Helen Hewitt Music Research Collection, 1925-1978
Contents
- Collection Overview
- Scope and Contents
- Biographical Note
- Access Information
- Detailed Description
- Box & Folder Listing
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By Maristella Feustle
Collection Overview
Title: |
Helen Hewitt Music Research Collection, 1925-1978![]() |
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ID: | 06/ 048 |
Primary Creator: | Hewitt, Helen (1900-1977) |
Extent: | 11.0 Boxes |
Arrangement: | Arranged into series based on accruals of materials. |
Languages: |
English French German |
Scope and Contents of the Materials
The collection consists of eleven boxes of materials from Dr. Hewitt's research and teaching, and primarily professional correspondence. Those materials include manuscript transcriptions from centuries-old music manuscripts scattered in libraries across Europe, research for articles and conference papers, teaching materials and student projects, speeches, and unpublished writings, along with a box of concordance cards from the preparation of her edition of Ottaviano Petrucci's Harmonices musices odhecaton A.
Please see also:
The Helen Hewitt Microfilms Collection
The Helen Hewitt Papers in the UNT Archives
Biographical Note
Born in Granville, New York, Helen Margaret Hewitt was a pioneering music historian who is best known for her editions of Ottaviano Petrucci's chanson compendia Harmonices musices odhecaton A, and Canti B. Hewitt earned a Bachelor of Arts degree from Vassar College in 1921, and a Bachelor of Music from Eastman School of Music in 1925. In the summer of 1926, she traveled to France, studying organ with Charles-Marie Widor and harmony with Nadia Boulanger at the Conservatoire américain de Fontainebleau. After returning to the United States, Hewitt studied organ with Lynwood Farham at the Curtis Institute of Music in Philadelphia. She began her teaching career at what is now SUNY at Potsdam (1925-1928), and completed a master's degree in sacred music at the Union Theological Seminary in 1932, with an additional Master of Arts degree from Columbia University in 1933. Hewitt then returned to Europe, studying with Heinrich Besseler at the University of Heidelberg, and earned a Ph.D. from Harvard (Radcliffe) in 1938. Before joining the faculty of what is now the University of North Texas in 1942, Hewitt taught at Florida State College for Women (1938-1939) and Hunter College (1942).
Hewitt published numerous articles, and compiled the first four editions of Doctoral Dissertations in Musicology. While on the North Texas music faculty until her retirement in 1969, she taught classes and served as an adviser or committee member on many theses and dissertations, and remained active in guiding the maintenance and upgrading of pipe organ facilities on campus.
In addition to her distinguished career, Dr. Hewitt was a devoted owner of persian cats, and kept up cordial correspondence with friends and colleagues over many decades, and across continents.
Access Information
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Box and Folder Listing
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Series 1: First accrual
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Box 1
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Barcode: 707201-
Folder 1: Music manuscripts related to the Odhecaton
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Presumably related to the Odhecaton concordance compiled by Hewitt. -
Folder 2: Music manuscripts related to Canti B
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Item 1: No. 1. L'Homme Arme, Josquin
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Item 2: No. 2. Virgo celesti, Compere
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Item 3: No. 3. Iay prix amours, Obrecht
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Item 4: No. 4. Vray Dieu qui me confortera, [A. Bruhier]
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Item 5: No. 5. Lourdault lourdalt, Compere
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Item 6: No. 6. Se suis trop ionnette [Raulin]
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Item 7: No. 7. Ce nest pas Jeu, Pe. de la rue
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Item 8: No. 8. Lautrier que passa, Busnoys
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Item 9: No. 9. Reuellies vous, Anonymous
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Item 10: No. 10. En chambre polie, Anonymous
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Item 11: No. 11. Je suis amie du forier [Loyset Compere]
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Item 12: No. 12. Mon mari ma deffamee
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Item 13: No. 13. Cela sansplus, Obrecht In Missa
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Item 14: No. 14. Bon temps, Anonymous
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Item 15: No. 15. Aqui direlle sa pensee, Anonymous
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Item 16: No. 16. Cela sans plus, Lannoy
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Item 17: No. 17. Mon pere ma mariee, Anonymous
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Item 18: No. 18. Myn morghen ghaf, Anonymous (Obrecht crossed out)
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Item 19: No. 19. Coment peult hauer ioye, Josquin
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Item 20: No. 20. Comment peult, Anonymous
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Item 21: No. 21. Helas belas helas, Ninot
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Item 22: No. 22. Tous les regres, Pe. de la rue
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Item 23: No. 23. Veci la danse barbarj, Vaqueras
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Item 24: No. 24. Dung aultre amer, De orto
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Item 25: No. 25. Noe noe noe, Brumerl
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Item 26: No. 26. Vna moza falle yo, Anonymous
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Item 27: No. 27. E la la la [Ninot le petit]
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Item 28: No. 28. Fors seulement, Pe. De la rue
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Item 29: No. 29 Et dunt revenis vous, Compere
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Item 30: No. 30. Jay pris amours, Jabart
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Item 31: No. 31. Je cuide, Jabart
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Item 32: No. 32. Franch cor quas tu, De Vigne
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Item 33: No. 33. Amours me trotent sur la pance, Lourdoys
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Item 34: No. 34. Basies moy, Josquin
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Item 35: No. 35. Va uilment, Obreht
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Item 36: No. 36. Orsus orsus bouier, Bulkyn
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Item 37: No. 37. Basies moy, Josquin
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Item 38: No. 38. Auant auant, Anonymous.
