Box and Folder Listing

Browse by Series:

• [Series 1: Orchestral works],
• [Series 2: Works for band],
• [Series 3: Works for soloist with orchestra or band],
• [Series 4: Works for chorus and orchestra],
• [Series 5: Documents]
• [All]

Series 1: Orchestral works

 

Box 1

 

Folder 1: American Youth Performs

Condensed score, sketches in pencil.

Folder 2: American Youth Performs, 1969

Full score, spiral comb-bound.

Folder 3: American Youth Performs

Parts - ozalid copies.

Folder 4: American Youth Performs

Extra copies of violin parts - ozalids.

Folder 5: American Youth Performs, 1969

Full score - master copy - ozalid transparency.

Folder 6: American Youth Performs, 1969

Spiral comb-bound score - ozalid.

Folder 7: American Youth Performs, 1969

Second spiral-comb-bound copy of full score.

Folder 8: Overture [renamed from American Youth Performs]

Spiral comb-bound ozalid score.

Box 2

 

Folder 1: American Youth Performs, 1969

Parts - master copies - ozalids.

Folder 2: American Youth Performs: Photos, 1969 August 25

"St. Moritz and setting of Orchestra Festival." 8 photos. 7 color, 1 black and white.

Folder 3: American Youth Performs: Correspondence, 1969-1977

 

Folder 4: American Youth Performs: Concert program, 1969 August 18-30

Official programs for the International Festival of Youth Orchestras (St. Moritz, Switzerland), with a press release and orchestra roster.

Folder 5: American Youth Performs: Programs from other performances, 1969

Youth Orchestra of Greater Fort Worth, Grand Prairie High School Chorale,  March 2; Knoxville, TN, December 2. Includes programs, press notices, presentation speech.

Folder 6: And Thou America, 1947

Parts, manuscript. Original envelope containing information on instrumentation included.

Folder 7: And Thou America, 1947

Parts - ozalid copies.

Box 3

 

Folder 1: Excelsior K-2

Parts, folded, not in score order. Includes note: "XC reduction 92% N.G. use 90 %."

Folder 2: Excelsior K-2, concert programs, 1994

Three copies of concert programs including the Fort Worth Symphony Orchestra performance (John Giordano, conductor) at Landreth Auditorium, Texas Christian University, September 13, 1994.

Folder 3: Homemade card on occasion of Excelsior K-2 premiere

 

Folder 4: Copies of a profile of Latham and a review of Excelsior K-2 in the Fort Worth Star-Telegram, 1994 September 5, 14

 

Folder 5: Correspondence related to the promotion and performance of Excelsior K-2, 1994-1996

 

Folder 6: Jubilee Thirteen-Fifty: Sketches and first draft

Cites material from Alan Lomax' Cowboy Songs, p. 250.

Box 4

 

Folder 1: Jubilee Thirteen-Fifty: Sketch in pencil

 

Folder 2: Jubilee Thirteen-Fifty: Parts, masters

Ozalid copies of manuscript.

Folder 3: Jubilee Thirteen-Fifty: Manuscript parts, 1978

"Percussion missing."

Folder 4: Jubilee Thirteen-Fifty: Published score and parts, 1984

Shawnee Press, Delaware Water Gap, PA.

Box 5

 

Folder 1: Jubilee Thirteen-Fifty: Correspondence with Sherman (TX) Symphony, premiere program, press notices, 1978

Premiered November 4, 1978 by the Sherman Symphony. Enclosed document explains that the work was written in honor of the Sherman Symphony's thirteen years, and fifty performances up to that point.

Folder 2: Jubilee Thirteen-Fifty: Published score and miniature score, 1984

Shawnee Press, Delaware Water Gap, PA.

Folder 3: Lady of Shalott: Two manuscript scores, 1939 November 5; 1939 December

 

Folder 4: Lady of Shalott: Parts and photonegatives

Instrumentation list on brown paper wrapper.

Folder 5: Lady of Shalott: Newspaper clippings and concert program, 1941 March

Performed by the Cincinnati Symphony Orchestra under Eugene Goosens, March 7-8, 1941.

Box 6

 

Folder 1: A Modern Trilogy: Sketches

 

Folder 2: A Modern Trilogy: Ballet, piano sketches

 

Folder 3: A Modern Trilogy: Byzantine Dance, score in pencil, 1938 May 14

 

Folder 4: A Modern Trilogy: Waltz, string parts - masters, 1941

Ozalid transparencies.

Folder 5: A Modern Trilogy: Waltz, string parts

Inventory on brown paper wrapper.

Box 7

 

Folder 1: A Modern Trilogy: Waltz, Wind, percussion parts

Package still sealed. Inventory on front cover.

Folder 2: A Modern Trilogy: Waltz, program, 1942 February 8

Performance by Cincinnati Dance Guild at Ohio University

Folder 3: Suggestions for Orchestra, score in C, 1939

Manuscript, in ink.

Folder 4: Suggestions for Orchestra, parts

Package still sealed; page with inventory taped on front.

Box 8

 

Folder 1: Symphony No. 1, short score

In pencil.

