Dr. William P. Latham Collection, 1938-2002
By Maristella Feustle
Collection Overview
| Title: |
Dr. William P. Latham Collection, 1938-2002 |
|---|---|
| ID: | 06/ 040 |
| Primary Creator: | Latham, William P. |
| Extent: | 50.0 Boxes |
| Subjects: | |
| Languages: | English |
Scope and Contents of the Materials
The collection consists of about 50 boxes of Latham's compositions and papers.Biographical Note
Subject/Index Terms
Access Information
Access Restrictions:
Access to this collection is provided only by special arrangement. Please contact the Music Library for more information.
Use Restrictions:
Reproduction and publication of materials in this collection are subject to the policies of the UNT Music Library. Copyright restrictions may apply.
Physical Access Note:
Collection is housed in remote storage. Advance notice for use is required. Please contact the Music Library for further information.
Reading Room or Duplication Requests
Depending on any access restrictions noted above, you may be able to request items be delivered to our reading room, or that we make reproductions for you. Just click on either the or icons in the listings below to be routed to our request form.
Administrative Information
| Repository: | Music Library |
|---|---|
| Finding Aid Revision History: |
Documents added 4/3/2017. Finding aid expanded 10/2020. |
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Box and Folder Listing
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Series 1: Orchestral works
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Box 1
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Folder 1: American Youth Performs
Condensed score, sketches in pencil. -
Folder 2: American Youth Performs, 1969
Full score, spiral comb-bound. -
Folder 3: American Youth Performs
Parts - ozalid copies. -
Folder 4: American Youth Performs
Extra copies of violin parts - ozalids. -
Folder 5: American Youth Performs, 1969
Full score - master copy - ozalid transparency. -
Folder 6: American Youth Performs, 1969
Spiral comb-bound score - ozalid. -
Folder 7: American Youth Performs, 1969
Second spiral-comb-bound copy of full score. -
Folder 8: Overture [renamed from American Youth Performs]
Spiral comb-bound ozalid score.
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Box 2
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Folder 1: American Youth Performs, 1969
Parts - master copies - ozalids. -
Folder 2: American Youth Performs: Photos, 1969 August 25
"St. Moritz and setting of Orchestra Festival." 8 photos. 7 color, 1 black and white. -
Folder 3: American Youth Performs: Correspondence, 1969-1977
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Folder 4: American Youth Performs: Concert program, 1969 August 18-30
Official programs for the International Festival of Youth Orchestras (St. Moritz, Switzerland), with a press release and orchestra roster. -
Folder 5: American Youth Performs: Programs from other performances, 1969
Youth Orchestra of Greater Fort Worth, Grand Prairie High School Chorale, March 2; Knoxville, TN, December 2. Includes programs, press notices, presentation speech. -
Folder 6: And Thou America, 1947
Parts, manuscript. Original envelope containing information on instrumentation included. -
Folder 7: And Thou America, 1947
Parts - ozalid copies.
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Box 3
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Folder 1: Excelsior K-2
Parts, folded, not in score order. Includes note: "XC reduction 92% N.G. use 90 %." -
Folder 2: Excelsior K-2, concert programs, 1994
Three copies of concert programs including the Fort Worth Symphony Orchestra performance (John Giordano, conductor) at Landreth Auditorium, Texas Christian University, September 13, 1994. -
Folder 3: Homemade card on occasion of Excelsior K-2 premiere
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Folder 4: Copies of a profile of Latham and a review of Excelsior K-2 in the Fort Worth Star-Telegram, 1994 September 5, 14
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Folder 5: Correspondence related to the promotion and performance of Excelsior K-2, 1994-1996
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Folder 6: Jubilee Thirteen-Fifty: Sketches and first draft
Cites material from Alan Lomax' Cowboy Songs, p. 250.
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Box 4
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Folder 1: Jubilee Thirteen-Fifty: Sketch in pencil
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Folder 2: Jubilee Thirteen-Fifty: Parts, masters
Ozalid copies of manuscript. -
Folder 3: Jubilee Thirteen-Fifty: Manuscript parts, 1978
"Percussion missing." -
Folder 4: Jubilee Thirteen-Fifty: Published score and parts, 1984
Shawnee Press, Delaware Water Gap, PA.
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Box 5
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Folder 1: Jubilee Thirteen-Fifty: Correspondence with Sherman (TX) Symphony, premiere program, press notices, 1978
Premiered November 4, 1978 by the Sherman Symphony. Enclosed document explains that the work was written in honor of the Sherman Symphony's thirteen years, and fifty performances up to that point. -
Folder 2: Jubilee Thirteen-Fifty: Published score and miniature score, 1984
Shawnee Press, Delaware Water Gap, PA. -
Folder 3: Lady of Shalott: Two manuscript scores, 1939 November 5; 1939 December
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Folder 4: Lady of Shalott: Parts and photonegatives
Instrumentation list on brown paper wrapper. -
Folder 5: Lady of Shalott: Newspaper clippings and concert program, 1941 March
Performed by the Cincinnati Symphony Orchestra under Eugene Goosens, March 7-8, 1941.
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Box 6
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Folder 1: A Modern Trilogy: Sketches
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Folder 2: A Modern Trilogy: Ballet, piano sketches
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Folder 3: A Modern Trilogy: Byzantine Dance, score in pencil, 1938 May 14
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Folder 4: A Modern Trilogy: Waltz, string parts - masters, 1941
Ozalid transparencies. -
Folder 5: A Modern Trilogy: Waltz, string parts
Inventory on brown paper wrapper.
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Box 7
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Folder 1: A Modern Trilogy: Waltz, Wind, percussion parts
Package still sealed. Inventory on front cover. -
Folder 2: A Modern Trilogy: Waltz, program, 1942 February 8
Performance by Cincinnati Dance Guild at Ohio University -
Folder 3: Suggestions for Orchestra, score in C, 1939
Manuscript, in ink. -
Folder 4: Suggestions for Orchestra, parts
Package still sealed; page with inventory taped on front.
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Box 8
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Folder 1: Symphony No. 1, short score
In pencil. -
Folder 2: Symphony No. 1, Fugue ("first movement") arranged for piano, four hands
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Folder 3: Symphony No. 1, first movement, score
In pencil. -
Folder 4: Symphony No. 1, second movement, score
In pencil. -
Folder 5: Symphony No. 1, third movement, score
In pencil. -
Folder 6: Symphony No. 1, ozalid master of score, 1950 August 1
Title page of first copy: "to fulfill the thesis requirements for the degree [of] Doctor of Philosophy, department of composition, Eastman School of Music of the University of Rochester." -
Folder 7: Symphony No. 1, ozalid masters of parts
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Folder 8: Symphony No. 1, full score, 1950 August 1
Two spiral-bound ozalid copies. Title page of first copy: "to fulfill the thesis requirements for the degree [of] Doctor of Philosophy, department of composition, Eastman School of Music of the University of Rochester."
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Box 9
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Folder 1: Symphony No. 1, parts
Package still sealed. Inventory of parts on paper taped to front. -
Folder 2: Symphony No. 1, programs and analysis (thesis outline), 1950
File includes two programs from performance at Eastman on April 25, 27 1950. -
Folder 3: Symphony No. 2 (Sinfonietta), sketch
In pencil. Originally title "Symphony No. 2" later changed to "Sinfonietta." -
Folder 4: Symphony No. 2 (Sinfonietta), ozalid master of full score, 1953 August 2
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Box 10
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Folder 1: Symphony No. 2 (Sinfonietta), full score
Copy from ozalid. -
Folder 2: Symphony No. 2 (Sinfonietta), ozalid masters of parts
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Folder 3: Symphony No. 2 (Sinfonietta), parts, violins and violas
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Folder 4: Symphony No. 2 (Sinfonietta), parts, cello and bass
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Folder 5: Symphony No. 2 (Sinfonietta), parts, woodwinds, horns, trumpets, timpani
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Folder 6: Symphony No. 2 (Sinfonietta), second set of parts, violins and violas
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Box 11
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Folder 1: Symphony No. 2 (Sinfonietta), second set of parts, cello bass, woodwinds, horns, trumpets
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Folder 2: Symphony No. 2 (Sinfonietta), third set of parts, complete
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Folder 3: Symphony No. 2, three spiral-bound copies of score
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Box 12
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Folder 1: Symphony No. 2 (Sinfonietta), score, "examination copies"
Two spiral-bound copies -
Folder 2: Symphony No. 2 (Sinfonietta), correspondence, programs, press notices
Note on file: "See also files for Fest TX Composers 67, 67-88, 91 and pub. file, Theodore Presser."