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Item 39: No. 39. Aue ancilla trinitatis, Brumel
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Item 40: No. 40. Si sampsero, Obreht
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Item 41: No. 41. Mon pere ma dona Mari, Anonymous
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Item 42: No. 42. De tous biens, Ghiselin
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Item 43: No. 43. Pour quoy fu fist [fiat] ceste emprise, Anonymous
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Item 44: No. 44. Adieu fillette de regnon [Isaac]
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Item 45: No. 45. Chanter ne puis, Compere
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Item 46: No. 46. Ie vous emprie, Agricola
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Item 47: No. 47. Aqui dirage mes pensees [Compere]
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Item 48: No. 48. La regretee, Hayne
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Item 49: No. 49. En amours que cognoist, Brumel
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Item 50: No. 50. Le despite tous, Brumel
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Item 51: No. 51. Le grant desir, Compere.
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Folder 3: Music manuscripts related to Canti B
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Short pieces of cantus firmi from various manuscripts. -
Folder 4: Correspondence related to Canti B, 1951-1971
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File consists primarily of correspondence with Edward Lowinsky and Howard Brown, both of the University of Chicago. Bulk of correspondence occurs between 1962 and 1966.
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Box 2
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Barcode: 707200-
Folder 1: Music manuscripts related to Canti C, 1-65
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Numbered, but without titles. -
Folder 2: Music manuscripts related to Canti C, 67-120
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66 is not present, among other gaps.
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Box 3
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Barcode: 707199-
Folder 1: Fors seulement, full set
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Item 1: Fors seulement No. 1, Johannes Ockeghem No. 1, Droz, No. 25, pp. 48-49, Dijon, fol. 25'-26
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Item 2: Fors seulement No. 2, [Pierre de la] Rue, Wien, MS 18746, No. 57
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Item 3: Fors seulement No. 3, Andreas de Sylva, Bologna MS Q19 "Rusconi MS" f. 2'-3
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Item 4: Fors seulement No. 4, Jacob Obrecht, Canti C, f. 4'-5
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Item 5: Fors seulement No. 5, Pierre de la Rue, SG 1, 14-15
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Item 6: Fors seulement No. 6, Antoine Brumel, Canti C f. 5'-6
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Item 7: Fors seulement No. 7, Antonius Divitis, Bologna Ms. Q19, f. 9'-10 (Rusconi MS)
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Item 8: Fors seulement No. 8, Pipelare
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Item 9: Fors seulement No. 9, Anonymous, Wien. MS 18746, No. 56
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Item 10: Fors seulement No. 11, Anonymous, Wien MS 18746, No. 52. St. Gall, 463-464, No. 194.
