Allen and Madeleine Forte Memorial Collection, 1910-2014
By Maristella Feustle
Collection Overview
| Title: |
Allen and Madeleine Forte Memorial Collection, 1910-2014 |
|---|---|
| ID: | 06/ 080 |
| Primary Creator: | Forte, Allen |
| Other Creators: | Forte, Madeleine (1938-) |
| Extent: | 27.0 Boxes |
| Arrangement: | Files are presented in the order in which they were found. Where a particularly large file needed to be housed in separate folders, they are numbered (e.g., "folder 1 of 2; 2 of 2"). It is common to find sub-folders "nested" in other folders, or multiple folders in a file. That system of organization has been maintained. |
| Date Acquired: | 06/11/2014. More info below under Accruals. |
| Subjects: | |
| Languages: | English |
Scope and Contents of the Materials
The collection consists of 27 boxes of writings, sketches, analyses, and other personal and unpublished papers, along with some photos and videocassettes from the career of music theorist and educator Allen Forte. An additional donation in the summer of 2015 added two boxes of sound and video recordings from Madeleine Forte, as well as Allen Forte's doctoral cap, gown, and hood for the honorary doctorate he received from Eastman School of Music in 1978.Biographical Note
Subject/Index Terms
Access Information
Access Restrictions:
Access to this collection is provided only by special arrangement. Please contact the Music Library for more information.
Use Restrictions:
Reproduction and publication of materials in this collection are subject to the policies of the UNT Music Library. Copyright restrictions may apply.
Physical Access Note:
Collection is housed in the UNT Music Library. Advance notice for use is required. Please contact the Music Library for further information.
Reading Room or Duplication Requests
Depending on any access restrictions noted above, you may be able to request items be delivered to our reading room, or that we make reproductions for you. Just click on either the or icons in the listings below to be routed to our request form.
Administrative Information
| Repository: | Music Library |
|---|---|
| Accruals: |
4 additional boxes received from Madeleine Forte on June 26, 2015. 1 additional box received from Madeleine Forte on March 8, 2016. 1 additional box received from Madeleine Forte on June 8, 2016. 2 additional boxes received from Madeleine Forte on January 3, 2017. 10 additional boxes received from Madeleine Forte on January 10, 2017. 1 additional box received from Madeleine Forte on February 1, 2017. 3 additional boxes received from Madeleine Forte on February 28, 2017. |
| Acquisition Source: | Allen and Madeleine Forte |
| Acquisition Method: | Gift. |
| Related Materials: | See also: The Allen Forte Papers at Yale University. |
| Processing Information: | Several additional boxes received since 2016 are awaiting processing. |
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Box and Folder Listing
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Box 1
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Folder 1: Graphs from Music Theory Society article, 1980
"Aspects of Rhythm in Webern's Atonal Music." Music Theory Spectrum Vol. 2, Spring 1980, pages 90-119. Previously used in presentation by the same title at Society for Music Theory conference, November 3, 1979. -
Folder 2: Beethoven: Variations a quatre mains pour le piano-forte sur une theme de Monsieur le Comte de Waltstein
Berlin: Rudolphe Werkmeister. 17 pages. Plate number 103. -
Folder 3: Classification of tetrachords for memorization
-
Folder 4: Haydn class: short scores, review, analysis
-
Folder 5: Inversion-invariance vectors
-
Folder 6: Composers' sketches, autographs, and revisions, 1992-1993 Spring
Materials related to course Music 469b -
Folder 7: Versification
Includes photocopied excerpt of The Structure of Verse by Harvey Gross. -
Folder 8: Japan, 1971-1972
Correspondence with the Yamaha corporation; envelope marked "Nara Hotel" with clippings of English-language advertisements from Japan. -
Folder 9: Music Theory Spectrum, 1978-1979
Correspondence regarding "design, etc." -
Folder 10: Waitzfelder, 1972
Correspondence. -
Folder 11: Indiana University, 1983-1984
Correspondence related to Forte's visit in March, 1984. -
Folder 12: University of California at Los Angeles, 1975
Correspondence. -
Folder 13: Elliott Carter, circa 1957-1964
Correspondence between Forte, Elliott Carter, and Helen Carter. -
Folder 14: Library of Congress: Schoenberg Op. 24 particell, 1984
Correspondence in order to obtain an image of a short score by Arnold Schoenberg. -
Folder 15: Documentation of studio vandalism, with photos, 1998 November
-
Folder 16: "Allen's CD", 2004-2005
Tune lyrics, brief histories of tunes, title list, liner notes for Forte's album Songs of Yesterday for Today. -
Folder 17: Gerald Gruber: Habilitationsschrift, 2003
-
Folder 18: Oster, Journal of Music Theory, 1977
Correspondence about, and Forte's recollections about Ernst Oster after his death. -
Folder 19: "Sketches, Autographs, and Revisions - list of works for course
Includes note that "folders on sketches are in lateral file." -
Folder 20: Journal of the American Musicological Society, Vol. 56, No. 2 (Summer 2003)
Review of "The Stravinsky Legacy" -
Folder 21: Flyer for Theorica Musicae at Yale, 2004 Fall
Two copies. One insert about Forte's loan of materials to exhibit. -
Folder 22: Letter from Milton Babbitt to H. Haskell of Yale University Press, undated
-
Folder 23: Haydn: "An tu non senti amico" - facsimiles of sketches
Two pages. -
Folder 24: Beethoven: Piano Trio in B-flat, Op. 97, II. Scherzo
Facsimile of sketch page for use in "Sketches, Autographs, and Revisions" course. -
Folder 25: Correspondence and unpublished paper by B. Givan
Original file folder labeled "notes on an old jazz lecture (transcriptions)" -
Folder 26: See oversized items in Box 16.
-
Folder 27: Chopin: B-flat minor scherzo
Notes on specific measures from the autograph score. -
Folder 28: Chopin: E major etude (Op. 10, No. 3) - critical report and analysis
-
Folder 29: Princeton University Press - Songbook copyright permissions, copyright credits, 1994-1995
For "The American Popular Ballad of the Golden Era" -
Folder 30: Cambridge University Music Analysis Conference (CUMAC), 1997
-
Folder 31: Summation vectors
Folder 1 of 2. -
Folder 32: Summation vectors
Folder 2 of 2. -
Folder 33: Benjamin Gibbs - genealogy; materials from Forte's citation by the American Academy of Arts and Sciences, 1980, 2006; 1995
-
Folder 34: Information theory
Notes on Hiller-Bean article "Information Theory Analyses of Four Sonata Expositions," Journal of Music Theory Vol. 10, No. 1, Spring 1966. -
Folder 35: Kassler
Notes on writings about Schenker. -
Folder 36: Aesthetics
Notes on aesthetic theory. -
Folder 37: Ansermet obituary
Ernest Ansermet obituary, clipped from newspaper. -
Folder 38: Birkhoff
Notes on work of Harvard mathematician George D. Birkoff's work "Aesthetic Measure." -
Folder 39: Boretz
Nelson Goodman: "Some Notes on Languages of Art," Journal of Philosophy Vol. 67, No. 16. Article includes section responding to Benjamin Boretz. -
Folder 40: Capellen
Notes on work of Georg Capellen, critic in Hanover, Germany, who wrote extended essarys on music theory. -
Folder 41: Cowell
Notes on Henry Cowell. -
Folder 42: Dada
Notes on Dadaism. -
Folder 43: Haba
Notes on Alois Haba: "Haba, Yasser, and Schillinger represent efforts of theorists to influence practice." -
Folder 44: Hauer
Notes on Josef Hauer's System of Tropes. -
Folder 45: Hauptmann
Notes on the work of Moritz Hauptmann. -
Folder 46: University of Washington, 2004
Materials related to residency by Allen and Madeleine Forte, with printouts of photos on glossy paper. -
Folder 47: Letter regarding errata in "Listening to Classic American Popular Songs", 2001-2002
-
Folder 48: Estonia, 2003
Materials related to the Fourth International Conference on Music Theory, Estonian Academy of Music -
Folder 49: Kurth
Notes on the work of Ernst Kurth. -
Folder 50: Lendvai
Notes on the work of Erno Lendvai. Includes Forte's printout of pitch-class and interval class representatives of first 49 Fibonacci numbers. -
Folder 51: Lobe
Notes on the work of J.C. Lobe. -
Folder 52: Logier
Notes on the work of Johann Bernhard Logier. -
Folder 53: Lorenz
Notes on the work of Alfred Lorenz. -
Folder 54: Marx
Notes on the work of Adolf Bernhard Marx. -
Folder 55: Meyer
Notes on the work of Leonard Meyer. -
Folder 56: Momigny
Notes on the work of Jerome-Joseph Momigny. -
Folder 57: Perle
Notes on the work of George Perle. -
Folder 58: Riemann
Notes on the work of Hugo Riemann. -
Folder 59: Schenker
Notes, graphs, and a translation by S. Haflich of Schenker's "Counterpoint." -
Folder 60: Schillinger
Notes on the work of Joseph Schillinger, and Schillinger's influences. -
Folder 61: Sechter
Notes on the work of Simon Sechter. -
Folder 62: Taniev
Notes on the work of Sergei Taniev. -
Folder 63: Von der Null
Notes on the work of Edwin Von der Null. -
Folder 64: Weber
Notes on the work of Gottfried Weber. -
Folder 65: Weitzmann
Notes on the work of Karl Friedrich Weitzmann. -
Folder 66: Westphal
Notes on the work of Rudolf Westphal -
Folder 67: Yasser
Notes on the work of Joseph Yasser. -
Folder 68: Ziehn
Notes on the work of Bernhard Ziehn.