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Box 13: Oversized items
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Folder 1: And Thou, America, master ozalid for full score; string parts, programs
Score dated June, 1947 -
Folder 2: And Thou, America, full score, spiral-bound ozalid copy, 1947 June
Includes insert detailing part corrections. -
Folder 3: And Thou, America, full score, second spiral-bound ozalid copy, 1947 June
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Folder 4: Excelsior K-2, sketches, letter from John Giordano
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Folder 5: Excelsior K-2, first complete rough draft, 1994 April 7
In pencil. -
Folder 6: Excelsior K-2, original manuscript master, 1994 May 2
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Folder 7: Excelsior K-2, parts
2 pages per 11" x 17" sheet, not folded. -
Folder 8: Jubilee 13/50, master ozalid for full score, 1978
Commissioned by the Sherman Symphony Orchestra. -
Folder 9: Jubilee 13/50, full score, ozalid copy, 1978
Prepared for plastic-comb binding, but not bound. -
Folder 10: A Modern Trilogy: Waltz, full manuscript score
Plastic comb-bound.
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Series 2: Works for band
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Box 1
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Folder 1: Brighton Beach: Concert March for Band, 1954
Condensed score, one printed copy; poll listings, programs.
Latham: "pub. Clayton F. Summy (later Summy-Birchard) 1954. My first band publication."
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Folder 2: Court Festival, full score, 1957 February 1
Plastic comb-bound, in pencil. -
Folder 3: Court Festival, full score, 1957 February 1
Two photocopies, made in October 1994. -
Folder 4: Court Festival, condensed score, research notes, program notes, 1957
Original manuscript version of condensed score (pencil, with edits in red pencil), one published copy (Summy-Birchard, Evanston, IL), one partial copy of condensed score -- primarily cover and duplicate title pages. -
Folder 5: Court Festival, programs, press notices, review, clippings
Includes May, 1999 issue of Instrumentalist magazine (see page 33). -
Folder 6: Dilemmae, sketches
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Folder 7: Dilemmae, ozalid master and one unbound copy of condensed score, 1973
Master copy in pencil -
Folder 8: Dilemmae, set of parts, 1974 February 12
In pencil, copied by G. Garner. Cover letter on West Texas State University letterhead. Postmarked February 12, 1974.
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Box 2
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Folder 1: Dilemmae, ozalid masters of band parts; parts list, 1973
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Folder 2: Dilemmae, incomplete set of band parts, 1973
Missing oboes, bassoons, E-flat clarinet, bass clarinet, contrabass clarinet; soprano, alto, tenor, and baritone saxophones. -
Folder 3: Dilemmae, correspondence, programs, press notices, clippings, program notes
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Folder 4: Dionysian Festival, ozalid master of full score, 1966 January 26
"Commissioned by the student body of the University of North Dakota for the Symphonic Wind Ensemble, Michael F. Polovitz, director." -
Folder 5: Dionysian Festival, ozalid masters of parts
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Box 3
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Folder 1: Dionysian Festival, ozalid copies of parts
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Folder 2: Dionysian Festival, full score, 1966
Plastic comb-bound, 2 copies. -
Folder 3: Dionysian Festival, condensed score, 1966
Pencil, in plastic comb-bound music manuscript notebook. -
Folder 4: Dionysian Festival, correspondence, sketches, programs, press notices, clippings
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Folder 5: Dodecaphonic Set, sketches and programs, 1966
Also includes sheet with comments about R.L. Casey's dissertation, "Serial Compositions in Works for the Wind Band." Envelope notes that Dodecaphonic Set was published by C.L. Barnhouse in 1967. -
Folder 6: Dodecaphonic Set, ozalid masters of full score, 1966 July 3
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Folder 7: Dodecaphonic Set, ozalid copy of full score, 1966 July 3
Plastic comb-bound. -
Folder 8: Dodecaphonic Set, copies of condensed score, program notes
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Box 4
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Folder 1: Dodecaphonic Set
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Folder 2: Drones, Airs, and Games for Concert Band, sketches, 1983
Third movement (Games): "Sources and sketches." -
Folder 3: Drones, Airs, and Games for Concert Band, condensed score, 1983
In pencil. -
Folder 4: Drones, Airs, and Games for Concert Band, parts, 1983
Drones: "Corrected 3/4/1983."
Airs: "Corrected 3/2/1983."
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Folder 5: Drones, Airs, and Games for Concert Band, programs, correspondence, program notes
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Box 5
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Folder 1: Escapades, sketch
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Folder 2: Escapades: II. Serenade, published copies of full score and condensed score, 1967
Latham: "Serenade was published separately by Shawnee Press in 1967. In 1972, the other movements of the suite were published on a rental basis."
3 copies of miniature condensed score, 3 regular size.
3 copies of full score.
All from Shawnee Press, Copyright 1967, Delaware Water Gap, PA.
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Folder 3: Escapades, ozalid copies of parts
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Folder 4: Escapades, ozalid copies of parts, continued
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Folder 5: Escapades, Programs, correspondence, concert poster, 1965-1970
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Folder 6: Fusion, master ozalid copies of band parts, 1975
Composed 1975, copyright 1976.
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Box 6
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Folder 1: Fusion, correspondence, programs, press notices, 1975
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Folder 2: Fusion: analytical paper, "The Problem of Fusion", 1978
"First read at Festival of Contemporary Music, Cameron University, Lawton, OK, 3/2/1978." Full title: "The Problem of Fusion: and how a new band work was created." -
Folder 3: Fusion, "specimen copies reduced - plates"
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Folder 4: Honors Day, published condensed score, sketch, programs, press notices, 1959
Published by Summy-Birchard, Chicago, IL, 1960.
Original title: "Day of Honor."
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Folder 5: Honors Day, master copies of parts, 1959
Published by Summy-Birchard, Chicago, IL, 1960.
Original title: "Day of Honor."
Note on envelope: "Full score lost."
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Folder 6: March Five, sketches and programs, 1969
Written in 1969, published by C.L. Barnhouse in 1970. -
Folder 7: March Five for Concert Band, full score, 1969
Plastic comb-bound ozalid copy. -
Folder 8: March Five, ozalid masters of parts, 1969
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Folder 9: March Five, parts, two sets of copies
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Box 7
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Folder 1: March Five, published score and parts for band; minature scores, 1970
Two copies of miniature score.
Published by C.L. Barnhouse, Oskaloosa, IA.
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Folder 2: March 6, condensed score
First draft in pencil, final draft in pencil, photocopy of final draft.
"Commissioned by the Texas Junior College Honor Band."
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Folder 3: March 6, copies of parts, complete set
Inventory sheet attached. -
Folder 4: March 6, copies of parts, additional set
"Xerox," on heavy manila paper.
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Box 8
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Folder 1: March 6, published version, 1979
Shawnee Press, Delaware Water Gap, PA -
Folder 2: March 6, correspondence, programs, sketch
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Folder 3: Passacaglia and Fugue, sketches, program notes
Commissioned for the centennial of Louisiana State University. -
Folder 4: Passacaglia and Fugue for Band: ozalid masters of full score, 1959 May 28
"Written for the LSU Band in honor of the centennial celebration of the university." -
Folder 5: Passacaglia and Fugue for Band: ozalid copies of full score, plastic comb-bound, 1959 May 28
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Folder 6: Passacaglia and Fugue, published version, 1966
Shawnee Press, Inc., Delaware Water Gap, PA. -
Folder 7: Passacaglia and Fugue, additional published version (score and parts), and third copy of score, 1966
Shawnee Press, Inc., Delaware Water Gap, PA.
