Dr. William P. Latham Collection, 1938-2002
Contents
- Collection Overview
- Scope and Contents
- Biographical Note
- Access Information
- Administrative Information
- Detailed Description
- Box & Folder Listing
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By Maristella Feustle
Collection Overview
Title: |
Dr. William P. Latham Collection, 1938-2002![]() |
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ID: | 06/ 040 |
Primary Creator: | Latham, William P. |
Extent: | 50.0 Boxes |
Subjects: | |
Languages: | English |
Scope and Contents of the Materials
The collection consists of about 50 boxes of Latham's compositions and papers.Biographical Note
William Peters Latham was born on January 14, 1917 in Shreveport, Louisiana. Census data shows the family had relocated to Cincinnati by 1920, and to Wilmore, Kentucky by 1930, and Latham's papers reference his childhood in Kentucky. He earned his bachelor’s degree from the from Cincinnati Conservatory of Music, and master’s degree from College of Music in Cincinnati, which later merged to become the College-Conservatory of Music. Latham studied under Eugène Goossens while at the College of Music, and the Cincinnati Symphony Orchestra performed Latham's tone poem The Lady of Shalott under Goosens' direction. Latham briefly served as instructor of woodwind and brass instruments at the North Texas State Teachers College, now the University of North Texas, in 1938 and 1939.
Latham enlisted in the U.S. Army in 1942, serving in the 10th Cavalry Band and as an infantry platoon leader during the Second World War, receiving a Purple Heart. After his military service, he taught at Eastern Illinois University, and married his wife, Joan Seyler Latham, a composer who also earned a master's degree from the Cincinnati College of Music, in 1946.
From 1946 until 1965, Latham taught at Iowa State Teachers’ College in Cedar Falls, Iowa, which is now the University of Northern Iowa. He completed a PhD in music composition from Eastman School of Music in 1951, studying under Howard Hanson and Herbert Elwell.
In 1965, Latham joined the North Texas music faculty as professor of music and coordinator of composition, became Director of Graduate Studies in Music in 1969. In 1978, he became one of only eight faculty members at that point to achieve the rank of Distinguished Professor of Music. He retired in 1984 and received the title of Professor Emeritus, but remained active as a composer. William P. Latham died in Denton on February 24, 2004.
Subject/Index Terms
Access Information
Access Restrictions:
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Physical Access Note:
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Administrative Information
Repository: | Music Library |
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Finding Aid Revision History: |
Documents added 4/3/2017. Finding aid expanded 10/2020. |
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Box and Folder ListingSeries 1: Orchestral worksSeries 2: Works for bandSeries 3: Works for soloist with orchestra or bandSeries 4: Works for chorus and orchestraSeries 5: DocumentsSeries 6: Works for chorus with bandSeries 7: Works for chorus a cappella or with keyboard/small ensemble accompanimentSeries 8: North Texas Composers Archive mastersAll
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Series 2: Works for band
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Box 1
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Barcode: 723385-
Folder 1: Brighton Beach: Concert March for Band, 1954
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Condensed score, one printed copy; poll listings, programs.
Latham: "pub. Clayton F. Summy (later Summy-Birchard) 1954. My first band publication."
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Folder 2: Court Festival, full score, 1957 February 1
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Plastic comb-bound, in pencil. -
Folder 3: Court Festival, full score, 1957 February 1
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Two photocopies, made in October 1994. -
Folder 4: Court Festival, condensed score, research notes, program notes, 1957
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Original manuscript version of condensed score (pencil, with edits in red pencil), one published copy (Summy-Birchard, Evanston, IL), one partial copy of condensed score -- primarily cover and duplicate title pages. -
Folder 5: Court Festival, programs, press notices, review, clippings
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Includes May, 1999 issue of Instrumentalist magazine (see page 33). -
Folder 6: Dilemmae, sketches
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Folder 7: Dilemmae, ozalid master and one unbound copy of condensed score, 1973
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Master copy in pencil -
Folder 8: Dilemmae, set of parts, 1974 February 12
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In pencil, copied by G. Garner. Cover letter on West Texas State University letterhead. Postmarked February 12, 1974.