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Box 2
-
Folder 1: Music Analysis - Snarrenberg, 1987; 1996-1998
Includes a photocopy of a song for "J. Garland Birthday Party" (1987) -
Folder 2: NEMCT, 2000
New England Conference of Music Theorists, and coverage in Music Theory Online 6.3. -
Folder 3: Modling, 2003
-
Folder 4: Liszt, circa 1984-1987
Research and analyses used in "Liszt's Experimental Idiom and Music of the Early Twentieth Century," 19th-Century Music Vol. 10, No. 3, Spring 1987. Contains material on Fetis which may have been moved from another file folder which was found empty. -
Folder 5: Sacher Stiftung
Related to Forte's article "A Major Webern Revision and Its Implications for Analysis," researched in part at Paul Sacher Stiftung. -
Folder 6: Theory: General for Music 162.
-
Folder 7: Group theory
Linear algebra and group theory applied to twelve-tone analysis. -
Folder 8: Intervallic harmony, 2003 April
Print of Forte's paper "Introduction to a Theory of Intervallic Harmony: The Summation Vectors," from Proceedings of the Fourth International Conference on Music Theory, Tallinn, Estonia -
Folder 9: Summation vectors: "Supplementary program(s) output(s) to be examined for patterns"
-
Folder 10: Webern: Op. 21, No. 2, Variation 2 - analysis
"Construction of set in which trichords differ but content of hexachords same." -
Folder 11: "Introduction to a Theory of Intervallic Harmony" - 2 copies
-
Folder 12: Intervallic harmony lecture
-
Folder 13: Summation vectors, 2003
Correspondence, multiple copies of multi-page set of examples -
Folder 14: "Introduction to a Theory of Intervallic Harmony" - 5 copies
-
Folder 15: "Introduction to a Theory of Intervallic Harmony" - final manuscript
-
Folder 16: "Introduction to a Theory of Intervallic Harmony" - manuscript and examples
-
Folder 17: "Introduction to a Theory of Intervallic Harmony" - correspondence, 2003-2004
-
Folder 18: "Introduction to a Theory of Intervallic Harmony" - corrected version, 2003 December 30
-
Folder 19: Stravinsky
Copies and published editions of Fireworks, Op. 4; Four Etudes, Op. 7; Symphonie de Psaumes (full score); In Memoriam Dylan Thomas; Symphony de Psaumes (piano-vocal reduction); Sacre du Printemps. -
Folder 20: Time, Inc., 1998-2004
Correspondence regarding use of the photography of Sharland Forte. -
Folder 21: See oversized items in Box 16.
-
Folder 22: Cole Porter lists
Bibliography and works list -
Folder 23: Cole Porter
List of documents to examine in Cole Porter Collection at Beinecke Library (Yale). -
Folder 24: "Messiaen's Mysterious Birds"
Typed manuscript, minus conclusion. -
Folder 25: Schoenberg and the Schenkerians, 2005-2007
Later titled "Schenkerians and Schoenbergians in America," presented at Vienna Symposium (2005), Mannes (2006_). File also contains 2007 Mannes presentation "Schoenberg and His Legacy." -
Folder 26: Offprint: "The Real 'Stella' and the 'Real' 'Stella'", 1997
"A response to "Alternate Takes," Society for Music Theory Annual Meeting, Phoenix." 4 copies. -
Folder 27: Forte arrangements of standard jazz tunes
-
Folder 28: Babbitt seminar
Contains a copy of "Introduction to a Theory of Intervallic Harmony," and a proposal for a book on analyzing Ravel's music. -
Folder 29: "Introduction to a Theory of Intervallic Harmony", 2010
-
Folder 30: Websites
Correspondence regarding website setup, maintenance, and testing.
-
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Box 3
-
Folder 1: Song scores
Folder 1 of 2. -
Folder 2: Song scores
Folder 2 of 2. -
Folder 3: Pitch-Class Set Theory, 2009 September
For lecture in Shanghai. Includes 2007 article in Music Analysis Vol. 26, Nos. 1-2, "Alban Berg's Piano Sonata, Op. 1: A Landmark in Early Twentieth-Century Music." -
Folder 4: Sets and Nonsets in Schoenberg's Atonal Music
Empty folder. -
Folder 5: "Introduction to a Theory of Intervallic Harmony" - "organization check"
-
Folder 6: "Motivic Design and Structural Levels in the First Movement of Brahms's String Quartet in C Minor", 1983 Fall
The Musical Quarterly, Volume 69, No. 4., pages 471-502. Photocopy of article. -
Folder 7: Pitch-Class Set Genera (Lecture Iia)
Attached Post-It Note reads "most difficult." -
Folder 8: Schoenberg as Webern: The Three Pieces for Chamber Orchestra, III (1910)
Photocopy of article (journal title not given), pages 41-75. -
Folder 9: "Not related to China trip"
Mathematical manipulations of pitch-class sets, with a photocopy of Schoenberg's Sonnett 217 von Petrarca. -
Folder 10: Chopin
Four published copies of Chopin works: The Four Ballades / The Four Scherzi; The Fifteen Waltzes / The Three Impromptus; Fantaiseie-Impromptu (Lea Pocket Scores); Miscellaneous Compositions (Vol. 36, Joseffy), Book VII, Etudes (Schirmer) -
Folder 11: Berg-Gershwin, 1997-1999
Correspondence, sketches, and analyses, with article offprints by Claude Palisca and Leonard Meyer; Contains print of "photograph of Alban Berg sent to George Gershwin with dedication and passage from Wozzeck." -
Folder 12: Memorabilia
Contains photo prints, copies of "Stella" article and "Harmonic Relations: American Popular Harmonies (1925-1950) and their European Kin," Contemporary Music Review Vol. 19, Part 1, pages 5-36; a "Shortschrift" for Forte and Claude Palisca (1987), and correspondence from Benjamin Boretz (1972). -
Folder 13: Rite of Spring
Sketches for Sacrificial Dance -
Folder 14: Orpheus Institut, 2004 Fall
Contract, presentation materials, and old drafts -
Folder 15: American Popular Ballad Seminar
Song lists, articles, advertisements, and other materials. -
Folder 16: Schoenberg as Webern: The Three Pieces for Chamber Orchestra, III (1910)
"Final version." Includes correspondence, two 3.5-inch floppy disks, and earlier drafts. -
Folder 17: Messiaen article
Multiple drafts and related materials for article "Olivier Messiaen as a Serialist." Folder 1 of 2. -
Folder 18: Messiaen article
Folder 2 of 2. -
Folder 19: Schoenberg's harmony; Schoenberg pitch-class set genera
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Box 4
-
Folder 1: Series, 2001-2006
Correspondence related to Yale University Press series "Composers of the Twentieth Century." -
Folder 2: Publicity / reviews, 1999-2002
-
Folder 3: Vienna: Schenker, Schoenberg, 2003
"Schenkerians and Schoenbergians in America" - correspondence and paper for Schenker-Traditionen symposium. -
Folder 4: Varese
Copy of Octandre and analysis -
Folder 5: CD liner notes - backup copy, 2004 September 18
-
Folder 6: Messiaen - R. Scholl, 2006
Article "Messiaen's Mysterious Birds," and correspondence about publication. -
Folder 7: Debussy
Copies of piano-vocal score; course pack. Folder 1 of 2. -
Folder 8: Mahler, Debussy
Copies of piano-vocal scores. Folder 2 of 2. -
Folder 9: Wolf Songs
Analyses of numerous songs by Hugo Wolf, with supporting information such as works lists. -
Folder 10: Peabody Conservatory, 2002
Correspondence regarding visit. -
Folder 11: Modling, 2001-2002
Assorted materials - schedules, lists, booklets. -
Folder 12: Rare Books
Documentation about the Allen Forte Music Theory Collection at Florida State University. -
Folder 13: University of North Carolina, 2002 Fall
Correspondence regarding visit. -
Folder 14: Oregon, 2002
Correspondence and flyer for Forte's presentation "Revisiting Classic American Popular Songs" at the University of Oregon. -
Folder 15: Society for Music Theory, Columbus, 2002 October-November
Correspondence and materials related to Forte's attendance at the meeting. -
Folder 16: University of Texas at Austin, 2001 October - 2002 July
Correspondence. -
Folder 17: Southwestern University, 2002 March-April
Correspondence and travel arrangements. -
Folder 18: Steve Gilbert obituary, 1999
Written by Forte. Correspondence and revisions. -
Folder 19: Liszt research notes, Weimar, 1984 October
Correspondence, list, notes, and analysis. -
Folder 20: Schoenberg Op. 24 - drafts
See oversize box. -
Folder 21: Schoenberg Op. 6 - drafts
See oversize box. -
Folder 22: Schoenberg Op. 15 - sketches
See oversize box. -
Folder 23: Schoenberg Op. 22
See oversize box. -
Folder 24: Schoenberg - notes on archival materials
-
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Box 5
-
Folder 1: Course readings, Music 427A, 2003 Fall - 2004
-
Folder 2: David Berry, 2009
Correspondence and excerpts of festschrift for Forte in Gamut. -
Folder 3: Music Theory, Yesterday and Today, 2009
Draft of talk given in Beijing. -
Folder 4: Introduction to Schenkerian Analysis - instructor's manual
First edition (1982), in small green binder. -
Folder 5: Serialism and the Serialists
List of composers, works by Elizabeth Lutyens and Roberto Gerhard, some correspondence -
Folder 6: Hanyang University, 2005
Keynote lecture, schedule, drafts. -
Folder 7: Reviews of "Listening to American Popular Song"
-
Folder 8: Hauer materials, Robert Weiss, 1994 November
Materials from Internationales Symposium - Konstruktiver Realismus im Zwolftonspiel, Vienna -
Folder 9: Music Theory Online - banquet lecture, 2002
File includes 1998 directory of subscribers for the Society for Music Theory, and several newsletters. -
Folder 10: Canada, 2007
Correspondence with Laurentian and Carleton Universities, with black-and-white printout of group photo. -
Folder 11: Scores: Berg, Webern
Photocopies in a blue binder. -
Folder 12: Sheet music for standard tunes
Photocopies. -
Folder 13: Lecture I, Shanghai, 2009 October
-
Folder 14: Pitch-Class Set Analysis Today, 2009 September
Edited. -
Folder 15: The Magical Kaleidoscope: Schoenberg's First Atonal Masterwork, Opus 11, Number 1, 1981 November
Published in the Journal of the Arnold Schoenberg Institute. Photocopy. -
Folder 16: Material for China
Footnotes. -
Folder 17: Pitch-Class Set Analysis Today, 1985
Music Analysis Volume 4, Numbers 1-2. Photocopy. -
Folder 18: Messiaen - transcriptions of bird songs with pitch-class set analysis
-
Folder 19: Music Theory, Yesterday and Today, 2009 March
Revised version for March 2009. -
Folder 20: Pitch-class sets - various lists and operations
-
Folder 21: Sets and Nonsets in Schoenberg's Atonal Music, 1972 Fall-Winter
Perspectives of New Music, Fall-Winter 1972, pages 43-64. Photocopy. -
Folder 22: Inversion-invariance vectors
12-page computer printout. -
Folder 23: London, Ontario, 2007
Travel arrangements and correspondence. Program from 2005 lecture-recital at Essex Meadows Concert Series included. -
Folder 24: Introduction to a Theory of Intervallic Harmony: The Summation Vectors
Article, drafts, and research materials. -
Folder 25: Yale Summer Program, 2007
-
Folder 26: Europe, 1999
Travel arrangements and correspondence.