Folder 2: Symphony No. 1, Fugue ("first movement") arranged for piano, four hands

 

Folder 3: Symphony No. 1, first movement, score

In pencil.

Folder 4: Symphony No. 1, second movement, score

In pencil.

Folder 5: Symphony No. 1, third movement, score

In pencil.

Folder 6: Symphony No. 1, ozalid master of score, 1950 August 1

Title page of first copy: "to fulfill the thesis requirements for the degree [of] Doctor of Philosophy, department of composition, Eastman School of Music of the University of Rochester."

Folder 7: Symphony No. 1, ozalid masters of parts

 

Folder 8: Symphony No. 1, full score, 1950 August 1

Two spiral-bound ozalid copies. Title page of first copy: "to fulfill the thesis requirements for the degree [of] Doctor of Philosophy, department of composition, Eastman School of Music of the University of Rochester."

Box 9

 

Folder 1: Symphony No. 1, parts

Package still sealed. Inventory of parts on paper taped to front.

Folder 2: Symphony No. 1, programs and analysis (thesis outline), 1950

File includes two programs from performance at Eastman on April 25, 27 1950.

Folder 3: Symphony No. 2 (Sinfonietta), sketch

In pencil. Originally title "Symphony No. 2" later changed to "Sinfonietta."

Folder 4: Symphony No. 2 (Sinfonietta), ozalid master of full score, 1953 August 2

 

Box 10

 

Folder 1: Symphony No. 2 (Sinfonietta), full score

Copy from ozalid.

Folder 2: Symphony No. 2 (Sinfonietta), ozalid masters of parts

 

Folder 3: Symphony No. 2 (Sinfonietta), parts, violins and violas

 

Folder 4: Symphony No. 2 (Sinfonietta), parts, cello and bass

 

Folder 5: Symphony No. 2 (Sinfonietta), parts, woodwinds, horns, trumpets, timpani

 

Folder 6: Symphony No. 2 (Sinfonietta), second set of parts, violins and violas

 

Box 11

 

Folder 1: Symphony No. 2 (Sinfonietta), second set of parts, cello bass, woodwinds, horns, trumpets

 

Folder 2: Symphony No. 2 (Sinfonietta), third set of parts, complete

 

Folder 3: Symphony No. 2, three spiral-bound copies of score

 

Box 12

 

Folder 1: Symphony No. 2 (Sinfonietta), score, "examination copies"

Two spiral-bound copies

Folder 2: Symphony No. 2 (Sinfonietta), correspondence, programs, press notices

Note on file: "See also files for Fest TX Composers 67, 67-88, 91 and pub. file, Theodore Presser."

Box 13: Oversized items

 

Folder 1: And Thou, America, master ozalid for full score; string parts, programs

Score dated June, 1947

Folder 2: And Thou, America, full score, spiral-bound ozalid copy, 1947 June

Includes insert detailing part corrections.

Folder 3: And Thou, America, full score, second spiral-bound ozalid copy, 1947 June

 

Folder 4: Excelsior K-2, sketches, letter from John Giordano

 

Folder 5: Excelsior K-2, first complete rough draft, 1994 April 7

In pencil.

Folder 6: Excelsior K-2, original manuscript master, 1994 May 2

 

Folder 7: Excelsior K-2, parts

2 pages per 11" x 17" sheet, not folded.

Folder 8: Jubilee 13/50, master ozalid for full score, 1978

Commissioned by the Sherman Symphony Orchestra.

Folder 9: Jubilee 13/50, full score, ozalid copy, 1978

Prepared for  plastic-comb binding, but not bound.

Folder 19: A Modern Trilogy: Waltz, full manuscript score

Plastic comb-bound.

Series 2: Works for band

 

Box 1

 

Folder 1: Brighton Beach: Concert March for Band, 1954

Condensed score, one printed copy; poll listings, programs.

Latham: "pub. Clayton F. Summy (later Summy-Birchard) 1954. My first band publication."

Folder 2: Court Festival, full score, 1957 February 1

Plastic comb-bound, in pencil.

Folder 3: Court Festival, full score, 1957 February 1

Two photocopies, made in October 1994.

Folder 4: Court Festival, condensed score, research notes, program notes, 1957

Original manuscript version of condensed score (pencil, with edits in red pencil), one published copy (Summy-Birchard, Evanston, IL), one partial copy of condensed score -- primarily cover and duplicate title pages.

Folder 5: Court Festival, programs, press notices, review, clippings

Includes May, 1999 issue of Instrumentalist magazine (see page 33).

Folder 6: Dilemmae, sketches

 

Folder 7: Dilemmae, ozalid master and one unbound copy of condensed score, 1973

Master copy in pencil

Folder 8: Dilemmae, set of parts, 1974 February 12

In pencil, copied by G. Garner. Cover letter on West Texas State University letterhead. Postmarked February 12, 1974.

Box 2

 

Folder 1: Dilemmae, ozalid masters of band parts; parts list, 1973

 

Folder 2: Dilemmae, incomplete set of band parts, 1973

Missing oboes, bassoons, E-flat clarinet, bass clarinet, contrabass clarinet; soprano, alto, tenor, and baritone saxophones.