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Box 9
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Folder 1: Passacaglia and Fugue, correspondence, programs, press release, review in The Instrumentalist
Includes premiere program, May 17, 1960, LSU Concert Band. -
Folder 2: Il Pasticcio: Overture for Band, full score, ozalid masters and unbound copy, programs, research and program notes, 1955
Published by Summy-Birchard (Chicago), circa 1955. -
Folder 3: Plymouth: Variations, sketches, ozalid masters of score and parts, 1962 June 30
Earlier title: "Variations on a Theme Not By Haydn in A-Flat," "composed especially for bands in classes Q through X." -
Folder 4: Plymouth: Variations on an Original Theme for Concert Band, full score, comb-bound ozalid copy, 1962 June 30
Copy of ozalid. Same score as item 3, with new title written in blue pencil. -
Folder 5: Plymouth, published copies, full and condensed score, programs, press notice
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Folder 6: Prayers in Space, sketches, correspondence
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Folder 7: Prayers in Space, published copies, 1971
One miniature condensed score, one full set of score and parts, one full score with correction noted, one condensed score.
Shawnee Press, Inc. Delaware Water Gap, PA.
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Folder 8: Prayers in Space, ozalid masters of parts
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Box 10
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Folder 1: Prayers in Space, copies of parts, 1971
"Ca. 2 complete sets." -
Folder 2: Prayers in Space, programs and clippings
Latham: "See correspondence in publisher file." -
Folder 3: Prolegomena, sketches, 1974
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Folder 4: Prolegomena, full score, masters, 1974 November 30
"Commissioned by Ashland College Symphonic Band, Ashland, Ohio."
"1. Ozalid and 2. Xerox." Includes program notes added on February 3, 1975.
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Folder 5: Prolegomena, full score, copy, 1974 November 30
Copy in plastic comb binding. -
Folder 6: Prolegomena, correspondence, programs, press notices, program notes (extra copies)
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Box 11
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Folder 1: Proud Heritage, correspondence; two 3.5-inch floppy disks with Finale files
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Folder 2: Proud Heritage for concert band, condensed score, printed copy, press notices, listings, magazine article
Composed in 1955. Published by Summy-Birchard in 1956. Program notes on front of envelope. -
Folder 3: Proud Heritage, transcribed for orchestra, full score, 1965
"Ozalid masters + one unbound Xerox copy."
Program notes on front of envelope.
Title page: "This transcription was made especially for performance by the State College of Iowa High School Orchestra at the graduation of my daughter, Cedar Falls, Iowa.
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Folder 4: Proud Heritage, transcribed for orchestra, parts, 1965
Ozalid and Xerox copies. -
Folder 5: Proud Heritage, transcribed for brass choir (brass and percussion), score, 1966
Masters, and two ozalid copies. Program notes on front of envelope. -
Folder 6: Proud Heritage, transcribed for brass choir, "old manuscript parts"
Manuscript, in pencil. -
Folder 7: Proud Heritage, "Finale copy - master - full score + extra title page"
1977 program notes included after title page. -
Folder 8: Proud Heritage, transcribed for brass choir, score and parts printed from Finale
Corrections listed on note appended to score. -
Folder 9: Proud Heritage, extra copies of second pages to parts
Printed from Finale.
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Box 12
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Folder 1: Proud Heritage, programs, 1957-1990
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Folder 2: Quiet Tune, for chamber band, 1956 August 26
Contents: score (masters and two ozalid copies); condensed score (masters, 3 ozalid copies, 12 printed copies); parts (masters).
Missing parts: English horn, trumpets 2 and 3, trombone 3, tuba, timpani and cymbals.
Published by Summy-Birchard in 1961.
File includes listing of "massed band music" for 1962 Chicagoland Music Festival, newspaper clipping.
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Folder 3: Revolution 1975, sketches, program notes, speech at premiere
Premiered November 8, 1975, in Dickinson, ND. -
Folder 4: Revolution 1975, parts
"Corrected 12/11/87." Ozalid and photocopies. -
Folder 5: Revolution 1975, correspondence, programs, clippings, poster
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Box 13
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Folder 1: Silver Anniversary: Suite for Band, sketches, 1961
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Folder 2: Silver Anniversary, full score, ozalid masters, 1961 March 1
Cedar Falls, IA. "Composed especially fr the Ouachita Parish H.S. Band of Monroe, LA. Co mmissioned by director Tom Wafer in honor of the band's 25th anniversary. -
Folder 3: Silver Anniversary, original manuscript condensed score, manuscript parts
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Folder 4: Silver Anniversary, three published condensed scores, programs, press release, clippings, reviews
Published by Summy-Birchard, 1962. One copy of condensed score has corrections in pencil. -
Folder 5: Suite Summertime: sketches; I. March, manuscript score
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Folder 6: Suite Summertime: sketches and manuscript score for II. Intermezzo
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Folder 7: Suite Summertime: sketches and manuscript score for III. On a Roll
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Folder 8: Suite Summertime: original printed copy of full score, edited, 1995
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Folder 9: Suite Summertime, full score, corrected copy masters, 1995
"Commissioned by the Lake Texoma Band Camp, Dr. Roger W. Warner, director, in celebration of its tenth season."
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Box 14
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Folder 1: Suite Summertime, full score
Plastic comb-bound. -
Folder 2: Suite Summertime, parts, master copies
Two small, folded packets of notes also in file. -
Folder 3: Suite Summertime, set of parts with lists
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Folder 4: Suite Summertime, set of parts
Duplicated, with pages taped together for performance.
Piccolo through bass clarinet.
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Box 15
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Folder 1: Suite Summertime, set of parts, continued
Continued from previous box, duplicate parts taped together for performance. Alto saxophone through percussion. -
Folder 2: Suite Summertime, set of parts
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Folder 3: Suite Summertime, program and extra pages from parts
Program stuck to first page of parts by degrading rubber band. -
Folder 4: Suite Summertime, programs, commission agreement, errata sheets
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Box 16
Seven additional published copies of Swingin' Reel, continued from previous box.-
Folder 1: Swingin' Reel, original manuscript ful score and copy, manuscript condensed score, 8 printed copies
Original title: "Rockin' Reel." Published by Summy-Birchard in 1957. -
Folder 2: Swingin' Reel, six published sets of parts, 1957
Summy Publishing Company. See Box 17 for two additional copies.
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Box 17
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Folder 1: Swingin' Reel, two published sets of parts, 1957
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Folder 2: Three by Four, full score, original manuscript, ozalid masters; one additional copy, 1963 June 20
Subtitled "Unceremonial March. -
Folder 3: Three by Four: March for Band, full score, 1963 June 20
Ozalid copy of manuscript in plastic-comb binding. -
Folder 4: Three by Four, manuscript parts, ozalid masters, 1963
In pencil. Subtitled "Unceremonial March." -
Folder 5: Three by Four, original manuscript of condensed score; sketches, programs, clippings, press release, reviews
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Folder 6: Three by Four, seventeen published copies of condensed score, 1964
Published by Summy-Birchard. -
Folder 7: Three Chorale Preludes for Band, full score, manuscript ozalid master; one ozalid copy, 1956 April
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Folder 8: Three Chorale Preludes for Band, full score, two copies, 1956 April
Both plastic comb-bound. Ozalid copies. -
Folder 9: Three Chorale Preludes for Band, full score, photocopy
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Box 18
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Folder 1: Three Chorale Preludes, correspondence, program notes, programs, listing in band directors' guide, photocopy and published copy of condensed score
Published by Summy-Birchard, 1956. -
Folder 2: Three Chorale Preludes: "A Full Score and Conductor's Analysis of Three Chorale Preludes by William P. Latham," master's thesis by C. Hurst, 1998
Master of music, California State University at Sacramento. Includes cover letter, score, thesis, photo, and other papers. -
Folder 3: Two Fanfares for Band, sketches, condensed score, parts, ozalid masters of parts, 1967
"For the Denton High School Band, commissioned by Caroll McMath, director." -
Folder 4: Y2K: The "New Millennium" March, full master score; one score marked "obsolete: uncorrected", 1999
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Folder 5: Y2K: The "New Millennium" March, parts, 1999
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Folder 6: Y2K: The "New Millennium" March, correspondence and parts list
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Box 19: Oversized items
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Folder 1: Dilemmae, ozalid master of full score
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Folder 2: Dilemmae, photocopy and ozalid copy of full score
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Folder 3: Dilemmae, full score, copy
Plastic comb-bound. -
Folder 4: Drones, Airs, and Games, master ozalid of full score, program notes, 1983 February 23
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Folder 5: Drones, Airs, and Games, ozalid copy of full score, 1983 February 23
Plastic comb-bound.