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Box 6
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Folder 1: Musicae Scientiae
Article with correspondence in French containing Forte's comments -
Folder 2: Introduction to a Theory of Intervallic Harmony: The Summation Vectors, 2010 February
Revision. Also mentions unpublished Gershwin paper; includes assorted materials such as "Music Theory Yesterday and Today" paper, and "Schoenberg as Webern." -
Folder 3: The Structure of Atonal Music
Revisions and additions. -
Folder 4: National Endowment for the Humanities, summer seminar, 1980-1996
-
Folder 5: Sheffield Messiaen Conference, 2002
Correspondence, abstract for "Messiaen's Chords." -
Folder 6: Brahms
Materials found in folder labeled "Brahms," but having little to do with Brahms. Includes "Sets and Nonsets," and copies of Music Analysis issues. Folder 1 of 2 -
Folder 7
See oversize box. -
Folder 8: Program for Cole Porter Jubilee at Yale, 2013-2014
-
Folder 9: Hascher article, 2009 February
"'In dunklen Traumen': Schubert's Heine-Lieder through the Psychoanalytical Prism," by Xavier Hascher. Offprint inscribed to Forte from Hascher. -
Folder 10: Berg: Wozzeck
Photocopy of piano-vocal score (Universal Editions 7832). -
Folder 11: Strauss: Elektra
Photocopy of piano-vocal score (Boosey & Hawkes H. 15780). -
Folder 12: Three 3.5-inch floppy disks
Webern talk handouts; Forte PC set programs; Mod12 programs, etc. -
Folder 13: Cambridge University Music Analysis Conference (CUMAC) Roundtable, 1997 August
Papers (other authors), correspondence, travel arrangements. Folder 1 of 2. -
Folder 14: Cambridge University Music Analysis Conference (CUMAC) Roundtable, 1997 August
Musical examples, correspondence, lecture. -
Folder 15: Unary Voice-Leading Transformations
Lecture notes, various "transforms." -
Folder 16: Hong Kong, 2000
Correspondence and travel arrangements for visit to Hong Kong Baptist University. -
Folder 17: Linear Analysis
Notes and analyses (including Berg, Schoenberg). -
Folder 18: Sarah Jackson exhibit catalog, Art Gallery of Nova Scotia, 2001
-
Folder 19: Correspondence with Dr. Timothy Jackson, 2010
-
Folder 20: Permutation classes
Computer program printout. "Program to compute distribution of permutations with respect to permutation classes." -
Folder 21: Relations between complements
"Mathematical basis of the transposition number I for "complement mapping." -
Folder 22: Compact disc of musical examples for Music of Arnold Schoenberg (S137), 2002 summer
-
Folder 23: "The Real Stella" article - sheet music, notes, analyses, works by other authors
-
Folder 24: Similarity relations; transitive tuples
Computer program outputs. -
Folder 25: Sloan paper handouts, 1995 November 3
From presentation by Donald Sloan at Society for Music Theory meeting: "Fuzzy Set Theory, Fuzzy Measures, and Their Application to Resemblance Theories in Music." -
Folder 26: Elementary set theory
"Set theory" in the mathematical sense.
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Box 7
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Folder 1: Partitions
"Related partitions for pitch-sets (linear sets) of the same size and of different sizes." -
Folder 2: Relations, functions, mappings
General notes; Babbitt's combinatoriality. -
Folder 3: Oxford University Conference on Music Analysis (OXMAC), 1988 September
Paper, "New Modes of Linear Analysis" - original and copy -
Folder 4: Page proofs from Music Theory in Concept and Practice
Festschrift in honor of Forte's 70th birthday. -
Folder 5: Correspondence with Florida State University, 1998
Correspondence regarding Forte's visit. -
Folder 6: University of Western Ontario, 1997-1998
Correspondence regarding Forte's visit. -
Folder 7: Set complexes - additional notes
Notes, computer printouts, and graphs. -
Folder 8: Time-point functions, circa 1990
Notes. -
Folder 9: Keller: Schule des Generalbass Spiels, 1956
Barenreiter Ausgabe 490. -
Folder 10: Webern: Op. 9, No. 1
Manuscripts, examples, research materials related to article "An Octatonic Essay by Webern: No. 1 of the Six Bagatelles for String Quartet, Op. 9," in Music Theory Spectrum Vol. 16, No. 4 (Fall, 1994). -
Folder 11: Autobiography, 2008 October 7
-
Folder 12: Autobiography, 2008 June 18
-
Folder 13: Autobiography, undated
32 pages. -
Folder 14: Autobiography, 2008
Includes "Allen Forte: A Brief History," paper "Cole Porter's Life in Music," mailing from Silliman College (Yale). -
Folder 15: "Biography"
-
Folder 16: Curriculum vitae
Various materials, including excerpts from autobiography. -
Folder 17: Schoenberg - dates of atonal works
Also includes examples from "Schoenberg as Webern," and "106a - Historical (atonal)." -
Folder 18: Correpsondence with D. Berry, 2009 July 7
-
Folder 19: Yale University Press
Correspondence, contracts, royalty statements. -
Folder 20: Neo-Riemannian, 2001
Article by R.C. Cook. -
Folder 21: Music Analysis - 20th anniversary issue, 2001
Forte's contribution for 20th anniversary issue. -
Folder 22: Webern: Op. 6, first movement
Photocopies of manuscript. -
Folder 23: Schumann: Traumerei
Photocopy and analysis. -
Folder 24: "From David Berry - on Allen Forte"
Assorted correspondence; papers by and about Forte. -
Folder 25: Autobiography
Multiple copies of curriculum vita, materials related to Forte's book The Atonal Music of Anton Webern. -
Folder 26: Schedule of events - China, 2009
-
Folder 27: Biography, 2008 August
Copy 2 of 2. -
Folder 28: Curriculum vitae
Two copies. -
Folder 29: Sharland biography
From Forte's autobiography. -
Folder 30: Biography, 2010
With corrections. -
Folder 31: Curriculum vitae - 2nd version
-
Folder 32: Forte collection at Florida State University
Two copies of brief description. -
Folder 33: Signatures of various people
-
Folder 34: Small, blue memo book and notes
-
Folder 35: Hindemith conference - Yale, 1995 October 20-22
Forte's paper, "Paul Hindemith's Contribution to Music Theory in the United States," manuscript and other copies. -
Folder 36: Ives and Yale, 1998 April 3-5
Programs, examples, paper "The Musical Language of Two Ives Songs." -
Folder 37: Webern book permissions, 1996-1997
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Box 8
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Folder 1: Arnold Schoenberg Center Newsletter, 1998-2006
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Folder 2: Mozart miniature scores
Symphony No. 40 in G minor (K. 550, Norton); Complete String Quartets in Two Volumes, Vol. I, II (K. 174, 406, 407, 515, 516, 581, 593, 614, 525); Symphony No. 40 in G minor (K. 550, Kalmus); String Quartet in C major (K. 465, Philharmonia); String Quartet in C major (K. 465, Kalmus); -
Folder 3: Introduction to Schenkerian Analysis - 2nd edition, 1994-1995
Correspondence, introduction, errata, reviews from first edition. -
Folder 4: Wagner: Parsifal, Prelude to Act III
Photocopy of piano score; analyses. -
Folder 5: Webern, 2002
Salzburg summer readings, Forte's articles, Webern Symposium Austria; correspondence. -
Folder 6: Popular song lecture
Includes handouts, sheet music, reading manuscript. Folder 1 of 2. -
Folder 7: Popular song lecture
Includes copy of talk, analyses, examples, flyer for book, Listening to Classic American Popular Songs. Folder 2 of 2. -
Folder 8: Messiaen material
Folder 1 of 4. Correspondence, drafts, lectures, musical excerpts related to "Messiaen's Mysterious Birds" and "Messiaen's Chords." -
Folder 9: Messiaen material
Folder 2 of 4. -
Folder 10: Messiaen material
Folder 3 of 4. -
Folder 11: Messiaen material
Folder 4 of 4. -
Folder 12: Harvard, 2007-2008
Folder 1 of 2. Correspondence, forms.