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Box 2
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Barcode: 723386-
Folder 1: Dilemmae, ozalid masters of band parts; parts list, 1973
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Folder 2: Dilemmae, incomplete set of band parts, 1973
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Missing oboes, bassoons, E-flat clarinet, bass clarinet, contrabass clarinet; soprano, alto, tenor, and baritone saxophones. -
Folder 3: Dilemmae, correspondence, programs, press notices, clippings, program notes
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Folder 4: Dionysian Festival, ozalid master of full score, 1966 January 26
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"Commissioned by the student body of the University of North Dakota for the Symphonic Wind Ensemble, Michael F. Polovitz, director." -
Folder 5: Dionysian Festival, ozalid masters of parts
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Box 3
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Barcode: 723387-
Folder 1: Dionysian Festival, ozalid copies of parts
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Folder 2: Dionysian Festival, full score, 1966
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Plastic comb-bound, 2 copies. -
Folder 3: Dionysian Festival, condensed score, 1966
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Pencil, in plastic comb-bound music manuscript notebook. -
Folder 4: Dionysian Festival, correspondence, sketches, programs, press notices, clippings
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Folder 5: Dodecaphonic Set, sketches and programs, 1966
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Also includes sheet with comments about R.L. Casey's dissertation, "Serial Compositions in Works for the Wind Band." Envelope notes that Dodecaphonic Set was published by C.L. Barnhouse in 1967. -
Folder 6: Dodecaphonic Set, ozalid masters of full score, 1966 July 3
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Folder 7: Dodecaphonic Set, ozalid copy of full score, 1966 July 3
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Plastic comb-bound. -
Folder 8: Dodecaphonic Set, copies of condensed score, program notes
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Box 4
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Barcode: 723388-
Folder 1: Dodecaphonic Set
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Folder 2: Drones, Airs, and Games for Concert Band, sketches, 1983
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Third movement (Games): "Sources and sketches." -
Folder 3: Drones, Airs, and Games for Concert Band, condensed score, 1983
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In pencil. -
Folder 4: Drones, Airs, and Games for Concert Band, parts, 1983
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Drones: "Corrected 3/4/1983."
Airs: "Corrected 3/2/1983."
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Folder 5: Drones, Airs, and Games for Concert Band, programs, correspondence, program notes
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Box 5
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Barcode: 723389-
Folder 1: Escapades, sketch
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Folder 2: Escapades: II. Serenade, published copies of full score and condensed score, 1967
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Latham: "Serenade was published separately by Shawnee Press in 1967. In 1972, the other movements of the suite were published on a rental basis."
3 copies of miniature condensed score, 3 regular size.
3 copies of full score.
All from Shawnee Press, Copyright 1967, Delaware Water Gap, PA.
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Folder 3: Escapades, ozalid copies of parts
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Folder 4: Escapades, ozalid copies of parts, continued
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Folder 5: Escapades, Programs, correspondence, concert poster, 1965-1970
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Folder 6: Fusion, master ozalid copies of band parts, 1975
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Composed 1975, copyright 1976.
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Box 6
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Barcode: 723390-
Folder 1: Fusion, correspondence, programs, press notices, 1975
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Folder 2: Fusion: analytical paper, "The Problem of Fusion", 1978
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"First read at Festival of Contemporary Music, Cameron University, Lawton, OK, 3/2/1978." Full title: "The Problem of Fusion: and how a new band work was created." -
Folder 3: Fusion, "specimen copies reduced - plates"
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Folder 4: Honors Day, published condensed score, sketch, programs, press notices, 1959
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Published by Summy-Birchard, Chicago, IL, 1960.
Original title: "Day of Honor."
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Folder 5: Honors Day, master copies of parts, 1959
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Published by Summy-Birchard, Chicago, IL, 1960.
Original title: "Day of Honor."
Note on envelope: "Full score lost."
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Folder 6: March Five, sketches and programs, 1969
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Written in 1969, published by C.L. Barnhouse in 1970. -
Folder 7: March Five for Concert Band, full score, 1969
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Plastic comb-bound ozalid copy. -
Folder 8: March Five, ozalid masters of parts, 1969
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Folder 9: March Five, parts, two sets of copies
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Box 7
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Barcode: 723391-
Folder 1: March Five, published score and parts for band; minature scores, 1970
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Two copies of miniature score.
Published by C.L. Barnhouse, Oskaloosa, IA.
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Folder 2: March 6, condensed score
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First draft in pencil, final draft in pencil, photocopy of final draft.
"Commissioned by the Texas Junior College Honor Band."
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Folder 3: March 6, copies of parts, complete set
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Inventory sheet attached. -
Folder 4: March 6, copies of parts, additional set
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"Xerox," on heavy manila paper.