"Commissioned by Floyd M. Gunn, Jr. High School Band of Arlington, TX, Barbara Prentice, director."
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Folder 6: Drones, Airs, and Games, "Xerox master" of full score, 1996 November 18
Date of copies.
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Box 20: Oversized items
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Folder 1: Fusion, sketches and program notes
Includes extensive sketches with row transformations. -
Folder 2: Fusion for Concert Band, full score, Xerox master
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Folder 3: Fusion for Concert Band, full score, Xerox sub-master
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Folder 4: March 6, master ozalid of full score, 1978
"Corrected 12/17/1978." -
Folder 5: March 6, parts
Set of single copies; set of multiple copies, piccolo through contrabass clarinet. Single-copy set includes note: "1 copy [of] each part, corrections (?)" -
Folder 6: March 6, parts
Alto-saxophone through remainder. Includes list of corrections to ozalids dated December 17, 1978.
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Box 21: Oversized items
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Folder 1: March 6, ozalid copy of full score, with corrections, 1978
Corrections in blue pencil. Prepared for plastic comb-binding, but not bound. -
Folder 2: Prayers in Space: A Fantasy for Concert Band, ozalid master of full score, 1971 January 27
For the Richardson (TX) High School Golden Eagle Band, Robert Blanton, director. Includes composer's note, dated January 27. -
Folder 3: Prayers in Space: A Fantasty for Concert Band, three ozalid copies of full score, 1971 January 27
All plastic comb-bound. -
Folder 4: Proud Heritage, parts
Pages printed from Finale, two per 11 x 17-inch page. -
Folder 5: Revolution 1975, full score, master ozalid in pencil
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Folder 6: Revolution 1975, full score, ozalid copy
Note on title page indicates corrections on pages 54-55. -
Folder 7: Revolution 1975, full score, ozalid copy in plastic comb binding
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Folder 8: Revolution 1975, full score, "master" photocopy
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Folder 9: Revolution 1975, full score, two additional photocopies
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Folder 10: Suite Summertime, full score, original, 1995
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Box 22: Oversized items
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Folder 1: Suite Summertime, full score, "XC master"
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Folder 2: Suite Summertime, full score, two plastic comb-bound copies
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Folder 3: Y2K: The "New Millennium" March, master copies of title page for score, sketches, condensed score, master of full score., 1999
Condensed score dated "circa 10/01/99." -
Folder 4: Y2K: The "New Millennium March," full score, two plastic comb-bound copies
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Folder 5: Y2K: The "New Millennium March," parts, 1999
Printed from Finale, two pages per 11 x 17-inch sheet of paper.
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Box 23: Very oversized items
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Folder 1: Escapades for Concert Band, full score, two ozalid copies, 1965 April 3
Alternate title: M.A.I.B. Suite. "Commissioned by the Mid-American Intercollegiate Band for its fifth annual festival concert, Coe College, Cedar Rapids, IA, April 3, 1965." -
Folder 2: Fusion for Concert Band, full score, ozalid manuscript masters
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Folder 3: Fusion for Concert Band, full score, ozalid print master, 1976
Commissioned by Loyola University, New Orleans, LA. Joseph Hebert, director of bands. -
Folder 4: Fusion for Concert Band, full score, ozalid copy, 1976
Unbound, marked "corrected." -
Folder 5: Fusion for Concert Band, full score, ozalid copy, 1975
Plastic comb-bound. Date supplied in ink on title page. -
Folder 6: Fusion for Concert Band, full score, ozalid copy, 1976
Not bound. -
Folder 7: Fusion for Concert Band, parts, ozalid masters
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Box 24: Very oversized items
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Folder 1: Prolegomena, ozalid masters of parts
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Folder 2: Revolution 1975, ozalid masters of parts
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Series 3: Works for soloist with orchestra or band
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Box 1
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Folder 1: Andante and Allegro, 1962
"2 mvts. oboe sonata - transcribed by the composer for oboe solo and wind ensemble."
"Published by Jack Spratt, 1966."
Manuscript score, sketch.
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Folder 2: Andante and Allegro, 1962
Ozalid masters of parts -
Folder 3: Birthday Salute, sketch, orginal score, copy, originals (in pencil) of parts and copies, vocal score, synthesizer part (2 copies), 1990
"Arr. Happy Birthday."
Synthesizer part is a reduction of string parts.
"Used following 'Sacred Flame'."
Dated 1990 on envelope; score dated April 27, 1991 and inscribed to Joan.
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Folder 4: [Birthday Salute] Here's to You, Charlie, sketch, full score (original and copy), parts, synthesizer (reduction of strings), vocal score, 8.5 x 11" reduction masters, file of related papers, 1992
"For Charles Mattheson's 80th birthday, used with Birthday Salute." Written to precede Birthday Salute.
Filed in its original order with Birthday Salute.
"C.f. trip file."
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Folder 5: Concertino for Alto Saxophone and Wind Ensemble, condensed score and sketches, 1968 November 29
"For John Giordano."
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Box 2
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Folder 1: Concertino for E-flat Alto Saxophone and Wind Ensemble, full score (marked "uncorrected") and parts, 1968 December 12
Labeled "K912" from filing system at the University of Northern Iowa. -
Folder 2: Concertino for E-flat Alto Saxophone and Full Orchestra, full score, 1969 July
"For John Giordano." Two ozalid copies in separate plastic comb binding.
"Scored for wind ensemble, Dec. 1968; re-scored for full orchestra July 1969."
Copyright assigned to Dorn Publications, Inc., Needham, MA, in 1982.
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Folder 3: Concertino for E-Flat Alto Saxophone and Wind Ensemble, solo part, 4 copies, 1968
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Folder 4: Concertino for E-Flat Alto Saxophone and Wind Ensemble, set of parts with list
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Box 3
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Folder 1: Concertino for E-flat Alto Saxophone and Full Orchestra, set of parts
"Complete set." -
Folder 2: Concertino, two percussion parts
One part marked for timpani. -
Folder 3: Concerto Grosso for Soprano and Alto Saxophone with Wind Ensemble, sketches and [performers'] saxophone ranges, 1960
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Folder 4: Concerto Grosso for Soprano and Alto Saxophone with Wind Ensemble, full score
Two plastic comb-bound copies. "For Karin and Sigurd Rascher."
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Box 4
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Folder 1: Concerto Grosso for 2 Saxophones and Symphonic Wind Ensemble, full score, 1960 October 1
"Copy #3," plastic comb-bound. -
Folder 2: Concerto Grosso for 2 Saxophones and Symphonic Wind Ensemble, condensed score, 1960 August 16
Plastic comb-bound ozalid copy. -
Folder 3: Concerto Grosso for Soprano and Alto Saxophone with Wind Ensemble, solo parts, 2 copies, 1960
"Transcribed for orchestra, 1962." Both saxophone parts on same score. Ozalid copies. -
Folder 4: Concerto Grosso for Soprano and Alto Saxophone with Wind Ensemble, set of parts, complete
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Box 5
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Folder 1: Concerto Grosso for 2 Saxophones and Symphonic Wind Ensemble, set of parts, complete
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Folder 2: Concerto Grosso for 2 Saxophones and Symphonic Wind Ensemble, set of parts, complete
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Folder 3: Concerto Grosso, transcribed for orchestra, parts, 1962
"Missing French horn I, trombone I, timpani (use band part)." "Full score (orch.) is available from Dorn Publications, Inc." -
Folder 4: Concerto Grosso for Two Saxophones and Chamber Orchestra, concert program, 1963 July 2
Composed for and performed by Karin and Sigurd Rascher.