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Box 9
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Folder 1: Harvard, 2007-2008
Folder 2 of 2. -
Folder 2: Koerner Center, 2006-2007
Research funding from the Koerner Center for Emeritus Faculty, Yale University. -
Folder 3: Society for Music Theory, New England Conference of Music Theorists, American Musicological Society, 2005-2007
AMS Newsletters, materials related to the American Academy of Arts and Sciences. -
Folder 4: Correspondence with M. Andreatta, 2004-2008
Institut de Recherche et Coordination Acoustique / Musique (IRCAM). -
Folder 5: Messiaen, 2007
Correspondence related to publication of "Messiaen's Mysterious Birds" in book Messiaen Studies. -
Folder 6: Marymount College
Script, program for lecture-recital on Messiaen given by Allen and Madeleine Forte. -
Folder 7: Messiaen's Chords
Correspondence; M. Simundza article, "Messiaen's Rhythmical Organization and Classical Indian Theory of Rhythm," IRASM 19, 1988. -
Folder 8: Inversion-invariance vectors
Vectors, older computer program outputs. Folder 1 of 3. -
Folder 9: Inversion-invariance vectors
Computer program outputs. Folder 2 of 3. -
Folder 10: Inversion-invariance vectors
Computer program outputs. Folder 3 of 3. -
Folder 11: Genera
Pitch-class set genera, lists, Snobol program outputs, difference quotient, examples, supergenera. With lead sheet for "How High the Moon." -
Folder 12: Serialism, 2003-2006
Includes articles, correspondence, newspaper article, list of serialists. -
Folder 13: Music 316b
Includes class notes, handouts, a score packet, and English translation of the introduction to Schenker's Der Freie Satz. -
Folder 14
See oversize box. -
Folder 15: Schoenberg media
Two CDs. One labeled for "S137" musical examples (see also: Box 6, Item 22); second item unlabeled. -
Folder 16: CD-ROM discs of photos
Eight discs. -
Folder 17: Autobiographical material
Curriculum vitae, correspondence, writings. -
Folder 18: Multnomah High School; Lincoln High School
Alumni newsletters, correspondence. -
Folder 19: CD-ROM discs of photos
Six discs.
-
-
Box 10
-
Folder 1: Bach scores
Lea Pocket Scores No. 1a, 1b, 2, 26, 27, 28, 32,34,37,73; Fifteen Inventions and Symphonia; Italian Concerto, Clavierubung; Cantata No. 4 (Christ lag in Todesbanden). Folder 1 of 2. -
Folder 2: Bach scores
Eighteen Little Preludes and Fugues (Schirmer - Buonamici); Well-Tempered Clavier, part II (Salabert). Folder 2 of 2. -
Folder 3: Singer Phred Mileski
Correspondence. -
Folder 4: David Berry: The Journal of Music Theory During the Forte Years, 2007
Article and correspondence. -
Folder 5: Library of Congress bequest, 1998-2002
Correspondence and statement of bequest (1999) of materials from Forte to the Library of Congress. -
Folder 6: Ph.D Dissertations
List of Ph.D. dissertations which Forte supervised at Yale, with 2007 American Musicological Society directory. -
Folder 7: Correspondence with Dr. Timothy Jackson; "Yale University Press book of articles"
-
Folder 8: Photos and Vitae
Curriculum vitae. Folder 1 of 3. -
Folder 9: Photos and Vitae
Includes older photos. Folder 2 of 3. -
Folder 10: Photos and Vitae
Includes CD-ROM labeled "A.F. portraits." Folder 3 of 3. -
Folder 11: Octatonic Studies
Assorted articles, notes, and correspondence. -
Folder 12: Octatonic Studies
Assorted articles, notes, and correspondence. -
Folder 13: Octatonic Studies
Assorted articles, notes, and correspondence. -
Folder 14: Photos
Three envelopes, and loose photos. -
Folder 15: "Biographical misc."
Folder 1 of 3.Access Restriction: Curriculum vitae and personal recollections. -
Folder 16: "Biographical misc."
Folder 2 of 3.
-
-
Box 11
-
Folder 1: "Biographical misc."
Folder 3 of 3.Access Restriction: Personal recollections, correspondence, photocopy of C.P.E. Bach work. -
Folder 2: The Marriage of Note and Word in Two Songs by the Gershwins
Includes page from "Reflections Upon the Gershwin-Berg Connection," 1998. -
Folder 3: Subsets - master - pasted-up reductions
-
Folder 4: Verdi - scala enigmatica
-
Folder 5: S138 - course syllabus, course announcement
-
Folder 6: Europe - Salzburg, Paris, 2005
Correspondence, course syllabus (S138) -
Folder 7: Salzburg - S138
Course syllabus. -
Folder 8: Letter to Helene Berg
-
Folder 9: Whittall review of Lewin
Review of David Lewin's Musical Form and Transformation: Four Analytic Essays, by Arnold Whittall, in Musical Times Vol. 11, No. 93. -
Folder 10: Theory and Analysis of Atonal Music, 1991 Spring
Syllabus and lesson plan outlines. -
Folder 11: Theoretical Studies
"902 - Atonal course," class materials -
Folder 12: Fusako Hamao, 1995
Paper and cover letter. -
Folder 13: Maurice Ravel - school fugue
Score, likely generated from notation program. -
Folder 14: Drawings of composers in the Andre Mayer Collection
Photocopies. -
Folder 15: Graphs sent by Dr. Timothy Jackson - Beethoven
-
Folder 16: Analytical Approaches to Webern's Atonal Music Since 1947
-
Folder 17: Tristan article, Musicae Scientiae, 1998
"A Schenkerian Reading of an Excerpt from Tristan und Isolde," Musicae Scientiae special issue, pages 15-26 -
Folder 18: Berg: Wozzeck
Scores, analyses, and sketches. -
Folder 19: Berg: Op. 6, No. 2; Op. 4, No. 3; String Quartet
Analyses. -
Folder 20: Berg: Op. 7
Various materials, including scores and analyses. -
Folder 21: New "BIPS"
Computer- generated printout of Forte pitch-class sets. -
Folder 22: Royalty statement for Introduction to Schenkerian Analysis, 2007
-
Folder 23: Contract and royalty statements for The American Popular Ballad
-
Folder 24: Berg: Altenburg lieder, No. 2
Photocopy of annotated score and analysis. -
Folder 25: Ken Todd: I Got, You Got, We Got, 2000 October
Lead sheet. -
Folder 26: Christopher Hasty - Trio
Score, photocopy of manuscript. -
Folder 27: "Old correspondence", 1973-1979
-
Folder 28: Schoenberg File #4
Scores and analyses. Folder 1 of 3. -
Folder 29: Schoenberg File #4
Gurrelieder, score. Folder 2 of 3. -
Folder 30: Schoenberg File #4
Pelleas und Melisande, score. Folder 3 of 3. -
Folder 31: Introduction to a Theory of Intervallic Harmony: The Summation Vectors
"Not final version." -
Folder 32: Schoenberg as Webern
"Lecture version." -
Folder 33: Unidentified tune arrangement
-
Folder 34: Introduction to a Theory of Intervallic Harmony: The Summation Vectors, 2009
Missing examples noted. -
Folder 35: Berg: Wozzeck
Excerpt and analyses. -
Folder 36: Introduction to a Theory of Intervallic Harmony: The Summation Vectors
"Estonia version." Reading copy, second copy. -
Folder 37: Shanghai, keynote address, 2009 October
-
Folder 38: French-language travel guide for Shanghai
-
Folder 39: "My involvement with atonal music"
"For Shanghai," "introductory" -
Folder 40: Excerpt of "Pitch-Class Set Analysis Today"
-
Folder 41: Combinational properties of tetrachords
Explained as distinct from "combinatorial." -
Folder 42: Pitch-class set and summation vectors
"Not an article." -
Folder 43: Lecture I, Shanghai: "The Historical Background of Pitch-Class Set Theory", 2009 October
Lecture and notes. -
Folder 44: Inversion-invariance vectors
Computer printout. -
Folder 45: Material for Shanghai - Pitch-class set theory, 2009
Printouts of pitch-class sets by Forte number, notes, list of selected articles by Forte -
Folder 46: Ordered and unordered sets
Lecture notes, material for Shanghai. -
Folder 47: A. Magino paper
-
Folder 48: Begin the Beguine
Photocopy of sheet music. -
Folder 49: Babbitt songs
Scores, arrangements, analyses, correspondence. -
Folder 50: Berry, Jackson, Forte correspondence, 2012
-
Folder 51: M. Braun article, Mozart, 2013 August
-
Folder 52: Adamowicz, 2005
Correspondence. -
Folder 53: CPAS Newsletter, Volume 5, No. 1, 2004 September
University of Tokyo Center for Pacific and Asian Studies. In Japanese and English.