Folder 3: Dilemmae, correspondence, programs, press notices, clippings, program notes

 

Folder 4: Dionysian Festival, ozalid master of full score, 1966 January 26

"Commissioned by the student body of the University of North Dakota for the Symphonic Wind Ensemble, Michael F. Polovitz, director."

Folder 5: Dionysian Festival, ozalid masters of parts

 

Box 3

 

Folder 1: Dionysian Festival, ozalid copies of parts

 

Folder 2: Dionysian Festival, full score, 1966

Plastic comb-bound, 2 copies.

Folder 3: Dionysian Festival, condensed score, 1966

Pencil, in plastic comb-bound music manuscript notebook.

Folder 4: Dionysian Festival, correspondence, sketches, programs, press notices, clippings

 

Folder 5: Dodecaphonic Set, sketches and programs, 1966

Also includes sheet with comments about R.L. Casey's dissertation, "Serial Compositions in Works for the Wind Band." Envelope notes that Dodecaphonic Set was published by C.L. Barnhouse in 1967.

Folder 6: Dodecaphonic Set, ozalid masters of full score, 1966 July 3

 

Folder 7: Dodecaphonic Set, ozalid copy of full score, 1966 July 3

Plastic comb-bound.

Folder 8: Dodecaphonic Set, copies of condensed score, program notes

 

Box 4

 

Folder 1: Dodecaphonic Set

 

Folder 2: Drones, Airs, and Games for Concert Band, sketches, 1983

Third movement (Games): "Sources and sketches."

Folder 3: Drones, Airs, and Games for Concert Band, condensed score, 1983

In pencil.

Folder 4: Drones, Airs, and Games for Concert Band, parts, 1983

Drones: "Corrected 3/4/1983."

Airs: "Corrected 3/2/1983."

Folder 5: Drones, Airs, and Games for Concert Band, programs, correspondence, program notes

 

Box 5

 

Folder 1: Escapades, sketch

 

Folder 2: Escapades: II. Serenade, published copies of full score and condensed score, 1967

Latham: "Serenade was published separately by Shawnee Press in 1967. In 1972, the other movements of the suite were published on a rental basis."

3 copies of miniature condensed score, 3 regular size.

3 copies of full score.

All from Shawnee Press, Copyright 1967, Delaware Water Gap, PA.

Folder 3: Escapades, ozalid copies of parts

 

Folder 4: Escapades, ozalid copies of parts, continued

 

Folder 5: Escapades, Programs, correspondence, concert poster, 1965-1970

 

Folder 6: Fusion, master ozalid copies of band parts, 1975

Composed 1975, copyright 1976.

Box 6

 

Folder 1: Fusion, correspondence, programs, press notices, 1975

 

Folder 2: Fusion: analytical paper, "The Problem of Fusion", 1978

"First read at Festival of Contemporary Music, Cameron University, Lawton, OK, 3/2/1978." Full title: "The Problem of Fusion: and how a new band work was created."

Folder 3: Fusion, "specimen copies reduced - plates"

 

Folder 4: Honors Day, published condensed score, sketch, programs, press notices, 1959

Published by Summy-Birchard, Chicago, IL, 1960.

Original title: "Day of Honor."

Folder 5: Honors Day, master copies of parts, 1959

Published by Summy-Birchard, Chicago, IL, 1960.

Original title: "Day of Honor."

Note on envelope: "Full score lost."

Folder 6: March Five, sketches and programs, 1969

Written in 1969, published by C.L. Barnhouse in 1970.

Folder 7: March Five for Concert Band, full score, 1969

Plastic comb-bound ozalid copy.

Folder 8: March Five, ozalid masters of parts, 1969

 

Folder 9: March Five, parts, two sets of copies

 

Box 7

 

Folder 1: March Five, published score and parts for band; minature scores, 1970

Two copies of miniature score.

Published by C.L. Barnhouse, Oskaloosa, IA.

Folder 2: March 6, condensed score

First draft in pencil, final draft in pencil, photocopy of final draft.

"Commissioned by the Texas Junior College Honor Band."

Folder 3: March 6, copies of parts, complete set

Inventory sheet attached.

Folder 4: March 6, copies of parts, additional set

"Xerox," on  heavy manila paper.

Box 8

 

Folder 1: March 6, published version, 1979

Shawnee Press, Delaware Water Gap, PA

Folder 2: March 6, correspondence, programs, sketch

 

Folder 3: Passacaglia and Fugue, sketches, program notes

Commissioned for the centennial of Louisiana State University.

Folder 4: Passacaglia and Fugue for Band: ozalid masters of full score, 1959 May 28

"Written for the LSU Band in honor of the centennial celebration of the university."

Folder 5: Passacaglia and Fugue for Band: ozalid copies of full score, plastic comb-bound, 1959 May 28

 

Folder 6: Passacaglia and Fugue, published version, 1966

Shawnee Press, Inc., Delaware Water Gap, PA.

Folder 7: Passacaglia and Fugue, additional published version (score and parts), and third copy of score, 1966

Shawnee Press, Inc., Delaware Water Gap, PA.