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Box 6
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Folder 1: Fantasy Concerto for Flute and Strings, original manuscript score, parts ("old copies), 1941
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Folder 2: Fantasy Concerto, piano reduction, 1950
For flute and piano, 2 copies with score and flute part. Composed in 1941, published by Jack Spratt Music Co. (Old Greenwich, CT) in 1950. -
Folder 3: Fantasy Concerto for Flute and Strings, correspondence, programs, press notices, 1941
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Folder 4: Fantasy for Trumpet and Wind Ensemble, sketches, 1969
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Folder 5: Fantasy for B-flat Trumpet Solo and Symphonic Wind Ensemble, condensed score.
"For John Haynie." Manuscript score in pencil. -
Folder 6: Fantasy for B-flat Trumpet Solo with Band Accompaniment, solo part and full score, 1969
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Folder 7: Trumpet Fantasy [Fantasy for Trumpet], correspondence, programs, press notices
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Box 7
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Folder 1: Fantasy for Violin and Orchestra, condensed score and programs, 1946
"Short score," manuscript in ink in spiral manuscript paper notebook. -
Folder 2: Fantasy for Violin and Orchestra, parts, 1946
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Folder 3: Lenten Letter, first sketches, program notes, text sources
Text by Alexander Solzhenitsyn, translated by Patricia Blake. Dedicated to Jeannine Crader. -
Folder 4: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, full score
Labeled with the pseudonym "Wilhelm von der Vogelweide" (allusion to Walter von der Vogelweide). Landscape orientation. -
Folder 5: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, full score
"Copy 1." Landscape format. -
Folder 6: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, full score
Two copies, portrait orientation in plastic comb binding. -
Folder 7: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, full score
Corrections to title page in blue pencil. Portrait orientation.
Loose, blank page of landscape-oriented score included in file.
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Folder 8: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, condensed score
Original in pencil and two copies.
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Box 8
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Folder 1: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, full score, re-copied masters, 1983 August
Landscape orientation. -
Folder 2: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, orchestral parts: strings, percussion (complete set)
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Folder 3: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, "old score and parts"
Ozalid masters. -
Folder 4: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, correspondence, programs, press notices, text clearance
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Folder 5: River to the Sea for Baritone and Orchestra, 1942 January 3
Full score, vocal score, parts, photostatic negatives, text (by Merrick Fifield McCarthy), program, press notices. -
Folder 6: The Sacred Flame, first sketches
In four sections.
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Box 9
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Folder 1: The Sacred Flame: Cantata for Baritone and Orchestra, "orchestral piano part (electronic keyboard)"
"For Joan."
Two copies in plastic comb binding. Piano reduction for electronic keyboard simulating orchestral instruments, noted on one copy. The other copy is indicated to be a piano reduction for rehearsal only.
Texts by Mary Coleridge, Thomas Moore, and William P. Latham
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Folder 2: The Sacred Flame: Cantata for Baritone and Orchestra, original piano reduction
Manuscript in pencil. Estimated duration of each of the four sections of the work taped to envelope. -
Folder 3: The Sacred Flame: Cantata for Baritone and Orchestra, set of parts with list
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Folder 4: The Sacred Flame: Cantata for Baritone and Orchestra, parts, originals and "reduction masters"
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Folder 5: The Sacred Flame: Cantata for Baritone and Orchestra, assorted papers
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Box 10
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Folder 1: Sisyphus 1971, orchestral part masters and duplicates
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Folder 2: Sisyphus 1971, orchestral part copies
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Folder 3: Sisyphus 1971, programs and explanation of Sisyphus' legend
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Folder 4: Suite for Trumpet and String Orchestra, score and parts, 1951
Ozalid copies of manuscript score and parts. Two copies of score. -
Folder 5: Suite for Trumpet and String Orchestra, transcribed for "chamber band," score and programs, 1958
Manuscript original score in pencil, in plastic comb binding; ozalid copy. -
Folder 6: Suite for Trumpet and String Orchestra, transcribed for "chamber band," parts
Ozalid copies -
Folder 7: Suite for Trumpet and String Orchestra, correspondence, programs (orchestral version), press notices
"More correspondence in Presser file. See also under [Series 8], Instrumental Chamber Music."
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Box 11: Oversized items
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Folder 1: Fantasy Concerto for Flute and String Orchestra, full score, 1941
Plastic comb-bound ozalid copy with annotations and corrections in pencil. -
Folder 2: Fantasy for Violin and Orchestra, full score
2 copies, spiral-bound ozalid copies. Copy 1 has additional markings in pink-colored pencil. -
Folder 3: Fantasy for Violin and Orchestra, ozalid masters of full score and string parts
Extra sheet with corrections included with score. -
Folder 4: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings and Percussion, full score, 1974 March 24
"For Jeannine Crader." "Text adapted from Alexander Solzhenitsyn and other sources." Plastic comb-bound copy of ozalid. -
Folder 5: The Sacred Flame: Cantata for Baritone and Orchestra, full score, original ("first draft"), 1990
Title from poem "Love" by Thomas Moore. "For Joan, on her 70th birthday (April 27, 1991), and our 45th wedding anniversary (April 18 1991)." -
Folder 6: The Sacred Flame: Cantata for Baritone and orchestra, full score, copy, 1990
Plastic comb-bound. Annotations in pencil and red ink. -
Folder 7: The Sacred Flame: Cantata for Baritone and Orchestra, reduced-size masters of piano reduction
Photocopies, two pages of music per 11 x 17-inch sheet. -
Folder 8: Sisyphus 1971: full score, ozalid masters in pencil
For also saxophone, string orchestra, and electric piano, "à François Daneels." Copyrighted by Gérard Billaudot, Paris. -
Folder 9: Sisyphus 1971, full score, ozalid copy in plastic comb binding
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Series 4: Works for chorus and orchestra
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Box 1
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Folder 1: Blind with Rainbows, sketches, text and Part I
Original folders for Folders-1-4 not included due to uncertain acidity of paper. -
Folder 2: Blind with Rainbows, sketches, Part II
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Folder 3: Blind with Rainbows, sketches, Interlude
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Folder 4: Blind with Rainbows, sketches, Part III
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Folder 5: Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra, full score, ozalid masters, 1962
Text by James Hearst. -
Folder 6: Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra, full score, ozalid copies, 1962
2 copies, one unbound, one plastic comb-bound. Corrections noted on cover of second copy. -
Folder 7: Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra, vocal score, ozalid masters, 1962
"Commissioned by the SCI Foundation for the dedication of Music Hall, Cedar Falls, IA, May 1962." -
Folder 8: Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra, orchestra parts, ozalid masters
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Box 2
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Folder 1: Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra: orchestral parts and cue sheet, 1962
Ozalid copies of parts. -
Folder 2: Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra, press notices, programs, correspondence
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Item 3: Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra, six copies of vocal score
Various copies, some with corrections and annotations, mostly plastic comb-bound.
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Box 3
16 copies of vocal score to Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra. -
Box 4
19 copies of vocal score to Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra. -
Box 5
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Folder 1: Music for Seven Poems, full score, ozalid master, 1958 March 21
Texts by James Hearst -
Folder 2: Music for Seven Poems, full score, ozalid copies, 1958 March 21
Copies numbered 2 and 4. Whereabouts of Copy 3 unknown. -
Folder 3: Music for Seven Poems, full score, ozalid copy, 1958 March 21
Copy 5. -
Folder 4: Music for Seven Poems, vocal scores and orchestral parts, ozalid masters
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Folder 5: Music for Seven Poems, vocal scores, 1 complete set
I. The Happy Farmer [two poems], mixed chorus and full orchestra.
II. The Supplicant, tenor solo, strings, harp, chimes, glockenspiel
III. The Hunter, men's chorus and orchestra
IV. Truant, women's chorus and orchestra
V. Lost, soprano solo, strings, harp, solo flute, solo oboe
VI. Each Spring, mixed chorus and orchestra
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Folder 6: Music for Seven Poems, programs, text and program notes, press notices
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Box 6
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Folder 1: Music for Seven Poems, orchestral parts, copies
Labeled 0-119 in a prior filing system. -
Item 2: Music for Seven Poems: I. The Happy Farmer, vocal score
47 copies.
