Michael Collins Research Collection
By Rahni Kennedy and Maristella Feustle
Collection Overview
| Title: |
Michael Collins Research Collection |
|---|---|
| ID: | 06/ 055 |
| Primary Creator: | Collins, Michael (Michael B.) (1930-2011) |
| Extent: | 23.0 Boxes |
| Subjects: |
Scope and Contents of the Materials
The collection consists of 23 boxes containing papers and materials related to research for Collins’ many publications.Collection Historical Note
Subject/Index Terms
Access Information
Access Restrictions:
Access to this collection is provided only by special arrangement. Please contact the Music Library for more information.
Use Restrictions:
Reproduction and publication of materials in this collection are subject to the policies of the UNT Music Library. Copyright restrictions may apply.
Physical Access Note:
Collection is housed in the UNT Music Library. Advance notice for use is required. Please contact the Music Library for further information.
Reading Room or Duplication Requests
Depending on any access restrictions noted above, you may be able to request items be delivered to our reading room, or that we make reproductions for you. Just click on either the or icons in the listings below to be routed to our request form.
Loading...
Some finding aids are quite large and may take a minute or more to load.
This message will dissapear when the page has fully loaded.
Search this Finding Aid
Box and Folder Listing
-
Series 1: Papers
-
Box 1
-
Folder 1
Correspondence with European libraries / Bibliographic references of Collins in scholarly literature -
Folder 2
Duetto: Del Sig. Nicola Zingarelli / Other related music -
Folder 3: Research on "Romeo and Juliet"
Personal notes and articles -
Folder 4: Applications for Summer Grants
Proposed study; Application to National Endowment for the Humanities; Application for North Texas Faculty Research Grant -
Folder 5: Scholarly paper
"Felice Romani's Libretto 'Giulietta e Romeo': Its Source Discovered" -
Folder 6: Research on "Romeo and Juliet"; Folder 1 of 3
Personal notes and articles -
Folder 7: Research on "Romeo and Juliet"; Folder 2 of 3
Personal notes -
Folder 8: Research on "Romeo and Juliet"; Folder 3 of 3
Personal notes and articles -
Folder 9: Research on Spanish Theater
Personal notes -
Folder 10: Research on Shakespeare's technique
Personal notes -
Folder 11: General research on dramatic works
Personal notes from selected resources -
Folder 12: Research on literary devices
Personal notes from selected resources -
Folder 13: Research on Italian drama
Personal notes from selected resources -
Folder 14: Research on Shakespeare; Folder 1 of 2
Personal notes from selected resources -
Folder 15: Research on Shakespeare; Folder 2 of 2
Personal notes from selected resources -
Folder 16: Notes from scholarly literature
Various topics on classical theory -
Folder 17: Copy of article by Franca Cella
"Indagini Sulle Fonti Francesi Dei Libretti Di Vincenzo Bellini -
Folder 18: Personal letters
Letters regarding Dallas performance of Bellini's "I Capuleti ed I Montecchi" -
Folder 19: Copy of Time magazine, 1977 September 26
-
Folder 20: Notes on Shakespeare in film
Notes from article by Meredith Lillich "Shakespeare on the Screen" -
Folder 21: Copy of article
"An Early Performance of 'Romeo et Juliette'" -
Folder 22: Photograph of "Romeo and Juliet" painting
Painting by Ford Madox Brown -
Folder 23: Correspondence with Delaware Art Museum
Information regarding cost of reproduction rights -
Folder 24: Photograph of "Romeo and Juliet" painting
Painting by Ford Madox Brown; Photograph in black and white -
Folder 25: Correspondence with City of Bradford
Information on Ford Madox Brown painting -
Folder 26: Photograph of "Romeo and Juliet" painting
Painting by Frank Dicksee -
Folder 27: Correspondence with Sotheby's