Box 9

 

Folder 1: Passacaglia and Fugue, correspondence, programs, press release, review in The Instrumentalist

Includes premiere program, May 17, 1960, LSU Concert Band.

Folder 2: Il Pasticcio: Overture for Band, full score, ozalid masters and unbound copy, programs, research and program notes, 1955

Published by Summy-Birchard (Chicago), circa 1955.

Folder 3: Plymounth: Variations, sketches, ozalid masters of score and parts, 1962 June 30

Earlier title: "Variations on a Theme Not By Haydn in A-Flat," "composed especially for bands in classes Q through X."

Folder 4: Plymouth: Variations on an Original Theme for Concert Band, full score, comb-bound ozalid copy, 1962 June 30

Copy of ozalid. Same score as item 3, with new title written in blue pencil.

Folder 5: Plymouth, published copies, full and condensed score, programs, press notice

 

Folder 6: Prayers in Space, sketches, correspondence

 

Folder 7: Prayers in Space, published copies, 1971

One miniature condensed score, one full set of score and parts, one full score with correction noted, one condensed score.

Shawnee Press, Inc. Delaware Water Gap, PA.

Folder 8: Prayers in Space, ozalid masters of parts

 

Box 10

 

Folder 1: Prayers in Space, copies of parts, 1971

"Ca. 2 complete sets."

Folder 2: Prayers in Space, programs and clippings

Latham: "See correspondence in publisher file."

Folder 3: Prolegomena, sketches, 1974

 

Folder 4: Prolegomena, full score, masters, 1974 November 30

"Commissioned by Ashland College Symphonic Band, Ashland, Ohio."

"1. Ozalid and 2. Xerox." Includes program notes added on February 3, 1975.

Folder 5: Prolegomena, full score, copy, 1974 November 30

Copy in plastic comb binding.

Folder 6: Prolegomena, correspondence, programs, press notices, program notes (extra copies)

 

Box 11

 

Folder 1: Proud Heritage, correspondence; two 3.5-inch floppy disks with Finale files

 

Folder 2: Proud Heritage for concert band, condensed score, printed copy, press notices, listings, magazine article

Composed in 1955. Published by Summy-Birchard in 1956. Program notes on front of envelope.

Folder 3: Proud Heritage, transcribed for orchestra, full score, 1965

"Ozalid masters + one unbound Xerox copy."

Program notes on front of envelope.

Title page: "This transcription was made especially for performance by the State College of Iowa High School Orchestra at the graduation of my daughter, Cedar Falls, Iowa.

Folder 4: Proud Heritage, transcribed for orchestra, parts, 1965

Ozalid and Xerox copies.

Folder 5: Proud Heritage, transcribed for brass choir (brass and percussion), score, 1966

Masters, and two ozalid copies. Program notes on front of envelope.

Folder 6: Proud Heritage, transcribed for brass choir, "old manuscript parts"

Manuscript, in pencil.

Folder 7: Proud Heritage, "Finale copy - master - full score + extra title page"

1977 program notes included after title page.

Folder 8: Proud Heritage, transcribed for brass choir, score and parts printed from Finale

Corrections listed on note appended to score.

Folder 9: Proud Heritage, extra copies of second pages to parts

Printed from Finale.

Box 12

 

Folder 1: Proud Heritage, programs, 1957-1990

 

Folder 2: Quiet Tune, for chamber band, 1956 August 26

Contents: score (masters and two ozalid copies); condensed score (masters, 3 ozalid copies, 12 printed copies); parts (masters).

Missing parts: English horn, trumpets 2 and 3, trombone 3, tuba, timpani and cymbals.

Published by Summy-Birchard in 1961.

File includes listing of "massed band music" for 1962 Chicagoland Music Festival, newspaper clipping.

Folder 3: Revolution 1975, sketches, program notes, speech at premiere

Premiered November 8, 1975, in Dickinson, ND.

Folder 4: Revolution 1975, parts

"Corrected 12/11/87." Ozalid and photocopies.

Folder 5: Revolution 1975, correspondence, programs, clippings, poster

 

Box 13

 

Folder 1: Silver Anniversary: Suite for Band, sketches, 1961

 

Folder 2: Silver Anniversary, full score, ozalid masters, 1961 March 1

Cedar Falls, IA. "Composed especially fr the Ouachita Parish H.S. Band of Monroe, LA. Co mmissioned by director Tom Wafer in honor of the band's 25th anniversary.

Folder 3: Silver Anniversary, original manuscript condensed score, manuscript parts

 

Folder 4: Silver Anniversary, three published condensed scores, programs, press release, clippings, reviews

Published by Summy-Birchard, 1962. One copy of condensed score has corrections in pencil.

Folder 5: Suite Summertime: sketches; I. March, manuscript score

 

Folder 6: Suite Summertime: sketches and manuscript score for II. Intermezzo

 

Folder 7: Suite Summertime: sketches and manuscript score for III. On a Roll

 

Folder 8: Suite Summertime: original printed copy of full score, edited, 1995

 

Folder 9: Suite Summertime, full score, corrected copy masters, 1995

"Commissioned by the Lake Texoma Band Camp, Dr. Roger W. Warner, director, in celebration of its tenth season."

