiting authors, funding, and organization support. Folder 2: 1991-1997, correspondence with Richard Moyle; subject matter includes recruiting authors, funding, and artwork.

 id199282 9 Parcel from Dr. Richard Moyle, University of Auckland. "Papers" 1999 Scope and Contents

Australia completed, first of three parcels. See also Box 1, Items 1, 2; Box 2, Items 1, 2, 3, 4; Box 5, Folders 71 and 72.

 id199283 10 692562 id199284 10 1 Parcel from Dr. Richard Moyle, University of Auckland. "Papers" 1999 March 20 Scope and Contents

All "Island Oceania" for the UMH volume on Oceania. Parcel 1 of 3 (see Box 5, Folders 71 and 72 for parcels 2 of 3 and 3 of 3). See also: Box 1, Items 1, 2; Box 2, Items 1, 2, 3, 4; Box 9, Item 8.

 id199285 10 2 The Universe of Music: A History: USSR Author: Vladimir Zak (1929-2007) id199286 10 3 V. Zaderatsky - The USSR Region (old and revised versions) id199287 10 4 Eero Tarasti: "On the Rationality of Music History" id199288 10 5 V. Zaderatsky: "Culture and Civilization" id199289 10 6 The Universe of Music: A History: Europe: Miloš Velimirović (1922-2008): "Byzantine Music" id199290 10 7 The Universe of Music: A History: Europe/USSR author: Yuri Vedenin id199291 10 8 The Universe of Music: A History: Europe: Nils Wallin Scope and Contents

Nils Wallin's essay on biomusiciology was to be included in the UMH volume 1, on core issues in historical and systematic musicology, inclusive of ethnomusicology.

 id199292 10 9 Marcello Sorce Keller 1992 March Scope and Contents

Copy of letter from Barry Brook.

 id199293 10 10 The Universe of Music: A History: Europe author Marcello Sorce Keller id199294 10 11 The Universe of Music: A History: Europe author Alexandre Pied id199295 10 12 Music in the Life of Man: Europe I: correspondence, Eero Tarasti id199296 10 13 Eero Tarasti The Universe of Music: A History Europe id199297 10 14 Europe I, Gunnar Larsson: correspondence and some reference materials id199298 10 15 Larsson, Gunnar: Selected bibliography of writings on Baltic music id199299 10 16 The Universe of Music: A History  Europe/Asia Givani Mikhailov VIII Scope and Contents

Givani Mikhailov (1938-1995), author for volume VIII on the USSR.

 id199300 10 17 The Universe of Music: A History: USSR author Givani Mikhailov (1938-1995) id199301 10 18 Boris A. Avramets id199302 10 19 The Universe of Music: A History: Europe: Estonia, sub-coordinator Leo Normet id199303 10 20 The Universe of Music: A History Europe, Jolanta Pekacz, University of Edmonton, Poland id199304 10 21 The Universe of Music: A History: Europe potential author Ankica Petrovic id199305 10 22 The Universe of Music: A History: Europe II authors - Vladimir Protopopov (1908-2005), correspondence id199306 10 23 Vladimir Protopopov (1908-2005): Growth of Russian culture id199307 10 24 The Universe of Music: A History: European author / Milos Velimirovic (1922-2008) correspondence id199308 10 25 The Universe of Music: A History: Africa / Conseil International de la Musique / International Music Council (CIM/IMC), etc. id199309 10 26 The Universe of Music: A History: Africa / contracts id199310 10 27 The Universe of Music: A History: Africa: Participation Programme request id199311 10 28 Proposal, Dr. Mary K. Oyer and Mr. Geoffrey Clarfield, "The Comparative Ethnomusicology of Northern Kenyan Pastoralists" 1985 December 1 id199312 10 29 Africa - "Recherche pedagogie et culture" and miscellaneous id199313 10 30 Africa/Kenya: International Academy of Music