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Box 8
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Barcode: 723392-
Folder 1: March 6, published version, 1979
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Shawnee Press, Delaware Water Gap, PA -
Folder 2: March 6, correspondence, programs, sketch
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Folder 3: Passacaglia and Fugue, sketches, program notes
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Commissioned for the centennial of Louisiana State University. -
Folder 4: Passacaglia and Fugue for Band: ozalid masters of full score, 1959 May 28
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"Written for the LSU Band in honor of the centennial celebration of the university." -
Folder 5: Passacaglia and Fugue for Band: ozalid copies of full score, plastic comb-bound, 1959 May 28
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Folder 6: Passacaglia and Fugue, published version, 1966
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Shawnee Press, Inc., Delaware Water Gap, PA. -
Folder 7: Passacaglia and Fugue, additional published version (score and parts), and third copy of score, 1966
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Shawnee Press, Inc., Delaware Water Gap, PA.
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Box 9
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Barcode: 726401-
Folder 1: Passacaglia and Fugue, correspondence, programs, press release, review in The Instrumentalist
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Includes premiere program, May 17, 1960, LSU Concert Band. -
Folder 2: Il Pasticcio: Overture for Band, full score, ozalid masters and unbound copy, programs, research and program notes, 1955
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Published by Summy-Birchard (Chicago), circa 1955. -
Folder 3: Plymouth: Variations, sketches, ozalid masters of score and parts, 1962 June 30
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Earlier title: "Variations on a Theme Not By Haydn in A-Flat," "composed especially for bands in classes Q through X." -
Folder 4: Plymouth: Variations on an Original Theme for Concert Band, full score, comb-bound ozalid copy, 1962 June 30
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Copy of ozalid. Same score as item 3, with new title written in blue pencil. -
Folder 5: Plymouth, published copies, full and condensed score, programs, press notice
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Folder 6: Prayers in Space, sketches, correspondence
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Folder 7: Prayers in Space, published copies, 1971
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One miniature condensed score, one full set of score and parts, one full score with correction noted, one condensed score.
Shawnee Press, Inc. Delaware Water Gap, PA.
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Folder 8: Prayers in Space, ozalid masters of parts
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Box 10
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Barcode: 726402-
Folder 1: Prayers in Space, copies of parts, 1971
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"Ca. 2 complete sets." -
Folder 2: Prayers in Space, programs and clippings
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Latham: "See correspondence in publisher file." -
Folder 3: Prolegomena, sketches, 1974
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Folder 4: Prolegomena, full score, masters, 1974 November 30
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"Commissioned by Ashland College Symphonic Band, Ashland, Ohio."
"1. Ozalid and 2. Xerox." Includes program notes added on February 3, 1975.
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Folder 5: Prolegomena, full score, copy, 1974 November 30
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Copy in plastic comb binding. -
Folder 6: Prolegomena, correspondence, programs, press notices, program notes (extra copies)
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Box 11
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Barcode: 726403-
Folder 1: Proud Heritage, correspondence; two 3.5-inch floppy disks with Finale files
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Folder 2: Proud Heritage for concert band, condensed score, printed copy, press notices, listings, magazine article
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Composed in 1955. Published by Summy-Birchard in 1956. Program notes on front of envelope. -
Folder 3: Proud Heritage, transcribed for orchestra, full score, 1965
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"Ozalid masters + one unbound Xerox copy."
Program notes on front of envelope.
Title page: "This transcription was made especially for performance by the State College of Iowa High School Orchestra at the graduation of my daughter, Cedar Falls, Iowa.
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Folder 4: Proud Heritage, transcribed for orchestra, parts, 1965
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Ozalid and Xerox copies. -
Folder 5: Proud Heritage, transcribed for brass choir (brass and percussion), score, 1966
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Masters, and two ozalid copies. Program notes on front of envelope. -
Folder 6: Proud Heritage, transcribed for brass choir, "old manuscript parts"
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Manuscript, in pencil. -
Folder 7: Proud Heritage, "Finale copy - master - full score + extra title page"
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1977 program notes included after title page. -
Folder 8: Proud Heritage, transcribed for brass choir, score and parts printed from Finale
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Corrections listed on note appended to score. -
Folder 9: Proud Heritage, extra copies of second pages to parts
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Printed from Finale.
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Box 12
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Barcode: 726404-
Folder 1: Proud Heritage, programs, 1957-1990
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Folder 2: Quiet Tune, for chamber band, 1956 August 26
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Contents: score (masters and two ozalid copies); condensed score (masters, 3 ozalid copies, 12 printed copies); parts (masters).
Missing parts: English horn, trumpets 2 and 3, trombone 3, tuba, timpani and cymbals.
Published by Summy-Birchard in 1961.
File includes listing of "massed band music" for 1962 Chicagoland Music Festival, newspaper clipping.