Box 14

 

Folder 1: Suite Summertime, full score

Plastic comb-bound.

Folder 2: Suite Summertime, parts, master copies

Two small, folded packets of notes also in file.

Folder 3: Suite Summertime, set of parts with lists

 

Folder 4: Suite Summertime, set of parts

Duplicated, with pages taped together for performance.

Piccolo through bass clarinet.

Box 15

 

Folder 1: Suite Summertime, set of parts, continued

Continued from previous box, duplicate parts taped together for performance. Alto saxophone through percussion.

Folder 2: Suite Summertime, set of parts

 

Folder 3: Suite Summertime, program and extra pages from parts

Program stuck to first page of parts by degrading rubber band.

Folder 4: Suite Summertime, programs, commission agreement, errata sheets

 

Box 16

Seven additional published copies of Swingin' Reel, continued from previous box.

Folder 1: Swingin' Reel, original manuscript ful score and copy, manuscript condensed score, 8 printed copies

Original title: "Rockin' Reel." Published by Summy-Birchard in 1957.

Folder 2: Swingin' Reel, six published sets of parts, 1957

Summy Publishing Company. See Box 17 for two additional copies.

Box 17

 

Folder 1: Swingin'  Reel, two published sets of parts, 1957

 

Folder 2: Three by Four, full score, original manuscript, ozalid masters; one additional copy, 1963 June 20

Subtitled "Unceremonial March.

Folder 3: Three by Four: March for Band, full score, 1963 June 20

Ozalid copy of manuscript in plastic-comb binding.

Folder 4: Three by Four, manuscript parts, ozalid masters, 1963

In pencil. Subtitled "Unceremonial March."

Folder 5: Three by Four, original manuscript of condensed score; sketches, programs, clippings, press release, reviews

 

Folder 6: Three by Four, seventeen published copies of condensed score, 1964

Published by Summy-Birchard.

Folder 7: Three Chorale Preludes for Band, full score, manuscript ozalid master; one ozalid copy, 1956 April

 

Folder 8: Three Chorale Preludes for Band, full score, two copies, 1956 April

Both plastic comb-bound. Ozalid copies.

Folder 9: Three Chorale Preludes for Band, full score, photocopy

 

Box 18

 

Folder 1: Three Chorale Preludes, correspondence, program notes, programs, listing in band directors' guide, photocopy and published copy of condensed score

Published by Summy-Birchard, 1956.

Folder 2: Three Chorale Preludes: "A Full Score and Conductor's Analysis of Three Chorale Preludes by William P. Latham," master's thesis by C. Hurst, 1998

Master of music, California State University at Sacramento. Includes cover letter, score, thesis, photo, and other papers.

Folder 3: Two Fanfares for Band, sketches, condensed score, parts, ozalid masters of parts, 1967

"For the Denton High School Band, commissioned by Caroll McMath, director."

Folder 4: Y2K: The "New Millennium" March, full master score; one score marked "obsolete: uncorrected", 1999

 

Folder 5: Y2K: The "New Millennium" March, parts, 1999

 

Folder 6: Y2K: The "New Millennium" March, correspondence and parts list

 

Box 19: Oversized items

 

Folder 1: Dilemmae, ozalid master of full score

 

Folder 2: Dilemmae, photocopy and ozalid copy of full score

 

Folder 3: Dilemmae, full score, copy

Plastic comb-bound.

Folder 4: Drones, Airs, and Games, master ozalid of full score, program notes, 1983 February 23

 

Folder 5: Drones, Airs, and Games, ozalid copy of full score, 1983 February 23

Plastic comb-bound.

"Commissioned by Floyd M. Gunn, Jr. High School Band of Arlington, TX, Barbara Prentice, director."

Folder 6: Drones, Airs, and Games, "Xerox master" of full score, 1996 November 18

Date of copies.

Box 20: Oversized items

 

Folder 1: Fusion, sketches and program notes

Includes extensive sketches with row transformations.

Folder 2: Fusion for Concert Band, full score, Xerox master

 

Folder 3: Fusion for Concert Band, full score, Xerox sub-master

 

Folder 4: March 6, master ozalid of full score, 1978

"Corrected 12/17/1978."

Folder 5: March 6, parts

Set of single copies; set of multiple copies, piccolo through contrabass clarinet. Single-copy set includes note: "1 copy [of] each part, corrections (?)"

Folder 6: March 6, parts

Alto-saxophone through remainder. Includes list of corrections to ozalids dated December 17, 1978.

Box 21: Oversized items

 

Folder 1: March 6, ozalid copy of full score, with corrections, 1978

Corrections in blue pencil. Prepared for plastic comb-binding, but not bound.

Folder 2: Prayers in Space: A Fantasy for Concert Band, ozalid master of full score, 1971 January 27

For the Richardson (TX) High School Golden Eagle Band, Robert Blanton, director. Includes composer's note, dated January 27.

Folder 3: Prayers in Space: A Fantasty for Concert Band, three ozalid copies of full score, 1971 January 27

All plastic comb-bound.