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Item 11: Fors seulement No. 12, Anonymous, Cortona 95, 96. Paris, 1817 ("No. 22"). "An incomplete work. S, D, T only, [illegible]"
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Note on FS 12: No. 10 (crossed out) 11, Bologna, MS R142 "Josquin a pei" Incomplete work(tenor only) -
Item 12: Fors seulement No. 13, Georg Reingot, Canti C, f. 23'-25
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Item 13: Fors seulement No. 14, Johannes Ockeghem, Paris, MS f.fr. 2245. Duke of Orleans Chansonnier
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Item 14: Fors seulement No. 15, Jo. Agricola, St. Gall Ms 461, bb. 18-19
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Item 15: Fors seulement No. 16, [Marbriano] de Orto, Firenze, MS Basevi, f. 22'-23
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Item 16: Fors seulement No. 17, Anonymous, St. Gall 461, pp. 20-21
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Item 17: Fors seulement No. 18, Anonymous, Wien, MS [recheck] No. 53
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Item 18: Fors seulement No. 19, Anonymous, Wien, MS 18746 No. 55
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Item 19: Fors seulement No. 20, Jean [Johannes] Ghiselin, Canti C, f. 37'-39
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Item 20: Fors seulement No. 22, Anonymous, St. Gall MS 461, pp 22-23
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Note on FS 22: Fors seulement No. 21 Wien, MS 18832 No. 38 "An incomplete (tenor + bass only)." Remark from Martin Picker indicates that No. 21 in the Plamenac book is actually the complete Benedictus of Obrecht's Missa Fors Seulement. -
Item 21: Fors seulement No. 23, Jacobus Romanus, St. Gall MS. 461, pp. 24-25
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Item 22: Fors seulement No. 24 (Maria mater gratie), Anonymous, Bruxelles, MS 228, f. 23'-24
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Item 23: Fors seulement No. 25, Anonymous, Firenze, Bibl. Naz. Cen. MS 164-167, No. 60
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Item 24: Fors seulement No. 26, Josquin des Prez (or Jean Ghiselin), Canti C, f. 51'-52
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Item 25: Fors seulement No. 27, Anonymous, Wien, MS 18746, No. 54
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Item 26: Fors seulement No. 28, Anonymous, Bologna, MS Q19, f. 3'-4 SG 3-4 no. 193
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Item 27: Fors seulement No. 29, Anonymous, London Add. MS. 35087 f. 80'-81
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Item 28: Fors seulement No. 30, Pipelare, Canti B. No. 28
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Item 29: Fors seulement No. 31, Antoine de Férin, Munchen Mus. Ms. 1516 No. 129
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Also in Kop 1848 -
Item 30: Fors seulement No. 32, Jörg Blanckenmüller, München, Mus. Ms. 1516 No. 131
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Item 31: Fors seulement No. 33, Anonymous, Cambrai, f. 144'
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Item 32: Fors seulement No. 34, Infirmitatem nostram, Philippus Verdelot, J.O.H. Secundus Tomus Novi Operis Musici, No. 22
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Item 33: Fors seulement No. 35, Adrianus Willaert, Selectissimae necnon familiarissimae Cantiones ([Melchior] Kriesstein, 1540)
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Folder 2: Fors seulement, second set
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Item 1: Fors seulement: "S+C from 'Chansons a troys' (Venice: Antonius di Ginuta, 1520) (Bibl. Nat. V[?]7 669). T from Petreius 'Pricinia' + Leroy + Ballard 'Piers livre' [illegible] Ferin given as composer"
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Item 2: Fors seulement: "#2" XIII Pierre de la Rue Fors seulement. From Gombosi, Obrecht, Natenanhang, pp. 21-23 - after Wien
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Item 3: Fors seulement: "#2" Jacobus Habrecht from Glareanus, Dodechachordon, pp. 234-235. Missa FS, Obrecht - Qui Tollis
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Item 4: Fors seulement: "#3" Jacobus Habrecht, Glareanus, Dodecachordon pp. 236-236. Missa FS, Obrecht - Sanctus
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Item 5: Fors seulement: "#7" Pipelare, Florence 2439
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Item 6: Fors seulement: "#9" Anonymous, Wien MS 18746 No. 56
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Item 7: Fors seulement: "10": Anonymous, St. Gall MSS 463-4 + Wien no. 52 (51 on front page)
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Item 8: Fors seulement: "#16" de Orto 22'-23
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Item 9: Fors seulement: "#18": Anonymous, Wien MS 17456 no. 52 (53 crossed out)
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Item 10: Fors seulement: "#19" Anonymous, Wien MS 18746 no. 54 (55 crossed out)
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Item 11: Fors seulement: "#20" Ghiselin, Florence 2439 f. 17'-18
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Item 12: Fors seulement: "#23": Maria mater gratie, Brux 1, f. 23'-24. Enclosed in FS "#24"
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Item 13: Fors seulement: "#24" Anonymous, Maria mater gratiae, Bruxelles 228 f. 23'-24, Wien 18746 no. 50 (51 crossed out)
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Item 14: Fors seulement:" #25" Anonymous, F164-7 no. 60
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Item 15: Fors seulement: "#26" Andreas de Sylva, Rusconi MS f. 2'-3
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Item 16: Fors seulement: "#27" Anonymous, Wien 18746, No. 53 (54 crossed out)
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Item 17: Fors seulement: "#28" Anonymous, Rusconi (+ SG 3-4), Bologna MS Q19
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Item 18: Fors seulement: "#29" Anonymous, London, MS Add. 35087
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Item 19: Fors seulement: "#30" Mattaeus Pipelare Canti B
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Item 20: Fors seulement: Ferin, Mün 2 no. 129
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Item 21: Fors seulement: "#35" Adrianus Willaert, Selectissimae necnon familiarissimae Cantiones ([Melchior] Kriesstein, 1540)
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Folder 3: Assorted Fors seulement materials
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Box 4
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Barcode: 707198-
Folder 1: Other manuscripts
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Item 1: Barnes: Cela sans puis, from the Second Kopenhagener Chansonnier (Cop. 1848), p. 140
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Item 2: Chorale: Ach Herr, mich armen Sünder, from Natorp-Rinck's Choralbuch für Evangelische Kirchen. This chorale: IV-32.