Order for photograph of Frank Dicksee painting -
Folder 28: Photograph of "Romeo and Juliet" painting
Painting by Ferdinand Piloty; 2 photographs -
Folder 29: Correspondence with Royal Shakespeare Theatre
Order for photograph of Ferdinand Piloty painting -
Folder 30: Photograph of "Romeo and Juliet" painting
Painting by Mather Brown -
Folder 31: Photograph of "Romeo and Juliet" painting
Painting by Sir Frederic Leighton -
Folder 32: Photograph of "Juliet's Funeral" painting
Painting by Scipione Vannuttelli -
Folder 33: Photograph of "Romeo and Juliet" painting
Painting by Victor Müller
-
-
Box 2
-
Folder 1: Research on "Romeo and Juliet"; Folder 1 of 5
Copies of "Romeo and Juliet" ballets - Anonymous (1839), Gioja (1828), Warin (1799), Ronzi (1799), Galeotti (1811) -
Folder 2: Research on "Romeo and Juliet"; Folder 2 of 5
Ballets - Serafin (1819); Bretzner (1796); Luzzi (1785); Beretti (1788, 1796); Tragedie Lyrique - Cubieres-Palmezeaux (1806) -
Folder 3: Research on "Romeo and Juliet"; Folder 3 of 5
Dalayrac - music handwritten by Collins; Weisse; D'Ozicourt (1771) -
Folder 4: Research on "Romeo and Juliet"; Folder 4 of 5
Tragedie Lyrique - Molin and Cubieres-Palmezeaux (1806); Transaltion of Weisse by Collins; "Les Tombeaux de Verone - Mercier (1785); Sanseverino (1776) -
Folder 5: Research on "Romeo and Juliet"; Folder 5 of 5
Ducis (1827); Pasquali - Solemn Dirge; Le Tourneur; Boyce- Dirge for Romeo and Juliet; Arne - Solemn Dirge; Avison - copy of manuscript score and parts of a "Dirge" -
Folder 6: Informal research on "Romeo and Juliet"
Correspondence with libraries; program from "Romeo and Juilet: The Musical"; newspaper clippings and copies of reviews; copies of pictures of places in Verona -
Folder 7: Research on Rossini operas in London in the 19th century
Various articles and reviews on Rossini operas in London in the 19th century -
Folder 8: Research on early 19th century opera performances
Personal notes; articles; reviews -
Folder 9: Research on male stage performers in the 19th century
Personal notes; articles -
Folder 10: Libretto for London performances of "Othello" (1822, 1824)
-
Folder 11: Copies and notes from "George IV: A Portrait"
-
Folder 12: Rossini articles by Collins
"Rossini's Reception in London (1818-1824)"; "Words vs. Music" -
Folder 13: Research on Italian opera
Personal notes; various articles and copies from books
-
-
Box 3
-
Folder 1: Notes on Berlioz "Roméo et Juliette"
Personal notes from scholarly literature -
Folder 2: Appendices from Holomon edition of Berlioz "Roméo et Juliette"; Article by Collins, 2008
Copy of appendices / article title - "Revisiting the Revisions in Berlioz's 'Roméo et Juliette': A Study of the Autograph" (Journal of Musicological Research, 27: 1-30, 2008) -
Folder 3: Review on early 19th century performances of "La Clemenza di Tito"
Copies of reviews from databases -
Folder 4: Opera Reviews from Harmonicon (1825-1830), 1825-1830
Copies of reviews from Harmonicon -
Folder 5: Reviews of Rossini operas in London
Reviews from The Theatrical Examiner; The Times -
Folder 6: Research on finding opera reviews in London newspapers
Personal notes -
Folder 7: McGleary article from "Early Music" journal; Libretto from Artaserse of Portogallo, 2009
Article title - "Handel as art collector: art, connoisseurship and taste in Hanoverian Britain" (Early Music, vol. 37, no. 4, 2009); copy of libretto (original pub. 1806) -
Folder 8: Notes on "Otello" performances in Paris in the 1820's
Personal notes from scholarly literature -
Folder 9: Bellini article by Collins
"Bellini and the 'pasticcio alla Malibran': A Performance History of I Capuleti e I Montecchi" -
Folder 10: Research on Bellini
Personal notes and musical examples -
Folder 11: Paper on Bellini by Collins
"Vincenzo Bellini's I Capuleti e I Montecchi: Its Debut and Reception in Paris, 1833 -