Folder 4: Proud Heritage, parts

Pages printed from Finale, two per 11 x 17-inch page.

Folder 5: Revolution 1975, full score, master ozalid in pencil

 

Folder 6: Revolution 1975, full score, ozalid copy

Note on title page indicates corrections on pages 54-55.

Folder 7: Revolution 1975, full score, ozalid copy in plastic comb binding

 

Folder 8: Revolution 1975, full score, "master" photocopy

 

Folder 9: Revolution 1975, full score, two additional photocopies

 

Folder 10: Suite Summertime, full score, original, 1995

 

Box 22: Oversized items

 

Folder 1: Suite Summertime, full score, "XC master"

 

Folder 2: Suite Summertime, full score, two plastic comb-bound copies

 

Folder 3: Y2K: The "New Millennium" March, master copies of title page for score, sketches, condensed score, master of full score., 1999

Condensed score dated "circa 10/01/99."

Folder 4: Y2K: The "New Millennium March," full score, two plastic comb-bound copies

 

Folder 5: Y2K: The "New Millennium March," parts, 1999

Printed from Finale, two pages per 11 x 17-inch sheet of paper.

Box 23: Very oversized items

 

Folder 1: Escapades for Concert Band, full score, two ozalid copies, 1965 April 3

Alternate title: M.A.I.B. Suite. "Commissioned by the Mid-American Intercollegiate Band for its fifth annual festival concert, Coe College, Cedar Rapids, IA, April 3, 1965."

Folder 2: Fusion for Concert Band, full score,  ozalid manuscript masters

 

Folder 3: Fusion for Concert Band, full score, ozalid print master, 1976

Commissioned by Loyola University, New Orleans, LA. Joseph Hebert, director of bands.

Folder 4: Fusion for Concert Band, full score, ozalid copy, 1976

Unbound, marked "corrected."

Folder 5: Fusion for Concert Band, full score, ozalid copy, 1975

Plastic comb-bound. Date supplied in ink on title page.

Folder 6: Fusion for Concert Band, full score, ozalid copy, 1976

Not bound.

Folder 7: Fusion for Concert Band, parts, ozalid masters

 

Box 24: Very oversized items

 

Folder 1: Prolegomena, ozalid masters of parts

 

Folder 2: Revolution 1975, ozalid masters of parts

 

Series 3: Works for soloist with orchestra or band

 

Box 1

 

Folder 1: Andante and Allegro, 1962

"2 mvts. oboe sonata - transcribed by the composer for oboe solo and wind ensemble."

"Published by Jack Spratt, 1966."

Manuscript score, sketch.

Folder 2: Andante and Allegro, 1962

Ozalid masters of parts

Folder 3: Birthday Salute, sketch, orginal score, copy, originals (in pencil) of parts and copies, vocal score, synthesizer part (2 copies), 1990

"Arr. Happy Birthday."

Synthesizer part is a reduction of string parts.

"Used following 'Sacred Flame'."

Dated 1990 on envelope; score dated April 27, 1991 and inscribed to Joan.

Folder 4: [Birthday Salute] Here's to You, Charlie, sketch, full score (original and copy), parts, synthesizer (reduction of strings), vocal score, 8.5 x 11" reduction masters, file of related papers, 1992

"For Charles Mattheson's 80th birthday, used with Birthday Salute." Written to precede Birthday Salute.

Filed in its original order with Birthday Salute.

"C.f. trip file."

Folder 5: Concertino for Alto Saxophone and Wind Ensemble, condensed score and sketches, 1968 November 29

"For John Giordano."

Box 2

 

Folder 1: Concertino for E-flat Alto Saxophone and Wind Ensemble, full score (marked "uncorrected") and parts, 1968 December 12

Labeled "K912" from filing system at the University of Northern Iowa.

Folder 2: Concertino for E-flat Alto Saxophone and Full Orchestra, full score, 1969 July

"For John Giordano." Two ozalid copies in separate plastic comb binding.

"Scored for wind ensemble, Dec. 1968; re-scored for full orchestra July 1969."

Copyright assigned to Dorn Publications, Inc., Needham, MA, in 1982.

Folder 3: Concertino for E-Flat Alto Saxophone and Wind Ensemble, solo part, 4 copies, 1968

 

Folder 4: Concertino for E-Flat Alto Saxophone and Wind Ensemble, set of parts with list

 

Box 3

 

Folder 1: Concertino for E-flat Alto Saxophone and Full Orchestra, set of parts

"Complete set."

Folder 2: Concertino, two percussion parts

One part marked for timpani.

Folder 3: Concerto Grosso for Soprano and Alto Saxophone with Wind Ensemble, sketches and [performers'] saxophone ranges, 1960

 

Folder 4: Concerto Grosso for Soprano and Alto Saxophone with Wind Ensemble, full score

Two plastic comb-bound copies. "For Karin and Sigurd Rascher."

Box 4

 

Folder 1: Concerto Grosso for 2 Saxophones and Symphonic Wind Ensemble, full score, 1960 October 1

"Copy #3," plastic comb-bound.