-
-
Box 12
-
Folder 1: Cole Porter - lead sheets and analyses
-
Folder 2: Cole Porter
Various materials, including materials for 2009 class. -
Folder 3: Schoenberg: Three Pieces for Chamber Orchestra, third movement
List of pitch-class sets -
Folder 4: Cole Porter
Sheet music, book about the movie De-Lovely -
Folder 5: Jones: What Love Is, 2006
Sheet music. -
Folder 6: Ad for Songs of Today and Yesterday
-
Folder 7: Robert Lemay: 6 Ushebtis
Other materials included. -
Folder 8: Assorted materials, analyses, and correspondence, circa 2008
-
Folder 9
See oversize box. -
Folder 10: Cole Porter's Life in Music
Text, lecture materials, song lists, lyrics -
Folder 11
See oversize box. -
Folder 12: Cole Porter: At Long Last Love; I Concentrate on You
Multiple copies of sheet music. -
Folder 13: Cole Porter, 1993-1994
Includes class materials. -
Folder 14: Copland: Piano variations
Copy of score. -
Folder 15: Lemay: Tanze vor Angst
Spiral-bound copy of score. -
Folder 16
See oversize box. -
Folder 17
See oversize box. -
Folder 18: Schumann: Album for the Young, Op. 68
Edition Peters, edited by Emil Sauer. Plate number 10478. -
Folder 19: Cole Porter
Sheet music and correspondence. -
Folder 20: Messiaen lecture
"Olivier Messiaen's Twenty Views of the Infant-Jesus, No. II: Musical Materials, Interpretation, and Performance," by Allen and Madeleine Forte. -
Folder 21: Irving Berlin: Always
Lyrics with chord symbols. -
Folder 22: Cole Porter program - Mu Phi Epsilon performance, Florida, 2008 August
Correspondence. -
Folder 23: Messiaen: Chronochromie, 2007
Brief summary, correspondence. -
Folder 24: Christian Martin Schmidt festschrift, 2007
Correspondence, and a copy of "Schoenberg as Webern." -
Folder 25: Abstract for "Olivier Messiaen's Vingt Regards: A Study of the Chords" for R, 2008 April
-
Folder 26: Seven Songs By Cole Porter - Koerner Center, Yale, 2009 September 17
-
Folder 27: L. Solomon, Yale University Press, 1983-1984
Correspondence. -
Folder 28: Correspondence with M. Litchfield, other letters, genealogical information
-
Folder 29: Tonal Harmony in Concept and Practice, 1961-2001
Contracts and royalty statements. -
Folder 30: American Academy of Arts and Sciences, 1995
Materials related to Forte's induction into AAAS. -
Folder 31
See oversize box. -
Folder 32: Yale commencement, 2004
Various materials.
-
-
Box 13
-
Folder 1: Shanghai, 2009
Includes group photo, book of Theses for the 1st National Symposium for Musical Analytics, various photocopied items, symposium program, and Chinese translation of Forte's The Harmonic Organization of the Rite of Spring. -
Folder 2: Course packet, MU814b, 2000 Spring
-
Folder 3: Text and examples for "Motivic and Linear Design in Debussy's La Terrasse des audiences du clair de lune", 1989 June
Analyse Musical Vol. 16, pages 10-17. -
Folder 4: Debussy: Prelude a "L'apres-midi d'un faune"
Copies of score, analysis (possibly by a student) -
Folder 5: Examples of pitch-class set 7-34 in Debussy
-
Folder 6: Debussy: Jeaux
Photocopy of score for piano, 4 hands. -
Folder 7: Pitch-class sets by Forte number
Multiple copies. -
Folder 8: Debussy: Chronological list of published works
"Marked for octatonic content." -
Folder 9: Debussy: Nocturnes
Photocopy of score for piano, 4 hands. -
Folder 10: "122 originals"
Photocopied pages of piano vocal score to Pelleas et Melisande (likely Debussy). -
Folder 11: Music 814b - course packet materials
-
Folder 12: The American Popular Ballad
Various photocopied pages, along with articles "Exploring Transpositional Combination beyond the Mod12-Universe," by Christoph Niedhofer, and "Harmonic Relations: American Popular Harmonies and Their European Kin," by Forte. -
Folder 13: Two issues of Music Analysis
Vol. 4, No. 1-2.; Vol. 17, No. 2.Access Restriction: 1985 March-July; 1998 July -
Folder 14: CPAS Newsletter, Volume 5, No. 2, 2005 March
University of Tokyo Center for Pacific and Asian Studies. In Japanese and English. -
Folder 15: Ex tempore, Volume 12, No. 1, 2004 Spring-Summer
-
Folder 16: Music Analysis Vol. 17, No. 2, 1998 July
5 copies. Issue theme was "Pitch-Class Set Genera: A Symposium." -
Folder 17: Programs and article off-prints
Programs from Johns Hopkins (Petrarch and the Arts, Forte lecture-recital on Liszt's Tre Sonneti de Petrarca) and Yale. Includes contact info for a local jazz ensemble. -
Folder 18: The Musical Quarterly, Vol. 76, No. 3, 1992 Fall
2 copies. Includes "The Diatonic Looking Glass, or an Ivesian Metamorphosis" by Forte. -
Folder 19: Various articles
Photocopies. -
Folder 20: Forte festschrift in Gamut Vol. 2, No. 1, 2009
Plastic comb-bound copy. -
Folder 21: Yale Summer Programs, Austria, 2002
Course materials - Music of Schoenberg's Middle Period. -
Folder 22: Correspondence from David Lewin, 1995 March 22
-
Folder 23: Music Theory Yesterday and Today, 2009
For Symposium on Music Theory in Beijing. -
Folder 24: Schoenberg, Sech Klavierstucke, Op. 19, No. 4: Another Perspective, 2010 March
"March 2010 version." -
Folder 25: Introduction to a Theory of Intervallic Harmony: The Summation Vectors, 2010
Copies 1-6. -
Folder 26: Introduction to a Theory of Intervallic Harmony: The Summation Vectors, 2010
Copies 7-11. -
Folder 27: Messiaen's Mysterious Birds, 2010 March
"March 2010 version." -
Folder 28: Marion Eastman - stenography certificate, 1919
Family document, in monogrammed brown suede case. -
Folder 29: Photocopies of ads and photos from S. Hyde
-
Folder 30: Glossy scan of Harold Arlen manuscript of "Over the Rainbow"
-
Folder 31: Princeton University Press - reviews and publicity
-
Folder 32: Reviews of The American Popular Ballad of the Golden Era
-
-
Box 14
-
Folder 1: Institut de Recherche et Coordination Acoustique / Musique (IRCAM), 2003 October
Correspondence, travel arrangements, program book. -
Folder 2: "Congrats for professorship", 2000
Correspondence on the occasion of the establishment of the Allen Forte Professorship of Music Theory -
Folder 3: Yale Summer Program - MUSI S-138, 2006 July 10-August 11
Topic: "Four major twentieth-century Austrian composers." -
Folder 4: Correspondence, 2006
-
Folder 5: Madeleine - Brussels, 2006
Travel arrangements. -
Folder 6: Additional correspondence, 2006
-
Folder 7: Schoenberg course packet - original, circa 2006
S-137. Includes correspondence. -
Folder 8: Salzburg, 2005
Audio examples on compact disc - 4 discs. -
Folder 9: Salzburg, 2005
Course material. Folder 1 of 2. -
Folder 10: Salzburg, 2005
Course material. Folder 2 of 2. -
Folder 11: Ruggles
Annotated copy of score pages from Carl Ruggles' Evocations III. -
Folder 12: Webern: Op. 5, No. 3
Annotated scores, "worksheets." -
Folder 13: Ernst Oster's Letters, 1963-1964
-
Folder 14: Travel diaries
-
Folder 15: Passports
-
Folder 16 : Assorted miniature scores
Beethoven (Lea Pocket Scores 61,62, 63), Brahms (Op. 56a, Eulenberg edition), Handel (Lea Pocket Scores 54, 86), Haydn (Kalmus Miniature Orchestra Scores No. 24), Mussorgsky (Boris Gudonov, Bessel/Breitkopf & Härtel), Schubert (Symphony 8, Philharmonia No. 2). -
Folder 17: Jan Maegaard: Studien zur Entwicklung des dodekaphonen Satzes bei Arnold Schoenberg - I; Notenbeilage, 1972
Copenhagen: Wilhelm Hansen, Music-Forlag. Two volumes.