Folder 12: Paper by Collins
"La Struttura Orchestrale della Opere Teatrali di Vivaldi Paragonata con quella di Handel"; musical examples; pamphlets -
Folder 13: Paper by Collins
"Alessandro Scarlattie lo sviluppo della scrittura orchestrale nelle opere teatrali fra il 1700 e il 1720" -
Folder 14: Paper by Collins
"Benedetto Marcello's 'Il teatro alla moda', in Which He Reveals Himself as a Musical Reactionary" -
Folder 15: Musical examples for Scarlatti/Handel Paper
-
Folder 16: Paper by Collins
"Critical Response to Textural Complexities in Handel's Operas: An Evaluation" -
Folder 17: Paper by Collins
"Orchestral Textures in the Operas of Vivaldi Compared to those of Handel (1713-1735) -
Folder 18: Paper by Collins
"Alessandro Scarlatti and Development of String Textures in Italian Opera, 1700-1720"; research notes -
Folder 19: Copy of article by Emanuele Senici
"'Adapted to the modern stage': La clemenza di Tito in London" -
Folder 20: Survey of operas with statistics (1713-1735)
Personal notes -
Folder 21: Paper by Collins
"Mozart's 'La clemenza di Tito' in the early 'Ottocento': The Making of a Pasticcio" -
Folder 22: Musical examples from "La clemenza di Tito"
-
Folder 23: Paper/Presentation by Collins
"Dance Rhythms and Tempo in J. S. Bach" -
Folder 24: Paper/Presentation by Collins
"Mozart's 'La clemenza di Tito and Marcos Portugal's 'Tito Vespasiano': Their Intimate Relationship" -
Folder 25: Research on "Giuletta e Romeo"
Personal notes -
Folder 26: Research on Bellini's "I Capuletti ed I Montecchi"
articles; personal notes -
Folder 27: Copies of introduction of dissertation
Copies; musical examples
-
-
Box 4
-
Folder 1: Notes on various topics
-
Folder 2: Notes on various topics
Most notes are about Gabriella Chiabrera) -
Folder 3: Article of Jean-Marie Bruson, 1992
"Rossini à Paris" -
Folder 4: Paper/Presentation by Collins, 1995
"Rossini's Reception in London (1818-1824)" (presented at TCU for the 1995 Michael M. Winesanker Musicology Lecture) -
Folder 5: Presentation by Janet Johnson at 1998 AMS Conference, 1998
"Stendhal, Rossini, and the Parisian Homme de Lettres: An École des Journalistes" -
Folder 6: Libretto for "Otello" (Roma 1820)
Copy -
Folder 7: Chronology: Le Théâtre Italien
Chart of Italian plays performed in Paris -
Folder 8: Libretto to "Otello" Act V
Copy -
Folder 9: Draft of article by Collins
"Rossini's 'Otello': Musical Triumph and Literary Conundrum" -
Folder 10: Niobe Aria - "Il soave e bel contento"
Musical score; personal notes -
Folder 11: "Smarrita quest'alma" (aria in Otello)
Musical score -
Folder 12: Copies from book Les Adaptations Musicales de Shakespeare
Copy of chapter - "Les Opéras Italiens (1809-1833) -
Folder 13: "Otello" play by Massucco
Copy; personal notes -
Folder 14: Notes on "Otello" play by Cinthio
Personal notes; copies of commentaries -
Folder 15: Article by Roberta Montemorra Marvin
"Il Libretto di Berio per L'Otello di Rossini" -
Folder 16: French reviews of "Otello"
Personal notes; copies of reviews -
Folder 17: "Otello" ballet (1808)
Copy -
Folder 18: "Otello" libretto (1816)
Copy -
Folder 19: Draft of article by Collins
"Toward a Definitive 'Otello': Evidence from the Manuscripts" -
Folder 20: Various items
Correspondence letters; pamphlets; conference programs -
Folder 21: "Otello" play by Butini
Text in French -
Folder 22: Student papers; Folder 1 of 3
Reviews of operas performed in London during the first half of the 19th century -
Folder 23: Student papers; Folder 2 of 3
Reviews of operas performed in London during the first half of the 19th century -
Folder 24: Student papers; Folder 3 of 3
Reviews of operas performed in London during the first half of the 19th century -
Folder 25: Otello libretto list
Copied handwritten list -
Folder 26: Paper by Collins
"Rossini's 'Otello': Musical Triumph and Literary Conundrum" -