Folder 2: Concerto Grosso for 2 Saxophones and Symphonic Wind Ensemble, condensed score, 1960 August 16

Plastic comb-bound ozalid copy.

Folder 3: Concerto Grosso for Soprano and Alto Saxophone with Wind Ensemble, solo parts, 2 copies, 1960

"Transcribed for orchestra, 1962." Both saxophone parts on same score. Ozalid copies.

Folder 4: Concerto Grosso for Soprano and Alto Saxophone with Wind Ensemble, set of parts, complete

 

Box 5

 

Folder 1: Concerto Grosso for 2 Saxophones and Symphonic Wind Ensemble, set of parts, complete

 

Folder 2: Concerto Grosso for 2 Saxophones and Symphonic Wind Ensemble, set of parts, complete

 

Folder 3: Concerto Grosso, transcribed for orchestra, parts, 1962

"Missing French horn I, trombone I, timpani (use band part)." "Full score (orch.) is available from Dorn Publications, Inc."

Folder 4: Concerto Grosso for Two Saxophones and Chamber Orchestra, concert program, 1963 July 2

Composed for and performed by Karin and Sigurd Rascher.

Box 6

 

Folder 1: Fantasy Concerto for Flute and Strings, original manuscript score, parts ("old copies), 1941

 

Folder 2: Fantasy Concerto, piano reduction, 1950

For flute and piano, 2 copies with score and flute part. Composed in 1941, published by Jack Spratt Music Co. (Old Greenwich, CT) in 1950.

Folder 3: Fantasy Concerto for Flute and Strings, correspondence, programs, press notices, 1941

 

Folder 4: Fantasy for Trumpet and Wind Ensemble, sketches, 1969

 

Folder 5: Fantasy for B-flat Trumpet Solo and Symphonic Wind Ensemble, condensed score.

"For John Haynie." Manuscript score in pencil.

Folder 6: Fantasy for B-flat Trumpet Solo with Band Accompaniment, solo part and full score, 1969

 

Folder 7: Trumpet Fantasy [Fantasy for Trumpet], correspondence, programs, press notices

 

Box 7

 

Folder 1: Fantasy for Violin and Orchestra, condensed score and programs, 1946

"Short score," manuscript in ink in spiral manuscript paper notebook.

Folder 2: Fantasy for Violin and Orchestra, parts, 1946

 

Folder 3: Lenten Letter, first sketches, program notes, text sources

Text by Alexander Solzhenitsyn, translated by Patricia Blake. Dedicated to Jeannine Crader.

Folder 4: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, full score

Labeled with the pseudonym "Wilhelm von der Vogelweide" (allusion to Walter von der Vogelweide). Landscape orientation.

Folder 5: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, full score

"Copy 1." Landscape format.

Folder 6: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, full score

Two copies, portrait orientation in plastic comb binding.

Folder 7: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, full score

Corrections to title page in blue pencil. Portrait orientation.

Loose, blank page of landscape-oriented score included in file.

Folder 8: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, condensed score

Original in pencil and two copies.

Box 8

 

Folder 1: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, full score, re-copied masters, 1983 August

Landscape orientation.

Folder 2: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, orchestral parts: strings, percussion (complete set)

 

Folder 3: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, "old score and parts"

Ozalid masters.

Folder 4: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings, and Percussion, correspondence, programs, press notices, text clearance

 

Folder 5: River to the Sea for Baritone and Orchestra, 1942 January 3

Full score, vocal score, parts, photostatic negatives, text (by Merrick Fifield McCarthy), program, press notices.

Folder 6: The Sacred Flame, first sketches

In four sections.

Box 9

 

Folder 1: The Sacred Flame: Cantata for Baritone and Orchestra, "orchestral piano part (electronic keyboard)"

"For Joan."

Two copies in plastic comb binding. Piano reduction for electronic keyboard simulating orchestral instruments, noted on one copy. The other copy is indicated to be a piano reduction for rehearsal only.

Texts by Mary Coleridge, Thomas Moore, and William P. Latham

Folder 2: The Sacred Flame: Cantata for Baritone and Orchestra, original piano reduction

Manuscript in pencil. Estimated duration of each of the four sections of the work taped to envelope.

Folder 3: The Sacred Flame: Cantata for Baritone and Orchestra, set of parts with list

 

Folder 4: The Sacred Flame: Cantata for Baritone and Orchestra, parts, originals and "reduction masters"

 

Folder 5: The Sacred Flame: Cantata for Baritone and Orchestra, assorted papers

 

Box 10

 

Folder 1: Sisyphus 1971, orchestral part masters and duplicates

 

Folder 2: Sisyphus 1971, orchestral part copies

 

Folder 3: Sisyphus 1971, programs and explanation of Sisyphus' legend

 

Folder 4: Suite for Trumpet and String Orchestra, score and parts, 1951

Ozalid copies of manuscript score and parts. Two copies of score.

Folder 5: Suite for Trumpet and String Orchestra, transcribed for "chamber band," score and programs, 1958

Manuscript original score in pencil, in plastic comb binding; ozalid copy.