Includes annotations and errata sheet.
-
Folder 18: Tom Johnson: Four-Note Chords in Four Voices; Counting Keys, 2009; 2007
Score for "Four-Note Chords," piece dedicated to Forte (Paris: Editions 75, 2009); CD insert for Counting Keys (Editions Wandelweiser EWR 0901, 2007). -
Folder 19: Chou Wen-Chung: All in the Spring Wind; And the Fallen Petals; Landscapes; Soliloquy of a Bhiksuni; Yü Ko.
Miniature scores, except for "Soliloquy." Edition Peters 6225, 6226, 6227, 6228. -
Folder 20: Shyhji Pan-Chew - Chou Wen-Chung: An Introduction to His Music and Thoughts
Includes photo dated 2009 of Forte and Mrs. Forte with students. -
Folder 21: "Miscellaneous personal"
-
Folder 22: Letter from David Lewin, 1987 January 27
Found in a copy of Lewin's Generalized Musical Intervals and Transformations.
-
-
Box 15: Family photos
-
Box 16: Sharland Forte
Photos and paintings by Sharland Forte, family photos, postcards, photonegatives. -
Box 17: Oversize items
-
Folder 1.26: Haydn - sketches for The Creation
Facsimile copies of Haydn's own manuscript; sketches by Forte. -
Folder 2.21: Scott Hyde - "Caps" book and "The Real Great Society Album"
-
Folder 4.20: Schoenberg: Op. 24 - drafts
Photocopies of manuscripts. -
Folder 4.21: Schoenberg: Op. 6 - drafts
Photocopies of manuscripts. -
Folder 4.22: Schoenberg: Op. 22 - sketches
Photocopies of manuscripts. -
Folder 4.23: Schenker compositions
Photocopies of manuscripts and published works. -
Folder 6.7: "Brahms"
Folder labeled "Brahms," but contains popular song lead sheets and Forte arrangement of "You're Nearer." -
Folder 9.14: Post-tonal - Berg analysis of Schoenberg's Erwartung.
Photocopy of annotated score.
-
-
Box 18: Oversize items
-
Folder 12.9: Tonal Harmony; Pelleas et Melisande
Items found rubber-banded together. -
Folder 12.11: Cole Porter
Lead sheets and biographical material.
-
-
Box 19: Oversize items
-
Folder 12.16: Nocturne - by Madeleine Forte, 1967 December
-
Folder 12.17: Arrangements in pencil: "The Man I Love"; "The Way You Look Tonight"
-
Folder 13.5: Yale commencement, 2004
-
Folder 13.8: "Show" time - Sharland Forte paintings and publicity
-
Item 1: Family photo album
-
Item 2: Folded cardboard photo collage
-
Item 3: Small framed photo of Max Palmer Forte.
-
Item 4: Tom Johnson: Symmetries, 2003
Inscribed to Allen and Madeleine Forte. Two-Eighteen Press / Editions 75.
-
-
Box 20: Books
Arranged by category: History, Linguistics, Cognition/Psychology, Logic/Mathematical Concepts, Number Theory, Algebra, Finite Mathematics, Group Theory.-
Item 1: Applegate - The Most Famous Man in America: The Biography of Henry Ward Beecher, 2006
New York: Three Leaves Press (Doubleday). ISBN 978-0-385-51397-5. -
Item 2: McNeill - The Rise of the West: A History of the Human Community, 1963
Chicago: University of Chicago Press. -
Item 3: Carnap - The Logical Syntax of Language, 1954
London: Routledge & Kegan Paul Ltd. -
Item 4: Cherry - On Human Communication, 1957
New York: Wiley; The Technology Press of Massachusetts Institute of Technology. -
Item 5: Chomsky - Aspects of the Theory of Syntax, 1965
Cambridge: The M.I.T. Press -
Item 6: Gleason: An Introduction to Descriptive Linguistics, 1955
New York: Henry Holt and Company. -
Item 7: Greenberg, ed. - Universals of Language, 1966
Cambridge: The M.I.T. Press. -
Item 8: Whorf - Language, Thought, and Reality: Selected Writings of Benjamin Lee Whorf, 1966
Cambridge: M.I.T. Press. -
Item 9: Waterman - Perspectives in Linguistics: An Account of the Background of Modern Linguistics
Chicago: Phoenix Books (University of Chicago Press). -
Item 10: Dewey - Art As Experience, 1958
New York: Capricorn Books. -
Item 11: Goodman - The Structure of Appearance, 1966
Indianapolis: Bobbs-Merrill Company, Inc. -
Item 12: Margolis - Patterns, Thinking, and Cognition: A Theory of Judgment, 1987
Chicago: University of Chicago Press. ISBN 0-226-50528-6. -
Item 13: Morris - Signification and Significance: A Study of the Relations of Signs and Values, 1964
Cambridge: The M.I.T. Press. -
Item 14: Russel - Human Knowledge: Its Scope and Limits, 1956
London: George Allen and Unwin Ltd. -
Item 15: Stevens and Davis - Hearing: Its Psychology and Physiology, 1960
New York: John Wiley & Sons, Inc. -
Item 16: Ward-Steinman - Toward a Comparative Theory of the Arts, 1989
San Diego: SDSU Press. Inscribed to Forte by author, dated 1991. -
Item 17: Bach - An Introduction to Transformational Grammars, 1964
New York: Holt, Rinehart and Winston, Inc. -
Item 18: Cohen and Nagel - An Introduction to Logic and the Scientific Method, 1934
New York: Harcourt, Brace and Company. -
Item 19: Ellis - Basic Concepts of Measurement, 1966
London: Cambridge University Press. -
Item 20: Luce, Bush, and Gardner - Handbook of Mathematical Psychology, 1963
Volume II, Chapters 9-14.
New York: John Wiley and Sons, Inc.
-
Item 21: Kershner and Wilcox: The Anatomy of Mathematics, 1950
New York: The Ronald Press Company. -
Item 22: National Council of Teachers of Mathmatics - Insights Into Modern Mathematics: Twenty-Third Yearbook, 1957
Washington, D.C.: National Council of Teachers of Mathematics. -
Item 23: Frege - Foundations of Arithmetic: A Logico-Mathematical Enquiry Into the Concept of Number, 1884; 1968
Translated version by J.L. Austin. Evanston, IL: Northwestern University Press. -
Item 24: Ore - Number Theory And Its History, 1948
New York: McGraw-Hill Book Company, Inc. -
Item 25: Yaglom and Yaglom - Challenging Mathematical Problems with Elementary Solutions, Volume I: Combinatorial Analysis and Probability Theory, 1964
San Francisco: Holden-Day, Inc. -
Item 26: Birkhoff and MacLane - A Survey of Modern Algebra, revised edition, 1961
New York: The MacMillan Company. -
Item 27: Davis - Computability and Unsolvability, 1958
New York: McGraw-Hill Book Company, Inc.
-
-
Box 21: Books and videocassettes
Videocassettes begin at Item 10. All are VHS except for Item 24.-
Item 1: Hu - Elements of Modern Algebra, 1965
San Francisco: Holden-Day, Inc. -
Item 2: Iverson - Elementary Functions: An Algorithmic Treatment, 1966
Chicago: Science Research Associates, Inc. -
Item 3: Whitesitt - Boolean Algebra and Its Applications, 1961
Reading, MA: Addison-Wesley Publishing Company, Inc. -
Item 4: Busacker and Saaty - Finite Graphs and Networks: An Introduction with Applications, 1965
New York: McGraw-Hill Book Company. -
Item 5: Kemeny, Mirkil, Snell, and Thompson - Finite Mathematical Structures, 1965
Englewood Cliffs, NJ: Prentice-Hall, Inc. -
Item 6: Kemeny, Snell, and Thompson - Introduction to Finite Mathematics, 1960
Englewood Cliffs, NJ: Prentice-Hall, Inc. -
Item 7: Grossman and Magnus: Groups and Their Graphs, 1964
New York: Random House, Inc. -
Item 8: Papy: Groups, 1964
New York: St. Martin's Press. -
Item 9: Zassenhaus - The Theory of Groups, 1958
New York: Chelsea Publishing Company.
Book collection ends with this item.
-
Item 10: Young Pianists in Concert, from the studio of Boise State University Professor Madeleine Hsu, 1986 May 24
"Young Idaho Artists, 7 to 18." -
Item 11: Peskanov Piano Fest, Boise State University, 1993 November 5-6
1 of 8. -
Item 12: Peskanov Piano Fest, Boise State University, 1993 November 5-6
2 of 8. -
Item 13: Peskanov Piano Fest, Boise State University, 1993 November 5-6
3 of 8. -
Item 14: Peskanov Piano Fest, Boise State University, 1993 November 5-6
4 of 8. -
Item 15: Peskanov Piano Fest, Boise State University, 1993 November 5-6
5 of 8. -
Item 16: Peskanov Piano Fest, Boise State University, 1993 November 5-6
6 of 8. -
Item 17: Peskanov Piano Fest, Boise State University, 1993 November 5-6
7 of 8. -
Item 18: Peskanov Piano Fest, Boise State University, 1993 November 5-6
8 of 8. -
Item 19: Boise State University Concerto-Aria Concert, János Kéry, piano, 1994 April 29
Broadcast on KBSU. -
Item 20: Peskanov, 1994 August 1
-
Item 21: Mozart/Beethoven/Liszt, 1994 August 3
"NPIMA." -
Item 22: Inauguration de Roseann, Chez Regula, Gettysburg, Bearsville; Pierre Bardon à St-Maximin; Soeur Emanuelle., 2001 October 11
-
Item 23: No title
Identifiable by Kodak branding. -
Item 24: Bartok
Beta videocassette.