Folder 27: Student paper
Topic - Rossini overtures -
Folder 28
Document outlining the publication of a critical edition of the complete works of Rossini -
Folder 29: "Otello" condensed score
Condensed score for vocal duets from Rossini's "Otello" -
Folder 30: Otello libretto
-
Folder 31: Student paper on Otello
-
Folder 32: News articles on Rossini Festival performances, 1988-89
-
Folder 33: Complete Othello play
Text in French
-
-
Box 5
-
Folder 1: Article by Collins in pamphlet format, 1988
"L'Orchestra Nelle Opere Teatrali di Vivaldi"; text in Italian; 20 copies -
Folder 2: Aria: "Splende di Roma il fato" from La Clemenza di Tito
Copy of manuscript score -
Folder 3: Article by Jim Parsons, 1999
"'Pour the Sweet Milk of Concord into Hell': Theories of Unity and Disunity in Late Beethoven" (Music Analysis, vol. 18, no. 1) -
Folder 4: Peter Winter: "Babilons Piramiden"
Score of Introduzione; personal notes -
Folder 5: Review by Collins; Article draft; Mircofiche; Reviews from Harmonicon; Duettino Notturno
Review of Neumann - "Ornamentation and Improvisation in Mozart" (Early Keyboard Journal V); Article draft - "Bellini's 'I Capuleti e I Montecchi, A Performance History: The Malibran Sacrilege Revisited; Microfiche - Deschamps - Livret de Roméo et Juliette; Reviews from Harmonicon (1833); Score for Momigny - Duettino Notturno -
Folder 6: Score for "Ah se fosse intorno al trono" from La Clemenza di Tito
Score; personal notes -
Folder 7: Libretto from Cleopatra (Romanelli)
-
Folder 8: Libretto from Artaserse
-
Folder 9: Reviews on Opera and Vivaldi book
Book edited by Collins and Kirk -
Folder 10: Article draft
"Early Nineteenth-century Premieres of Mozart's 'Clemenza di Tito'" -
Folder 11: Paper - "Mozart's 'La clemenza di Tito' in the Early Ottocento: The Making of a Pasticcio", 1993
Paper presented at the 1993 AMS conference -
Folder 12: Notes relating to "La Clemenza di Tito"
Personal notes -
Folder 13: Paper - "Early Ninteenth Century Performances of Mozart's 'La Clemenza di Tito'"
Revised version of paper; correspondence regarding 1991 Mozart Conference and paper publication -
Folder 14: Review and libretto on La Clemenza di Tito
1809 performance in Napoli -
Folder 15: Paper - "Mozart's 'La clemenza di Tito' und der deutsche Nationalgedanke: Ein Beitrag zur 'Titus' - Rezeption im 19 Jahrhundert"
Paper by Sergio Durante -
Folder 16: Correspondence with David Cranmer from Portugal
Letters -
Folder 17: Correspondence from Italy on librettos for La clemenza di Tito
Letters -
Folder 18: Copies from book - Cronache del Teatro di S. Carlo
-
Folder 19: Miscellaneous notes on La clemenza di Tito
Personal notes -
Folder 20: Libretto for La clemenza di Tito (Milano 1818)
-
Folder 21: Libretto for Abenamete e Zoraide
-
Folder 22: Libretto for La clemenza di Tito (Torino 1798)
-
Folder 23: Musical examples from "La clemenza di Tito"
-
Folder 24: Libretto for Semiramide (Paris 1815)
-
Folder 25: Notes on Semiramide
Personal notes -
Folder 26: Libretto for Zaira (Milano 1803)
-
Folder 27: Libretto for La Conquista di Messico (Milano 1808)
-
Folder 28: Libretto for La Semiramide (London 1807)
-
Folder 29: Libretto for Gli Sciti (Livorno 1807)
-
Folder 30: Copy of book chapter - "Tito in performance, 1791-1850"
From Cambridge Opera Handbooks (1991) -
Folder 31: Reviews of Tito (1814, 1819, 1840)
-
Folder 32: Libretto for L'Artaserse (Parma 1817)
-
Folder 33: Libretto for La clemenza di Tito (Lisbon 1806)
-
Folder 34: Aria - "Non tradirmi in questo istante"
From I misteri eleusini (Mayr); score
-
-
Box 6
-
Folder 1: List of opera reviews in London newspapers
Newspapers - The Sun, The Observer, The Morning Herald, Harmonicon); early 19th century -
Folder 2: London reviews of L'italiana in Algeri (1819)
-
Folder 3: London reviews of L'inganno felice (1819)
-