Folder 6: Suite for Trumpet and String Orchestra, transcribed for "chamber band," parts

Ozalid copies

Folder 7: Suite for Trumpet and String Orchestra, correspondence, programs (orchestral version), press notices

"More correspondence in Presser file. See also under [Series 8], Instrumental Chamber Music."

Box 11: Oversized items

 

Folder 2: Fantasy Concerto for Flute and String Orchestra, full score, 1941

Plastic comb-bound ozalid copy with annotations and corrections in pencil.

Folder 3: Fantasy for Violin and Orchestra, full score

2 copies, spiral-bound ozalid copies. Copy 1 has additional markings in pink-colored pencil.

Folder 4: Fantasy for Violin and Orchestra, ozalid masters of full score and string parts

Extra sheet with corrections included with score.

Folder 5: A Lenten Letter: Solo Cantata for Dramatic Soprano, Strings and Percussion, full score, 1974 March 24

"For Jeannine Crader." "Text adapted from Alexander Solzhenitsyn and other sources." Plastic comb-bound copy of ozalid.

Folder 6: The Sacred Flame: Cantata for Baritone and Orchestra, full score, original ("first draft"), 1990

Title from poem "Love" by Thomas Moore. "For Joan, on her 70th birthday (April 27, 1991), and our 45th wedding anniversary (April 18 1991)."

Folder 7: The Sacred Flame: Cantata for Baritone and orchestra, full score, copy, 1990

Plastic comb-bound. Annotations in pencil and red ink.

Folder 8: The Sacred Flame: Cantata for Baritone and Orchestra, reduced-size masters of piano reduction

Photocopies, two pages of music per 11 x 17-inch sheet.

Folder 9: Sisyphus 1971: full score, ozalid masters in pencil

For also saxophone, string orchestra, and electric piano, "à François Daneels." Copyrighted by Gérard Billaudot, Paris.

Folder 10: Sisyphus 1971, full score, ozalid copy in plastic comb binding

 

Series 4: Works for chorus and orchestra

 

Box 1

 

Folder 1: Blind with Rainbows, sketches, text and Part I

Original folders for Folders-1-4 not included due to uncertain acidity of paper.

Folder 2: Blind with Rainbows, sketches, Part II

 

Folder 3: Blind with Rainbows, sketches, Interlude

 

Folder 4: Blind with Rainbows, sketches, Part III

 

Folder 5: Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra, full score, ozalid masters, 1962

Text by James Hearst.

Folder 6: Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra, full score, ozalid copies, 1962

2 copies, one unbound, one plastic comb-bound. Corrections noted on cover of second copy.

Folder 7: Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra, vocal score, ozalid masters, 1962

"Commissioned by the SCI Foundation for the dedication of Music Hall, Cedar Falls, IA, May 1962."

Folder 8: Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra, orchestra parts, ozalid masters

 

Box 2

 

Folder 1: Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra:  orchestral parts and cue sheet, 1962

Ozalid copies of parts.

Folder 2: Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra, press notices, programs, correspondence

 

Item 3: Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra, six copies of vocal score

Various copies, some with corrections and annotations, mostly plastic comb-bound.

Box 3

16 copies of vocal score to Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra.

Box 4

19 copies of vocal score to Blind with Rainbows: Cantata for Chorus, Four Soloists, and Orchestra.

Box 5

 

Folder 1: Music for Seven Poems, full score, ozalid master, 1958 March 21

Texts by James Hearst

Folder 2: Music for Seven Poems, full score, ozalid copies, 1958 March 21

Copies numbered 2 and 4. Whereabouts of Copy 3 unknown.

Folder 3: Music for Seven Poems, full score, ozalid copy, 1958 March 21

Copy 5.

Folder 4: Music for Seven Poems, vocal scores and orchestral parts, ozalid masters

 

Folder 5: Music for Seven Poems, vocal scores, 1 complete set

I. The Happy Farmer [two poems], mixed chorus and full orchestra.

II. The Supplicant, tenor solo, strings, harp, chimes, glockenspiel

III. The Hunter, men's chorus and orchestra

IV. Truant, women's chorus and orchestra

V. Lost, soprano solo, strings, harp, solo flute, solo oboe

VI. Each Spring, mixed chorus and orchestra

Folder 6: Music for Seven Poems, programs, text and program notes, press notices

 

Box 6

 

Folder 1: Music for Seven Poems, orchestral parts, copies

Labeled 0-119 in a prior filing system.

Item 2: Music for Seven Poems: I. The Happy Farmer, vocal score

47 copies.

Series 5: Documents

 

Box 1: SCI course outlines; Counterpoint 641; 615 misc. papers; 615 outlines

 

Box 2: 615 outlines (continued); ESM class notes; UNI Exploring Music notes

Barcode 697670.

Box 3: UNI Exploring Music notes (continued); School of music review committee; search committee; reorganization committee; CD transfers of audio tapes; reel-to-reel tapes; cassettes

Barcode 697671.

Box 4: 615 student reports; Admin reports, student correspondence and records; Spring 1984 grades; miscellaneous; New in the Music Library

Barcode 697672.

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