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Box 7
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Folder 1: Music for Seven Poems, III. The Hunter, vocal score
29 copies. -
Folder 2: Music for Seven Poems, IV. Truant, vocal score
28 copies. -
Folder 3: Music for Seven Poems, VI. Each Spring, vocal score
47 copies.
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Box 8
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Folder 1: Peace, 1943
Full set of orchestral parts including photo negatives. -
Folder 2: A Prophecy of Peace, 1951
Manila envelope containing three masters of the original manuscript (one ozalid, two paper) of the score of the second version of "A Prophecy of Peace" for Chorus, Organ, Piano, and Cymbals as well as four programs from the Iowa State Teachers College (dated 1952 March 6, 1959 April 28, 1960 February 29-March 6, and 1961 June 4) and one church bulletin (dated 1961 May 7) listing performances of this work. A red penciled note on the envelope specifies that "Peace" (1943) bears no relation to "A Prophecy of Peace" (1951). -
Folder 3: A Prophecy of Peace, 1951
Manila folder containing a choral score for the first version of "A Prophecy of Peace" for Chorus and Full Orchestra. -
Folder 4: Prophecy of Peace
Manila folder containing masters of orchestral parts of the first version of "A Prophecy of Peace." -
Folder 5: A Prophecy of Peace, 1951
Twelve bound scores of the second version of "A Prophecy of Peace" enclosed in a rubber band with four notices describing the three versions of this work.
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Box 9
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Folder 1: Prophecy of Peace
Manila folder containing a full set of orchestral parts for the first version of "A Prophecy of Peace." -
Folder 2: A Prophecy of Peace, 1961
Brown envelope containing masters for score and parts and one set of copies of parts for the third version of "A Prophecy of Peace" for Chorus, 10 Winds and Percussion as well as printed copies of the vocal score and instrumental parts published by Summy-Birchard. -
Folder 3: A Prophecy of Peace, 1951
Brown envelope containing masters of the full score of the first version of "A Prophecy of Peace" for Chorus and Orchestra. -
Folder 4: A Prophecy of Peace, 1951
Comb-bound full score of first version of "A Prophecy of Peace" for Chorus and Orchestra (2 copies). -
Folder 5: Peace, 1943
Comb-bound full score of "Peace" for Mixed Chorus and Orchestra.
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Box 10
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Folder 1: Peace, 1943
Ninety-four choral parts in brown paper taped shut, labeled "Peace." -
Folder 2: Peace, set for chorus and orchestra after a poem by Rupert Brooke, 1943
Reproduction of full choral/orchestral score dated December 1943, with page numbers in red. -
Folder 3: Works of American Composers performed at Composers' Forum, 1948 May 17-23
Program of American music performed by a professional orchestra over the course of six sessions with a concluding concert from May 17 to 23, 1948, sponsored by the Department of Music of the University of Minnesota in the Northrop Memorial Auditorium. Program includes Latham's "Peace," for Chorus and Orchestra. -
Folder 4: "Peace", n.d.
Reproduction of typed version of Rupert Brooke's poem. -
Folder 5: Untitled, August 1944
Short essay by Latham describing the inspiration for and genesis of "Peace," for Chorus and Orchestra. -
Folder 6: Billy Latham on "Peace", 1943 December 6
Reproduction of unattributed artwork of Latham composing "Peace" at Camp Coxcomb, California. -
Folder 7: Peace, n.d.
Reproduction of choral score; seven pages.
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Series 5: Documents
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Box 1: SCI course outlines; Counterpoint 641; 615 misc. papers; 615 outlines
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Box 2: 615 outlines (continued); ESM class notes; UNI Exploring Music notes
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Box 3: UNI Exploring Music notes (continued); School of music review committee; search committee; reorganization committee; CD transfers of audio tapes; reel-to-reel tapes; cassettes
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Box 4: 615 student reports; Admin reports, student correspondence and records; Spring 1984 grades; miscellaneous; New in the Music Library
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Series 6: Works for chorus with band
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Box 1
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Folder 1: The Music Makers, 1971
Comb-bound reproduction of full score for "The Music Makers" for Concert Band, Mixed Chorus, Rock Group, Tape Noise and Guru based on an Ode by Arthur O'Shaughnessy. Commissioned by Palatine High School, Palatine, Illinois. -
Folder 2: The Music Makers, 1972
Brown envelope containing two condensed scores (one original and one reproduction) for "The Music Makers." -
Folder 3: The Music Makers, 1972
Manila envelope containing correspondence, program, press notices, text, and sketches for "The Music Makers." -
Folder 4: The Music Makers, 1971
Comb-bound full score of "The Music Makers" containing red penciled symbols indicating where taped noise on cassette is heard. -
Folder 5: The Music Makers, 1971
Unbound full score of "The Music Makers" attached to a piece of cardboard with a rubber band. -
Folder 6: Music Makers
Manila envelope containing ozalid masters of band parts for "The Music Makers." -
Folder 7: Music Makers
Manila envelope containing ozalid masters of rock group parts for "The Music Makers." -
Folder 8: The Music Makers, 1971
Octavo-sized condensed score of "The Music Makers" with corrections in red pencil on pages 28, 37, 40, and 41. -
Folder 9: Muisc Makers
Brown envelope containing ozalid masters of vocal score of "The Music Makers." -
Folder 10: The Music Makers, 1971
Unbound ozalid full score of "The Music Makers" covered by a cardboard sheet labeled "The Music Makers Full Score Masters." -
Folder 11: The Music Makers
Slides - NTSU performing groups [to have been used in a projected "multi media" performance of The Music Makers]. Box labeled G 0056. -
Folder 12: The Music Makers
Slides - NTSU performing groups [to have been used in a projected "multi media" performance of The Music Makers]. Box labeled G 0066.
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Box 2
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Folder 1: Remarks Before a Performance, 1971 March 5
Transcript of notes read by Latham before a performance of Te Deum for chorus, wind ensemble and organ by the Bucknell University Chorale and Wind Ensemble, under the direction of Allen W. Flock, at the MENC Eastern Regional Division Convention in Atlantic City, New Jersey on 1971 February 27. -
Folder 2: Te Deum, 1965
Brown envelope of Te Deum transcribed for chorus, organ, and percussion published by Shawnee Press. Three octavos - one choral/organ score, two percussion/timpani parts. -
Folder 3: Te Deum, 1965
Brown envelope containing three xerox photocopies of printed score and percussion part. Penciled note on envelope says (Te Deum was "Permanently out of print" by Shawnee Press in 1980). -
Folder 4: Te Deum, 1964
Brown envelope containing correspondence, programs, and press notices regarding Te Deum. -
Folder 5: Two Psalms, 1954
Manila envelope containing manuscript full score and parts for Two Psalms (130 and 148) for Band and Chorus. -
Folder 6: Two Psalms, 1954
Brown envelope containing original manuscript copies, printed copies (published by Summy-Birchard), programs, and press notices for Two Psalms (130 and 148) for Band and Chorus. -
Folder 7: Te Deum, 1964
Manuscript vocal scores for Parts I, II, and III and ozalid masters, and two complete ozalid copies of Te Deum (Band and Chorus). -
Folder 8: Te Deum, 1964
Manila envelope containing sketches of Te Deum for Chorus and Wind Ensemble.