-
-
Box 22
-
Folder 1: Article offprints
Folder 1 of 2. -
Folder 2: Article offprints
Folder 2 of 2. -
Folder 3: Catalog of the Cole Porter Collection at Yale University, 1982
Compiled by Tulin Duda. -
Folder 4: Copy of Kurt Weill song collection
Photocopies in plastic comb binding. -
Folder 5: Indiana Theory Review, Vol. 21, 2000 Spring/Fall
Inscribed to Forte by David Berry. -
Folder 6: Circuit magazine materials
Covers and promotional info for Circuit: Revue nord-américaine de musique du XXe siècle (University of Montreal Press). -
Folder 7: Various materials
Materials on Siglind Bruhn, "Addenda to a Curriculum Vitae," by Walter Kahn, "Wenren and Culture," by Chou Wen-Chung, programs, Les Cahiers de la Societe Quebecoise de recherche en music, Vol. 1, No. 1-2. -
Item 8: Binder: Summation vectors and combinatorial material (computer program output)
-
Item 9: Binder: Schenkerian analysis of numerous popular songs, organized by composer
-
Item 10: Binder: piano-vocal score of Porgy and Bess
-
Item 11: Assorted issues of the Journal of the American Liszt Society, 1993-2007
-
-
Box 23
From June 26, 2015 accrual.-
Item 1: Hsu, early 1970s, March 16
No year given. 7-inch audio reel. Likely from Boise State University. -
Item 2: BSC Chamber Players concert, Wm. Hsu, conducting, 1972 November 5
7-inch reel, tape speed 19 cm/second. -
Item 3: Madeleine Hsu, Boise State University: Piano recital, faculty artist series, 1979 March 16
7 inch reel. Program:
Music from Hungary:
Béla Bartók: Sketches, Op. 9 - Portrait of a Girl; See-Saw, Dickery-Daw; Lento; Non troppo lento; Roumanian Folk Melody; In Walachian Style; Poco Lento
Béla Bartók: The Vagabond - Evening in the Country of Transylvania; Three Hungarian Popular Songs
Franz Liszt: Transcendental Étude in F minor, "Appasionata"
Music from Brazil:
Oscar Lorenzo Fernández: Second Brazilian Suite (about original themes) - I. Ponteio (Prelude); II. Moda (Song); III. Cateretê (Dance)
Camargo Guarnieri: Ponteios - Dansa negra
Music from Russia:
Sergei Rachmaninoff: Moments musicaux - Andante cantabile; Presto
Peter Ilich Tchaikovsky: Dumka, Op. 59.
-
Item 4: Madeleine Hsu, pianist
7-inch reel, 7.5 ips / 19 cm-second.
Program:
J.S. Bach: Toccata in C minor (BWV 911)
Frédéric Chopin: Études - Op. 10, No. 3; Op. 10, No. 5 ("Black keys")
Franz Liszt: Feux follets (Transcendental étude No. 5,in B-flat)
Claude Debussy: L'isle joyeuse
Maurice Ravel: Scarbo (Gaspard de la nuit)
Sergey Prokofiev: Piano Sonata No. 3 in A minor, Op. 28
Frédéric Chopin: Polonaise fantaisie
-
Item 5: Bartok: Sonata for Two Pianos and Percussion
7-inch reel, 7.5 ips.
Pianists: György Sándor, Rolf Reinhardt
Percussion: Otto Schad, Richard Sohm
-
Item 6: Piano Ensemble Concert, Madeleine Hsu, director, 1977 March 4
7-inch reel, 7.5 ips.
Robert Schumann: Geburtstagmarsch - Cinda Griff and Linda Wesely
Bret Simmons: Torreón - Bret Simmons, Linda Fisher, Meg Rayborn
J.S. Bach: Concerto in A Minor for Four Keyboards (BWV 1065) - Madeleine Hsu, Anna Holley, Melody Youtz, Debbie Coiner - I. Allegro; II. Largo; III. Allegro
Michael Baker: Capriccio - Tracy Ralphs and Cinda Griff
Manuel de Falla: Noches en los jardines de España - Madeleine Hsu and Anna Holley - I. En el Generalife; II. Danza Lejana; III. En los jardines de la Sierra de Córdoba
-
Item 7: Madeleine Hsu presents Martin Buff - piano recital, 1974 April 27
7-inch reel.
Dmitry Kabalevsky: Sonatina No. 1 - I. Allegro; II. Andantino; III. Presto
Sergey Prokofiev: Visions fugitives, Op. 22 - No. 15; No. 16
Domenico Scarlatti: Sonata in D Minor, K. 517
Claude Debussy: Preludes, No. 8, The Girl with the Flaxen Hair; No. 3, The Wind in the Plain
Ludwig van Beethoven: Sonata, Op. 2, No. 2 - Allegro vivace
Frédéric Chopin: Ballade No. 2 in F minor, Op. 38
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Item 8: Boise State University - two performances, 1975 February 23
First performance: University - Community Symphony - Nineteenth Annual Youth Concert, 4:00 p.m.
Ernst Toch: Pinocchio (A Merry Overture)
Sergei Rachmaninoff: Rhapsody (on a Theme by Paganini) - Variations I through XIIIand XVIII.
Martin Buff, piano, on Toch, Rachmaninoff.
Terig Tucci: Danza Campera - Zamba (Country Dance)
Franz Strauss: Concerto in C Minor, Op. 8 - Allegro moderato
Kathleen Kircher, french horn, on Tucci, Strauss
Frederick Delius: A Walk to the Paradise Garde, (from A Village Romeo and Juliet)
Edvard Grieg: Concerto in A Minor, Op. 16 - Allegro molto moderato
Bret Simmons, piano, on Delius, Grieg
Second performance: Charles Enlow, piano recital, 8:15 p.m.
Joseph Haydn: Sonata in E-flat Major (1798) - I. Allegro moderato; II. Adagio; III. Finale: Presto
Frédéric Chopin: Polonaise in F-sharp Minor, Op. 44
Sergey Prokofiev, Piano Sonata No. 3 in A minor, Op. 28
Edward McDowell: Concerto No. 2 in D Minor, Op. 23 - I. Larghetto calmato; II. Presto giocoso; III. Largo-Molto allegro - assisted by Mrs. Anna Holley
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Item 9: Charles Enlow, freshman piano recital, 1975 February 23
7-inch reel. May duplicate content on previous reel.
Joseph Haydn: Sonata in E-flat Major (1798) - I. Allegro moderato; II. Adagio; III. Finale: Presto
Frédéric Chopin: Polonaise in F-sharp Minor, Op. 44
Sergey Prokofiev, Piano Sonata No. 3 in A minor, Op. 28
Edward McDowell: Concerto No. 2 in D Minor, Op. 23 - I. Larghetto calmato; II. Presto giocoso; III. Largo-Molto allegro - assisted by Mrs. Anna Holley
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Item 10: Rachmaninoff, 1973
Recordings apparently from The Complete Rachmaninoff - RCA, 1973 (ARM3-0294), labeled by record side:
Side A: Sergei Rachmaninoff plays his Concerto No. 3 in D Minor, Op. 30 - I. Allegro; II. Intermezzo: Adagio; III. Finale Allegro.
Side B: Rhapsody on a Theme of Paganini, Op. 43. Leopold Stokowski, conductor.
Side C: Concerto No. 4 in G Minor, Op. 40 - I. Allegro vivace; II. Largo; III. Allegro vivace. The Philadelphia Orchestra, Eugene Ormandy, conductor.
Side D: Concerto No. 2 in C Minor, Op. 18. Leopold Stokowski, conductor.
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Item 11: Boise State College presents Piano Students of Madeleine Hsu in a Concerto Recital, 1973 December 15
"In homage to Josef Lhevinne, pioneer of the American piano school."
Ludwig van Beethoven: Concerto in E-flat Major ("Empereur"), Op. 73 (extract) - Robyn Metz, piano
Wolfgang Amadeus Mozart: Concerto in B-flat Major, K. 595 (extract) - Darcey Burchfield, piano
Ludwig van Beethoven: Concerto in C Minor, Op. 37 (extract) - Linda Jo Faylor, piano
Wolfgang Amadeus Mozart: Concerto in D Minor (K. 466), III. Allegro assai - Martin Buff, piano
Franz Liszt: Concerto in E-flat Major, No. 1 (extract) - Stephen Gloth, piano
Ludwig van Beethoven: Concerto in G Major, Op. 58 (extract) - Mark Wilson, piano
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Item 12: Madeleine Hsu - first Boise State University recital, 1971 October 24
7-inch reel, 7.5 ips, stereo.