Folder 4: London reviews of Tancredi (1820, 1823)
Reviews; libretto; personal notes -
Folder 5: London reviews of La Cenerentola (1820)
-
Folder 6: London reviews of Il turco in Italia (1821)
Reviews; libretto -
Folder 7: London reviews of La Gazza Ladra (1821, 1823)
-
Folder 8: London reviews of Otello (1822, 1823)
Reviews; libretto -
Folder 9: London reviews of Pietro l'Eremita (1822)
Reviews; libretto -
Folder 10: London reviews of Ricciardo (1823)
Reviews; personal notes -
Folder 11: London reviews of La donna del lago (1823)
Reviews; personal notes -
Folder 12: London reviews of Matilde (1823)
Reviews; libretto; personal notes -
Folder 13: Libretti for Matilde
-
Folder 14: London reviews of Il turco (1824)
-
Folder 15: London reviews of Il Barbiere di Siviglia (1824)
-
Folder 16: London reviews of Zelmira (1824)
Reviews; personal notes -
Folder 17: London reviews of La donna (1824)
Personal notes from reviews -
Folder 18: London reviews of Ricciardo (1824)
Reviews; personal notes -
Folder 19: London reviews of Otello (1824)
-
Folder 20: London reviews of Semiramide (1824)
Reviews; personal notes -
Folder 21: London reviews of Tancredi (1824)
-
Folder 22: London reviews of Il Barbiere di Siviglia (1825-26)
-
Folder 23: London reviews of L'italiana in Algeri (1825)
-
Folder 24: London reviews of Semiramide (1825)
-
Folder 25: London reviews of Otello (1825)
-
Folder 26: London reviews of William Tell (1825)
-
Folder 27: London reviews of Pietro l'Eremita (1825)
-
Folder 28: London reviews of Zelmira (1826)
-
Folder 29: London reviews of Il Barbiere di Siviglia (1826)
-
Folder 30: London reviews of La Cenerentola (1826)
-
Folder 31: London reviews of Otello (1826)
Reviews; personal notes -
Folder 32: London reviews of Pietro l'Eremita (1826)
-
Folder 33: London reviews of La donna del lago (1826)
-
Folder 34: London reviews of Aureliano in Palmira (1826)
Reviews; personal notes -
Folder 35: London reviews of Mosè in Egitto (1827)
-
Folder 36: London reviews of Gazza Ladra (1827)
-
Folder 37: London reviews of La Donna del Lago (1827)
Personal notes -
Folder 38: London reviews of Pietro l'Eremita (1827)
Reviews; personal notes -
Folder 39: London reviews of Ricciardo e Zoraide (1827)
Reviews; personal notes; libretto -
Folder 40: London reviews of La Semiramide (1827)
-
Folder 41: London reviews of Il turco in Italia (1827)
-
Folder 42: London reviews of Zelmira (1828)
-
Folder 43: London reviews of Il Barbiere di Siviglia (1828)
-
Folder 44: London reviews of La Donna del Lago (1828)
-
Folder 45: London reviews of Otello (1828)
-
Folder 46: End of 1828 season
Review of 1828 season performances at the King's Theatre -
Folder 47: London reviews of Tancredi (1828)
-
Folder 48: London reviews of La Gazza Ladra (1829)
-
Folder 49: London reviews of Il Conte Ory (1829)
Reviews; personal notes; libretto -
Folder 50: London reviews of La Donna del Lago (1829)
-
Folder 51: London reviews of Romeo e Giulietta and Il Tancredi (1827)
-
Folder 52: London reviews of Ricciardo e Zoraide (1829)
-
Folder 53: London reviews of La Semiramide (1829)
-
Folder 54: London reviews of L'Italiana in Algeri (1829)
-
Folder 55: London reviews of Otello (1829)
-
Folder 56: London reviews of La Cenerentola (1829)
-
Folder 57: London reviews of Il Barbiere di Siviglia (1829)
-
Folder 58: London reviews of La Donna del Lago (1828)
-
Folder 59: London reviews of La Cenerentola (1830)
-
Folder 60: London reviews of Matilda di Straban (1830)
-
Folder 61: London reviews of Otello (1830)
-
Folder 62: London reviews of La Semiramide (1830)
-
Folder 63: London reviews of Ricciardo e Zoraide (1831)
-
Folder 64: London reviews of L'Assedio di Corinto (1834)
-
Folder 65: L'Assedio di Corinto (London)
Personal notes 1834 London performance of L'Assedio di Corinto; libretto -
Folder 66: Opera lists (1823-1859)