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Series 7: Works for chorus a cappella or with keyboard/small ensemble accompaniment
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Box 1
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Folder 1: An Enjoyable Eclectic Evening, 1994 October 22
Program for the Arlington Choral Society's concert entitled "An Enjoyable Eclectic Evening," part of the 1994-1995 season, under the direction of Henry Gibbons, guest conductor, performed at Irons Recital Hall at the University of Texas at Arlington on October 22, 1994 at 8:00 p.m.; lists a performance of Latham's Only in Texas! -
Folder 2: Only in Texas!, 1994
Score of Only in Texas! for mixed chorus, piano, and percussion, commissioned by The Lake Cities Community Chorus of Lewisville, Texas, Robert E. Austin, Director. -
Folder 3: Only in Texas!, 1994
Manila envelope of seven copies of the lyrics of Only in Texas!, original versions of the lyrics, programs with performances of this piece, and a reproduction of the score. -
Folder 4: Only in Texas!
Manila envelope of submasters of Only of Texas! -
Folder 5: Four Songs, 1989
Original manuscript and two size-reduced xerox copies of Four Songs for chorus of unchanged voices with piano accompaniment; contains 1. Morning, 2. Three Young Rats, 3. The Ostrich, 4. Yo, School! -
Folder 6: Vital Signs, 1991
Manila envelope of original manuscript and three size-reduced copies of Vital Signs for chorus of unchanged voices with piano accompaniment. -
Folder 7: Untitled, 2002 April 12
Card addressed to "Dearest Bill and Joan" from an anonymous sender inviting them to the Woodrow Wilson All Star Choir Concert on May 14th at 7 p.m. where "Three Young Rats" and "Yo, School" will be performed. -
Folder 8: Only in Texas!
Brown bag containing masters of score. -
Folder 9: Vital Signs, 1991
Manila envelope containing original manuscript, three size-reduced copies, sketches, and xerox masters of Vital Signs for chorus of unchanged voices with piano accompaniment as well as correspondence regarding this piece. -
Folder 10: Woodrow Wilson All-Star Choir, 1999 February 5
Program for a performance of the Woodrow WIlson All-Star Choir under the direction of Cecile Johnson on February 5, 1999 at 1:15 p.m. at the Texas Music Educators Association Convention in San Antonio featuring "Yo, School!" from Latham's Four Songs. -
Folder 11: Four Songs, 1989
Brown envelope containing original manuscript, xerox masters, two size-reduced copies, and sketches of Four Songs for chorus unchanged voices with piano accompaniment as well as correspondence, programs, and press notices for this piece. -
Folder 12: Missa Novella, 1988
Manila envelope containing manuscript masters, three xerox copies, printed copies, sketches, of Missa Novella for young choirs, SATB with piano accompaniment as well as correspondence regarding this piece.
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Box 2
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Folder 1: My Heart Sings, 1987
Manila envelope containing sketches, programs, press notices, correspondence, and a commissioning agreement for My Heart Sings for chorus and organ. -
Folder 2: The Service's for the Lord's Day, 1999 May 16
Bulletins (two) from St. Andrew Presbyterian Church in Denton, Texas where Latham's My Heart Sings was performed as the anthem on May 16, 1999. -
Folder 3: My Heart Sings, 1987
Score of My Heart Sings anthem for chorus and organ, commissioned by St. Andrew Presbyterian Church of Denton, Texas in celebration of the 125th anniversary of its founding. -
Folder 4: Announcement "My Heart Sings"
Manila folder containing correspondence regarding and announcements of My Heart Sings. -
Folder 5: My Heart Sings, 1987
Manila envelope containing four scores of My Heart Sings. -
Folder 6: My Heart Sings, 1987
Comb-bound landscape format score of My Heart Sings. -
Folder 7: My Heart Sings, 1987
Brown envelope containing original manuscripts and xerox masters of My Heart Sings. -
Folder 8: Bitter Land, 1985
Comb-bound full concert pitch score for Bitter Land: Three Texas Poems for Mixed Chorus, Brass Quintet, and Piano commissioned by North Harris County College, Houston, Texas for the Texas Sesquicentennial, 1986; poems by Arthur M. Sampley, music by William P. Latham. -
Folder 9: Bitter Land, 1985
Manila envelope containing sketches for Bitter Land. -
Folder 10: Bitter Land, 1985
Manila envelope containing correspondence, programs, press notices, and program notes regardingBitter Land. -
Folder 11: Bitter Land, 1985
Brown envelope containing bound copies of the full score (one full size, one reduced size) and program notes for Bitter Land.
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Box 3
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Folder 1: Bitter Land, 1985
Manila envelope containing two full scores (one original manuscript and one reduced sixe master) of Bitter Land. -
Folder 2: Bitter Land, 1985
Manila envelope containing original manuscripts and reduced size masters of instrumental parts for Bitter Land. -
Folder 3: Gaudeamus Academe
Ten copies of the complete text of Gaudeamus Academe compiled by William P. Latham. -
Folder 4: Gaudeamus Academe, 1981
Two comb-bound full scores of Gaudeamus Academe being an Ode in Praise of the Seven Deadly Arts for a cappella chorus, tenor solo, announcer (on tape), bass drum, cymbals, and slapstick; commissioned by the Inaugural Steering Commitee and the Special Events Committee in honor of the inauguration of Frank E. Vandiver as eleventh president of North Texas State University and Texas College of Osteopathic Medicine. -
Folder 5: Tape for "Gaudeamus Academie"
7.5 ips quarter track stero reel of announcer part for Gaudeamus Academe. Tape contains 1) test tone, 2) announcer segment #1, 3) announcer segment #2, and 4) Brahms' "Gaudeamus Igitur." A note in red pen states, "The voice on this tape is that of William A. Mercer, UNT Broadcasting co-ordinator." -
Folder 6: Gaudeamus Academe, 1981
Manila envelope containing sources, drafts of text, and music sketches for Gaudeamus Academe. -
Folder 7: Gaudeamus Academe, 1981
Manila envelope containing correspondence regarding and press release for Gaudeamus Academe. -
Folder 8: Gaudeamus Academe
Manila envelope containing the announcer's part for Gaudeamus Academe. -
Folder 9: Gaudeamus Academe, 1981
Manila envelope containing multiple copies of the xerox master of the complete text of Gaudeamus Academe.
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Box 4
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Folder 1: Gaudeamus Academe, 1981
Manila envelope containing original manuscript full score of Gaudeamus Academe. -
Folder 2: Epigrammata, 1978
Comb-bound reproduction of full score of Epigrammata for Chorus A Cappella (except for one guitar). -
Folder 3: Epigrammata, 1978
Brown envelope containing the original and copies of the complete text of Epigrammata (compiled by the composer). -
Folder 4: Epigrammata, 1978
Manila envelope containing correspondence, newspaper clippings, program, and program notes regarding Epigrammata. -
Folder 5: Epigrammata, 1978
Manila envelope containing masters of the vocal score of Epigrammata. -
Folder 6: Epigrammata, 1978
Brown envelope containing sketches of Epigrammata. -
Folder 7: Epigrammata, 1978
Manila envelope containing original manuscript score and one unbound xerox copy of Epigrammata. -
Folder 8: St. David's Mass, 1978
Manila envelope containing original ozalid masters of St. David's Mass music for the Eucharist: Rite II for St. David's Episcopal Church, Denton, Texas. Text from The Book of Common Prayer. Copyright © 1977 by Charles Mortimer Guilbert as custodian of the Standard Book of Common Prayer. All rights reserved. Reprinted by permission. Music © by William P. Latham, 1978. -
Folder 9: St. David's Mass, 1978
Three stapled reproductions of the full score of St. David's Mass. -
Folder 10: St. David's Mass, 1978
Unbound masters of full score of St. David's Mass attached with a paper clip. -
Folder 11: St. David's Mass
Manila envelope containing xerox reduction master of St. David's Mass. -
Folder 12: St. David's Mass
Brown envelope of sketches of St. David's Mass. -
Folder 13: St. David's Mass, 1977
Brown envelope containing original ozalid and xerox masters of St. David's Mass. -
Folder 14: St. David's Mass, 1977
Manila envelope containing correspondence (including text clearance), programs, and press notice for St. David's Mass. -
Folder 15: St. David's Mass, 1977
Brown envelope containing three copies of original manuscript of optional 4-part settings for Sanctus, Benedictus and Gloria of St. David's Mass. -
Folder 16: St. David's Mass, 1977
Manila envelope containing original manuscript masters of optional 4-part settings of Gloria, Sanctus, Offertory (not used), and 3- or 9-fold Kyrie.