Side 1:
J.S. Bach: Chromatic Fantasy (BWV 903)
Ludwig van Beethoven: Piano Sonata No. 18, Op. 31, No. 3
Side 2:
Sergey Prokofiev: Piano Sonata No. 3 in A Minor, Op. 28
Frédéric Chopin: Polonaise-Fantaisie, Op. 61
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Item 13: WNBC, New York: Madeleine Demory, 1969
7-inch reel. Tape date: 1969 March 14. Broadcast date given as January-February 1969.
Container includes letter from Judy Murray on WNBC letterhead, dated 1969 July 22.
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Item 14: Madeleine Hsu - Idaho Music Festival, 1978 July 15-23
7-inch reel, 7.5 ips.
Side 1: Recital
Side 2: Preludes, cont'd., Nocturne, Polonaise, Concerto
(No other program information present.)
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Item 15: Boise State College Concert Class: A Concert of Chamber Music, 1973 April 27
7-inch reel.
Samuel Barber: Sonata, Op. 6 (1936) - I. Allegro ma non troppo; II. Adagio; III. Allegro appassionato - Virginia Cockrum, cello; Madeleine Hsu, piano
Ludwig van Beethoven: Piano Trio, Op. 11, No. 4 in B-flat major - I. Allegro con brio - William Hsu, violin; Virginia Cockrum, cello; Madeleine Hsu, piano
Felix Mendelssohn: Piano Trio, Op. 49 in D minor - I. Molto allegro ed agitato; II. Andante con moto tranquillo; IV. Finale - Allegro assai appassionato - William Hsu, violin; Virginia Cockrum, cello; Sara Blood, piano
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Item 16: Recital da pianista Madeleine Demory na TV Globo, 1966 July 17
7-inch reel. "Chopin concerto."
Note enclosed on Ministério da Educação e Cultura stationery.
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Item 17: Madeleine Hsu - piano recital, Boise State College, 1971 October 24
5-inch reel, 7.5 ips.
Side 1:
J.S. Bach: Chromatic Fantasy and Fugue (BWV 903)
Ludwig van Beethoven: Piano Sonata No. 18, Op. 31, No. 3
Side 2:
Sergey Prokofiev: Sergey Prokofiev: Piano Sonata No. 3 in A Minor, Op. 28
Frédéric Chopin: Polonaise-Fantaisie
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Item 18: Robert Vernon, violin; Madeleine Demory, piano - The Juilliard School Theater, New York, 1967
5-inch reel. Tape 1 of 2.
Igor Stravinsky: Berceuse from "L'oiseau de Feu"
[illegible - Drino?] Music for Violin and Piano (1957).
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Item 19: Robert Vernon, violin; Madeleine Demory, piano - The Juilliard School Theater, New York, 1967
5-inch reel. Tape 2 of 2. -
Item 20: Georges Bizet works - flute, piano, clarinet, 1972 February 26
5-inch reel. Students of Madeleine Hsu with special guests on flute and clarinet. -
Item 21: Madeleine Hsu - first Boise State University recital, 1971 October 24
5-inch reel, 7.5 ips.
Side 1:
J.S. Bach: Chromatic Fantasy (BWV 903)
Ludwig van Beethoven: Piano Sonata No. 18, Op. 31, No. 3, movements I, II, III
Side 2:
Beethoven, movement IV
Sergey Prokofiev: Piano Sonata No. 3 in A Minor, Op. 28
Frédéric Chopin: Polonaise-Fantaisie, Op. 61
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Item 22: Madeleine Hsu, piano - "TV recital", undated
5-inch reel, 7.5 ips.
J.S. Bach: Toccata in E minor (BWV 914)
Frédéric Chopin: Études
Franz Liszt: Feux follets (Transcendental étude No. 5,in B-flat)
Claude Debussy: L'isle joyeuse
Maurice Ravel: Scarbo (Gaspard de la nuit)
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Item 23: Madeleine Hsu, piano recital, 1993 December 3
VHS. "Masterpieces, piano repertoire." -
Item 24: Madeleine Hsu, 1990 February 9
VHS. "Governor's award." -
Item 25: Madeleine Hsu in rehearsal with the Boise Philharmonic, 1987 April 25
VHS. "Cesar Franck - Symphonic Variations." -
Item 26: Rhythm, Form, Light: A Walk - Olen Hsu, undated
VHS. -
Item 27: Madeleine Forte and István Nádas: New By Two, A Live Performance of French Music by Duo-Pianists; Madeleine Forte and Del Parkinson, undated; 1990 April 12
VHS.
With Nádas:
Broadcast on KAID-TV, Boise State University
Camille Saint-Saëns: Variations on a Theme by Beethoven, Op. 35
Claude Debussy: En blanc et noir
Maurice Ravel: La Valse
Francis Poulenc: Concerto for Two Pianos
Encore: Francis Poulenc, Valse
With Del Parkinson - Duo pianists, Pops Concert to Celebrate the Idaho Centennia, 1890-1990
Rossini/Gottschalk: William Tell Overture
Bach/Hess: Jesu, Joy of Man's Desiring
Rimsky-Korsakov/Pierce: The Flight of the Bumble Bee ("dedicated to Hsu and Parkinson, by Brent Pierce")
Strauss/Chasins: The Blue Danube Waltzes
Liszt/Kleinmichel: Hungarian Rhapsody No. 2
Gershwin/Grainger: Fantasy on "Porgy and Bess"
Americana (in commemoration of the centennial of Idaho's statehood), Traditional/Smith: Skip to My Lou, All the Pretty Little Horses; Chicken Reel
Copland/Gold & Fizdale: Saturday Night Waltz; Hoe-Down (from "Rodeo)
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Item 28: Duo Forte-Nádas: A Historic Live Performance at the Special Events Center on the Campus of Boise State University, 1980
Compact disc. Madeleine Forte and István Nádas, piano.
Claude Debussy: Six Epigraphes Antiques
Wolfgang Amadeus Mozart: Sonata in D Major (K. 448)
Franz Schubert: Fantasy in F Minor, Op. 103
J.S. Bach: Concerto in C major (BWV 1061)
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Item 29: Hsu - Regard de l'esprit de Joie
UCA 20S videocassette. -
Item 30: Hsu - Bartok - master
UCA 20S videocassette.
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Box 24
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Item 1: La merle bleu
UCA 20S videocassette. -
Item 2: Hsu - Messiaen
UCA 20S videocassette. -
Item 3: Madeleine Hsu - pianist, lecturer: "Visualization of Two Piano Works by French Composer Olivier Messiaen", 1982
UCA 30 videocassette.
"Assisted by Boise State University EMS director Ben Hambelton, Ken Hyde, and Dick Graybeal."
1. "Gaze of the Spirit of Joy"
2. "The Blue Rock Thrush"
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Item 4: Walter Piston: Harmony, revised edition, 1948
New York: W.W. Norton and Company. -
Item 5: Norton Anthology of Western Music in two volumes, Volume I, 1980
New York: W.W. Norton and Company. ISBN 0-393-95143-4. -
Item 6: Ludwig van Beethoven: String Quartet in C Minor, Op. 18, No. 4
Miniature score. New York Pro Art Publications / Belwin, Inc. Plate number: PMS 50. "A. Forte" partially visible on cover. -
Item 7: Ludwig van Beethoven: Prometheus, Op. 43 - Overture
Miniature score. New York: Pro Art Publications. Plate number PMS 72. -
Item 8: Prof. Allen Forte; Prof. Madeline Forte, 1950-2003
Assorted documents, including copies of degrees, awards, and conference programs. -
Item 9: Beethoven: Selected Sonatas: A Collection of Favorite Sonatas
Philadelphia: Theodore Presser Co., Volume 287. -
Item 10: Schumann: Fantasy Pieces for the Piano, Op. 12
Philadelphia: Theodore Presser Co., No. 292. -
Item 11: J.S. Bach: The Well-Tempered Clavichord, Vol. 1, 1893
New York: G. Schirmer, Schirmer's Library of Musical Classics, Volume 13. Plate number 11015. -
Item 12: Sonatinen-Album. Sammlung beliebter Sonatinen Rondos und Stücke für Pianoforte, herausgegeben von Louis Koehler und Adolf Ruthardt
Cincinnati: The John Church Co. -
Item 13: 59 Piano Solos You Like to Play, 1936
New York: G. Schirmer Inc. Plate number 37186. -
Item 14: Theodore Lack: Song of the Brook: Idylle, Op. 92, 1908
New York: Century Music Publishing Co. Plate number 1352-6. -
Item 15: Shiao Wen Tseng - Festival Dance; Ting Shan Te - Hide & Seek; Cheung Sau Ming - Thirty Miles Villa, 1997
Rockville, MD: Universal Associates. -
Item 16: Shun Chung Ge - Chopping Wood in the Morning; Li-Ly Chang: Divertissement, 1997
Rockville, MD: Universal Associates.
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Box 25: Allen Forte's doctoral cap, gown, and hood
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Box 26: March 8, 2016 accrual - 1
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Folder 1: "Elim Park" folder: published copies of compositions by Webern; computer printouts of pitch class sets
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Folder 2: Computer printouts of pitch class sets
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Item 3: Binder: Unary Voice-Leading Transformations
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Item 4: Plastic comb-bound copy of "Schenkerian Analysis of Modern Jazz: Volume II: Transcriptions" by Steven Leroy Larsen
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Box 27: Set of laminated Schenkerian analyses given as a gift to Allen Forte; two photos of Allen Forte at the piano.
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