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Folder 3: Revolution 1975, sketches, program notes, speech at premiere
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Premiered November 8, 1975, in Dickinson, ND. -
Folder 4: Revolution 1975, parts
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"Corrected 12/11/87." Ozalid and photocopies. -
Folder 5: Revolution 1975, correspondence, programs, clippings, poster
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Box 13
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Barcode: 726405-
Folder 1: Silver Anniversary: Suite for Band, sketches, 1961
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Folder 2: Silver Anniversary, full score, ozalid masters, 1961 March 1
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Cedar Falls, IA. "Composed especially fr the Ouachita Parish H.S. Band of Monroe, LA. Co mmissioned by director Tom Wafer in honor of the band's 25th anniversary. -
Folder 3: Silver Anniversary, original manuscript condensed score, manuscript parts
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Folder 4: Silver Anniversary, three published condensed scores, programs, press release, clippings, reviews
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Published by Summy-Birchard, 1962. One copy of condensed score has corrections in pencil. -
Folder 5: Suite Summertime: sketches; I. March, manuscript score
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Folder 6: Suite Summertime: sketches and manuscript score for II. Intermezzo
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Folder 7: Suite Summertime: sketches and manuscript score for III. On a Roll
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Folder 8: Suite Summertime: original printed copy of full score, edited, 1995
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Folder 9: Suite Summertime, full score, corrected copy masters, 1995
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"Commissioned by the Lake Texoma Band Camp, Dr. Roger W. Warner, director, in celebration of its tenth season."
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Box 14
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Barcode: 726406-
Folder 1: Suite Summertime, full score
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Plastic comb-bound. -
Folder 2: Suite Summertime, parts, master copies
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Two small, folded packets of notes also in file. -
Folder 3: Suite Summertime, set of parts with lists
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Folder 4: Suite Summertime, set of parts
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Duplicated, with pages taped together for performance.
Piccolo through bass clarinet.
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Box 15
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Barcode: 726407-
Folder 1: Suite Summertime, set of parts, continued
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Continued from previous box, duplicate parts taped together for performance. Alto saxophone through percussion. -
Folder 2: Suite Summertime, set of parts
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Folder 3: Suite Summertime, program and extra pages from parts
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Program stuck to first page of parts by degrading rubber band. -
Folder 4: Suite Summertime, programs, commission agreement, errata sheets
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Box 16
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Seven additional published copies of Swingin' Reel, continued from previous box.Barcode: 726408-
Folder 1: Swingin' Reel, original manuscript ful score and copy, manuscript condensed score, 8 printed copies
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Original title: "Rockin' Reel." Published by Summy-Birchard in 1957. -
Folder 2: Swingin' Reel, six published sets of parts, 1957
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Summy Publishing Company. See Box 17 for two additional copies.
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Box 17
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Barcode: 726409-
Folder 1: Swingin' Reel, two published sets of parts, 1957
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Folder 2: Three by Four, full score, original manuscript, ozalid masters; one additional copy, 1963 June 20
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Subtitled "Unceremonial March. -
Folder 3: Three by Four: March for Band, full score, 1963 June 20
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Ozalid copy of manuscript in plastic-comb binding. -
Folder 4: Three by Four, manuscript parts, ozalid masters, 1963
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In pencil. Subtitled "Unceremonial March." -
Folder 5: Three by Four, original manuscript of condensed score; sketches, programs, clippings, press release, reviews
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Folder 6: Three by Four, seventeen published copies of condensed score, 1964
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Published by Summy-Birchard. -
Folder 7: Three Chorale Preludes for Band, full score, manuscript ozalid master; one ozalid copy, 1956 April
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Folder 8: Three Chorale Preludes for Band, full score, two copies, 1956 April
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Both plastic comb-bound. Ozalid copies. -
Folder 9: Three Chorale Preludes for Band, full score, photocopy
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Box 18
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Barcode: 726410-
Folder 1: Three Chorale Preludes, correspondence, program notes, programs, listing in band directors' guide, photocopy and published copy of condensed score
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Published by Summy-Birchard, 1956. -
Folder 2: Three Chorale Preludes: "A Full Score and Conductor's Analysis of Three Chorale Preludes by William P. Latham," master's thesis by C. Hurst, 1998
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Master of music, California State University at Sacramento. Includes cover letter, score, thesis, photo, and other papers. -
Folder 3: Two Fanfares for Band, sketches, condensed score, parts, ozalid masters of parts, 1967
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"For the Denton High School Band, commissioned by Caroll McMath, director." -
Folder 4: Y2K: The "New Millennium" March, full master score; one score marked "obsolete: uncorrected", 1999
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Folder 5: Y2K: The "New Millennium" March, parts, 1999
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Folder 6: Y2K: The "New Millennium" March, correspondence and parts list
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Box 19: Oversized items
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Folder 1: Dilemmae, ozalid master of full score
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Folder 2: Dilemmae, photocopy and ozalid copy of full score
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Folder 3: Dilemmae, full score, copy
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Plastic comb-bound. -
Folder 4: Drones, Airs, and Games, master ozalid of full score, program notes, 1983 February 23
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Folder 5: Drones, Airs, and Games, ozalid copy of full score, 1983 February 23
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Plastic comb-bound.