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Box 5
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Folder 1: St. David's Mass, 1977
Manila envelope containing full size xerox copy and reduced size master of Tim Kloth manuscript of St. David's Mass. Outside of envelope contains a handwritten list of durations of the movements in this piece. -
Folder 2: St. David's Mass, 1977
Brown envelope of extra copies of old manuscripts of St. David's Mass. -
Folder 3: Songs of a Day Rome Was Not Built In, 1966
Manila envelope containing sketches, programs, and one printed copy of Songs of a Day Rome Was Not Built In for Men's Chorus (TTBB) published by Associated Music Publishers 1970. -
Folder 4: Songs of a Day Rome Was Not Built In, 1966
Brown envelope containing ozalid masters of the original manuscript of Songs of a Day Rome Was Not Built In. -
Folder 5: Songs of a Day Rome Was Not Built In, 1966
Forty-eight (48) printed copies of Songs of a Day Rome Was Not Built In dated 1966 October 29. The first page indicates that the poems in this cycle wer written, in Latin, by Carthigian poets in the sixth century and taken from Song of a Falling World; Culture During the Break-up of the Roman Empire by Jack Lindsey (London: Andrew Dakers, Ltd., 1948). -
Folder 6: Hymn Prayer, 1958
Manila envelope containing ozalid master of the original manuscript, one manuscript copy, and one printed copy of Hymn Prayer for unison children's chorus; published by Summy-Birchard Publishing Co., 1958.Barcode: 710073Barcode: 710076 -
Folder 7: Salve Festa Dies, 1953
Brown envelope containing sketches, old ozalid masters of original manuscript, new reduced size xerox copies of the score, old ozalid and new xerox copies of the choral parts, program, and press notice for Salve Festa Dies: Prelude, Fugue, and Processional for Organ and Chorus (optional) based on a Sarum hymn for use at Eastertide, Ascensiontide, Whitsuntide and other Festivals. -
Folder 8: Salve Festa Dies, 1953
Typewritten letter describing Salve Festa Dies; also old ozalid masters of the full score. -
Folder 9: Salve Festa Dies
Manila envelope containing one comb-bound copy of Salve Fest Dies. -
Folder 10: Flow, O My Tears, 1948
Manila envelope containing seven printed copies, program, and press notices for Flow, O My Tears: Madrgial for Mixed Voices A Cappella; composed in 1948, published by Mercury Music Corp. in 1955, re-printed by Theodore Presser in 1988. -
Folder 11: Hosannah to the Son of David, 1951
Manila envelope containing original manuscript, 21 printed copies, and program of Hosannah to the Son of David: Anthem for Palm Sunday; published by R.D. Roxy Music Co. in 1956. Additional note from 1/11/07 states, "minus 10 copies to St. David."
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Box 6
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Folder 1: Glory Be to God on High, 1966
Manila envelope containing sketches, three copies of the final draft manuscript, program, and press notice for Glory Be to God on High for a cappella chorus SATB, published by Shawnee Press; parenthetical note states, "(1/11/07 1 copy to St. David)." -
Folder 2: Sister Awake, 1948
Manila envelope containing two printed copies and programs for Sister Awake, madrigal for SSA chorus, composed in 1948 and published by Mercury Music Corp. in 1955. -
Folder 3: The Shrine, 1953
Manila envelope containing ozalid masters of the original manuscript and one printed copy of The Shrine, SATB motet with organ accompaniment for Mother's Day, composed in 1953 and published by Pro-Art Publications in 1964. -
Folder 4: Gloria, 1956
Manila envelope containing masters, original manuscript copies, one printed copy, xerox copies, and programs of Gloria for SATB a cappella chorus, published by Summy-Birchard Pub. Co. in 1956. -
Folder 5: Credo, 1958
Manila envelope containing masters, original manuscript copies, one printed copy per setting, and programs of Credo: Two Settings of a Metrical Version of The Apostle's Creed - 1. Unison Chorus, pno., 2. Cho. SATB, pno., composed in 1958 and published by Jack Spratt Mus. Co. in 1959. -
Folder 6: Credo/Hymn Prayer
Envelope from Joe's Copies Etc. containing copies of Credo and Hymn Prayer. -
Folder 7: Prayer After World War, 1945
Brown envelope containing an original manuscript score of Prayer After World War. -
Folder 8: Prayer After World War, 1945
Twenty-eight printed copies of Prayer After World War for a cappella chorus. -
Folder 9: Choral Responses
Manila envelope containing masters and copies for Choral Responses for I.S.T.C. Interdenominational Church, the Chapel Choir, ca. 1952-53, Cedar Falls, Iowa. -
Folder 10: Introit and Gradual, 1963
Manila envelope containing ozalid masters of Introit and Gradual for organ, choir, and trumpets, arranged for St. Mark's Episcopal Church, Waterloo, IA. -
Folder 11: Now Thank We All Our God, 195u
Manila envelope containing masters, one organist's copy, and thirteen choral copies of Now Thank We All Our God.
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Series 8: North Texas Composers Archive masters
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Box 1: Works by William P. Latham and Rule Beasley
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Folder 1: The Ascension of Jesus
Composed by William P. Latham. Call number M 2113.3 .L38 A81. -
Folder 2: Improvisation on Salve Festa Dies
Composed by William P. Latham. Call number M 11 .L38 S31. -
Folder 3: Sonatina
Composed by William P. Latham. Call number M 23 .L38 S61. -
Folder 4: Concerto grosso for Bb sop. sax., Eb alto sax., and symphonic wind ensemble
Composed by William P. Latham. Call number M 1205 .L38 C61. -
Folder 5: Concerto grosso for Bb sop. sax., Eb alto sax. and chamber orchestra
Composed by William P. Latham. Call number M1040 .L38 C61. -
Folder 6: Blind with Rainbows
Composed by William P. Latham. Call number M1530.3 .L38 B61. -
Folder 7: Sinfonietta
Composed by William P. Latham. Call number M1001 .L38 S51. -
Folder 8: Sonata
Composed by William P. Latham. Call number M219 .L38 S61. -
Folder 9: Two Pieces
Composed by Rule Beasley. Call number M452 .B43 P51. -
Folder 10: Three Studies
Composed by Rule Beasley. Call number M254 .B43 S81. -
Folder 11: Intermezzo
Composed by Rule Beasley. Call number M184 .B43 I51. -
Folder 12: Fantasy for baritone horn and wind orchestra
Composed by Rule Beasley. Call number M1033 .B43 F31. -
Folder 13: Fanfare and scherzo for trumpet and piano
Composed by Rule Beasley. No call number specified.
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Box 2: Works by other composers
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Folder 1: Concerto no. 1 for piano and orchestra
Composed by Violet Archer. Call number M1040 .A74 C61 no.1. -
Folder 2: Concerto for violin and orchestra
Composed by Violet Archer. Call number M1012 .A74 C61. -
Folder 3: Sonata for Oboe & Piano
Composed by Samuel H. Scott. Call number M246 .S47 S61. -
Folder 4: Bureaucracy
Composed by Joseph W. Pinson. Call number M385 .P56 B81. -
Folder 5: Proclamation
Composed by Francis Osentowski. Call number M1045 .O84 P71. -
Folder 6: Festive Music for an Occasion
Composed by W. Alan Oldfield. No call number specified. -
Folder 7: Orchestra Piece with Birds
Composed by Vern Martin. Call number M1045 .M37 O71. -
Folder 8: Quintet for wind instruments, 1969
Composed by Alfred Fremder. M557 .F73 Q91.
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