Lists of performed operas in London for seasons 1823-1859
-
-
Box 7
-
Folder 1: The Israelites in Egypt / Lacy
Libretto -
Folder 2: London reviews of The Israelites in Egypt (1833)
-
Folder 3: Journal article: "Tell in Tirol: Zu einer antirevolutionären Rossini-Bearbeitung"
Article by Christoph Henzel; text in German -
Folder 4: London reviews of Hofer, the Tell of the Tyrol (1830)
-
Folder 5: Libretto for Hofer (1830)
-
Folder 6: Personal notes on Hofer libretto
-
Folder 7: London reviews of Ninetta (1830)
-
Folder 8: Personal notes on Ninetta libretto
-
Folder 9: London reviews of Cinderella (1830)
-
Folder 10: Notes on Cinderella libretto
Personal notes; libretto -
Folder 11: Cinderella libretto
Libretto of only songs and chorus -
Folder 12: Research on Ivanhoe
Copies from book - Music Drama at the Paris Odéon, 1824-1828 / Mark Everist; copy of piano reduction of score -
Folder 13: Maid of Judah / M. Rophino Lacy
Selections arranged for voice and piano; photocopy -
Folder 14: Libretto for The Maid of Judah
Photocopy -
Folder 15: London reviews of The Maid of Judah (1829)
-
Folder 16: The Maid of Judah
Songs and choruses; personal notes -
Folder 17: Selections from The Maid of Judah
Songs: "All by the shady greenwood tree"; "When the trump of fame"; for voice and piano -
Folder 18: London reviews of The Turkish Lovers (1827)
-
Folder 19: Libretto for The Turkish Lovers
Copy of manuscript for March 1827 performance; personal notes -
Folder 20: Native Land / Bishop
Songs and choruses with piano reductions; copy of libretto; handwritten copy of libretto by Collins; personal notes -
Folder 21: London reviews of Native Land (1824)
Copies and handwritten copies -
Folder 22: London reviews of Cyrus in Babylon / Bochsa (1823)
-
Folder 23: Libretto of The Barber of Seville / Bishop (1818)
-
Folder 24: The Barber of Seville / Bishop
Handwritten incipits of music; personal notes on comparison between Bishop and Rossini versions -
Folder 25: London reviews of The Barber of Seville / Bishop (1818)
-
Folder 26: Copy of article Nadia Carnrvale - "…That's the Barber!: Henry Rowley Bishop e l'adattamento del 'Barbiere' Rossiniano"
article in Italian; personal handwritten notes of article in English -
Folder 27: Journal articles by Rachel Cowgill, 1998
"Re-gendering the Libertine; or, the Taming of the Rake: Lucy Vestris as Don Giovanni on the early nineteenth-century London stage"; "The London Apollonicon Recitals, 1817-32: A Case-Study in Bach, Mozart and Haydn Reception) -
Folder 28: Notes on Cowgill dissertation
Handwritten by Collins -
Folder 29: Cowgill dissertation; Folder 1 of 5, Feb. 2000
"Mozart's Music in London, 1764-1829 : Aspects of Reception and Canonicity" - Rachel E. Cowgill (King's College) -
Folder 30: Cowgill dissertation; Folder 2 of 5, Feb. 2000
"Mozart's Music in London, 1764-1829 : Aspects of Reception and Canonicity" - Rachel E. Cowgill (King's College) -
Folder 31: Cowgill dissertation; Folder 3 of 5, Feb. 2000
"Mozart's Music in London, 1764-1829 : Aspects of Reception and Canonicity" - Rachel E. Cowgill (King's College) -
Folder 32: Cowgill dissertation; Folder 4 of 5, Feb. 2000
"Mozart's Music in London, 1764-1829 : Aspects of Reception and Canonicity" - Rachel E. Cowgill (King's College) -
Folder 33: Cowgill dissertation; Folder 5 of 5, Feb. 2000
"Mozart's Music in London, 1764-1829 : Aspects of Reception and Canonicity" - Rachel E. Cowgill (King's College)
-
-
-
Series 2: Microfilms
-
Box 1
-
Box 2
-
-
Series 3: Other media
-
Box 1
-
Additional Links
Page Generated in: 1.05 seconds (using 286 queries).
Using 7.78MB of memory. (Peak of 9.21MB.)
Powered by Archon Version 3.21 rev-3
Copyright ©2017 The University of Illinois at Urbana-Champaign
Using 7.78MB of memory. (Peak of 9.21MB.)
Powered by Archon Version 3.21 rev-3
Copyright ©2017 The University of Illinois at Urbana-Champaign