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Hewitt cites date of 1836 -
Item 3: Compère, Loyset: No. 26 Alons ferous barbe [Alons fere nos barbes] (Continuation) Cortona - Paris # 10
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Item 4: Duo: Aqui direlle sa pencee, from the Second Kopenhagener Chansonnier (Cop 1848), p. 129
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Item 5: Ockegehm: Je nay deul, Bologna, MS Q17, f. 72'-73 [composer per Wexler, JAMS 23/1, Spr 1970].
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Another versionin Casanatense 2856 - Agricola -
Item 6: Oporto, Municipal Libr. MS No. 1607 - Versos do 7o Tom D lasolre, Versos do 50 Tom Fa em Alamire.
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Item 7: Reuellies Vous, Codex Pernner, pp. 18-19
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Item 8: Richafort, Jean: N’as tu point veu la viscontine Paris 4599 f. 2'-3; Concordance / comparison of Fortuna disperata.
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See also, Lowinsky's "The Goddess Fortuna in Music," which acknowledges Hewitt's help in preparing the article. Musical Quarterly 29/1 Jan. 1943. One version, by Martini, also appears in Casanatense 2856. -
Item 9: Tant belle mi son pensado mari - MS Rome, Casanatense 2856 No. 113 (continuation of text from Cortona - Paris No. 12).
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Work also appears in Q17, 73'-74. Accompanied by letter from T. Herman Keahey, Austin Peay State Univ, 10/4/1967, requesting permission to use in dissertation, along with a copy of his own rendering (letter and his manuscript = 4 leaves) -
Item 10: Tant belle mi son pensado mari - half page
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Item 11: Toccata, page 2 (pencil)
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Item 12: Untitled, "Cop. p. 441"
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Item 13: Untitled, Trent, Castello del Buonconsiglio, Codex 90, folio 357v. Large paper, 3 leaves.
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According to TrentinoCultura, it is a canon with a retrograde tenor.
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Folder 2: Speeches and lectures by Hewitt
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Folder 3: Speeches and lectures by Hewitt, continued
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Box 5
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Barcode: 707197-
Folder 1: Photos
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Includes photos of Hewitt at various ages, cats, and photographic prints of music manuscript pages. -
Folder 2: Memoranda, teaching schedules, and related documents
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Folder 3: Newspaper clippings
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Folder 4: Assorted writings
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Writings on a variety of topics, including organ registration and service playing, and various historical subjects, as well as notes on European music manuscripts. -
Folder 5: Assorted writings, continued
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Folder 6: Assorted concert and conference programs, Vassar College alumnae magazine, Salve, centennial issue featuring Hewitt
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Folder 7: Curriculum vitae
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Folder 8: General correspondence
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Box 6
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Barcode: 707196-
Folder 1: Microfilm inventories
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File includes list of holdings at Tulane University, and of K. Parton of Denton. -
Folder 2: Index of composers and table of contents for Denkmäler deutscher Tonkunst and Denkmäler der Tonkunst in Österreich
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Apparently compiled and typed by Hewitt. -
Folder 3: Indices to various music periodicals, possibly compiled by students of Hewitt
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Folder 4: Class projects by students of Hewitt, 1958-1962
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In alphabetical order by last name.
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Box 7
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Barcode: 707170-
Folder 1: Course materials, A-Ch
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Alphabetized by title -
Folder 2: Course materials, Ch-Mu
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Folder 3: Course materials, Music 432-St
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Folder 4: Course materials, St-Wo
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Box 8
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Barcode: 707171-
Folder 1: Typed manuscript copy of Hewitt's doctoral thesis, Harmonice Musices Odhecaton: the first printed collection of part-music, with handwritten remarks, 1938 March 15
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Previously in Music Library Limited Access as ML95.H48 H3. -
Folder 2: Uncategorized materials, non-Hewitt
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Works by other authors, copies and facsimilies, loose pages of unidentified writings -
Folder 3: Unidentified photofacsimile (format unknown) of manuscript
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Folder 4: 78 rpm record: "Ariel - Bennett - Dr. Hewitt"
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10" record, possibly homemade
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Box 9: Odhecaton concordance cards
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Barcode: 707173
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