"Commissioned by Floyd M. Gunn, Jr. High School Band of Arlington, TX, Barbara Prentice, director."
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Folder 6: Drones, Airs, and Games, "Xerox master" of full score, 1996 November 18
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Date of copies.
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Box 20: Oversized items
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Barcode: 723290-
Folder 1: Fusion, sketches and program notes
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Includes extensive sketches with row transformations. -
Folder 2: Fusion for Concert Band, full score, Xerox master
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Folder 3: Fusion for Concert Band, full score, Xerox sub-master
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Folder 4: March 6, master ozalid of full score, 1978
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"Corrected 12/17/1978." -
Folder 5: March 6, parts
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Set of single copies; set of multiple copies, piccolo through contrabass clarinet. Single-copy set includes note: "1 copy [of] each part, corrections (?)" -
Folder 6: March 6, parts
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Alto-saxophone through remainder. Includes list of corrections to ozalids dated December 17, 1978.
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Box 21: Oversized items
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Barcode: 726433-
Folder 1: March 6, ozalid copy of full score, with corrections, 1978
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Corrections in blue pencil. Prepared for plastic comb-binding, but not bound. -
Folder 2: Prayers in Space: A Fantasy for Concert Band, ozalid master of full score, 1971 January 27
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For the Richardson (TX) High School Golden Eagle Band, Robert Blanton, director. Includes composer's note, dated January 27. -
Folder 3: Prayers in Space: A Fantasty for Concert Band, three ozalid copies of full score, 1971 January 27
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All plastic comb-bound. -
Folder 4: Proud Heritage, parts
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Pages printed from Finale, two per 11 x 17-inch page. -
Folder 5: Revolution 1975, full score, master ozalid in pencil
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Folder 6: Revolution 1975, full score, ozalid copy
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Note on title page indicates corrections on pages 54-55. -
Folder 7: Revolution 1975, full score, ozalid copy in plastic comb binding
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Folder 8: Revolution 1975, full score, "master" photocopy
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Folder 9: Revolution 1975, full score, two additional photocopies
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Folder 10: Suite Summertime, full score, original, 1995
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Box 22: Oversized items
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Barcode: 726434-
Folder 1: Suite Summertime, full score, "XC master"
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Folder 2: Suite Summertime, full score, two plastic comb-bound copies
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Folder 3: Y2K: The "New Millennium" March, master copies of title page for score, sketches, condensed score, master of full score., 1999
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Condensed score dated "circa 10/01/99." -
Folder 4: Y2K: The "New Millennium March," full score, two plastic comb-bound copies
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Folder 5: Y2K: The "New Millennium March," parts, 1999
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Printed from Finale, two pages per 11 x 17-inch sheet of paper.
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Box 23: Very oversized items
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Folder 1: Escapades for Concert Band, full score, two ozalid copies, 1965 April 3
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Alternate title: M.A.I.B. Suite. "Commissioned by the Mid-American Intercollegiate Band for its fifth annual festival concert, Coe College, Cedar Rapids, IA, April 3, 1965." -
Folder 2: Fusion for Concert Band, full score, ozalid manuscript masters
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Folder 3: Fusion for Concert Band, full score, ozalid print master, 1976
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Commissioned by Loyola University, New Orleans, LA. Joseph Hebert, director of bands. -
Folder 4: Fusion for Concert Band, full score, ozalid copy, 1976
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Unbound, marked "corrected." -
Folder 5: Fusion for Concert Band, full score, ozalid copy, 1975
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Plastic comb-bound. Date supplied in ink on title page. -
Folder 6: Fusion for Concert Band, full score, ozalid copy, 1976
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Not bound. -
Folder 7: Fusion for Concert Band, parts, ozalid masters
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Box 24: Very oversized items
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Folder 1: Prolegomena, ozalid masters of parts
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Folder 2: Revolution 1975, ozalid masters of parts
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